The Sculptures of the ParthenonJ. Murray, 1903 - 173 pages |
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Alexander Stuart Murray. MAY 16 1940 F329 .M96 ΤΟ THE ROYAL ACADEMY OF ARTS THIS BOOK IS DEDICATED FROM A DEEP SENSE OF INDEBTEDNESS AND IN TOKEN OF MANY FRIENDSHIPS PAST AND PRESENT PREFACE N this book I have taken as a starting 483238.
Alexander Stuart Murray. MAY 16 1940 F329 .M96 ΤΟ THE ROYAL ACADEMY OF ARTS THIS BOOK IS DEDICATED FROM A DEEP SENSE OF INDEBTEDNESS AND IN TOKEN OF MANY FRIENDSHIPS PAST AND PRESENT PREFACE N this book I have taken as a starting 483238.
Page 3
... present is unfolded in the frieze of the cella . " Similarly M. Perrot , speaking of the frieze in the Mélanges Weil , p . 382 , says : " C'est la mise en scène de l'hommage solennel que la cité rendait . . . à sa chère et puissante ...
... present is unfolded in the frieze of the cella . " Similarly M. Perrot , speaking of the frieze in the Mélanges Weil , p . 382 , says : " C'est la mise en scène de l'hommage solennel que la cité rendait . . . à sa chère et puissante ...
Page 8
... present our information is too vague , first , as regards the distinctive styles of Alcamenes and Agoracritos , and secondly , as regards the limitations of a man of commanding genius as Pheidias undoubtedly was . All we know of ...
... present our information is too vague , first , as regards the distinctive styles of Alcamenes and Agoracritos , and secondly , as regards the limitations of a man of commanding genius as Pheidias undoubtedly was . All we know of ...
Page 15
... presents under a somewhat older type this same principle of a great middle group closed in by two chariots facing the centre , and serving to isolate as well as to magnify the protagonists . At Olympia the figures in the two wings of ...
... presents under a somewhat older type this same principle of a great middle group closed in by two chariots facing the centre , and serving to isolate as well as to magnify the protagonists . At Olympia the figures in the two wings of ...
Page 18
... present placed in the east pediment in the Elgin Room ( Pl . VIII . , Fig . 1 ) . In action and costume both are much alike . But there is a marked difference in the left arms . In our torso of Victory the left arm has been raised high ...
... present placed in the east pediment in the Elgin Room ( Pl . VIII . , Fig . 1 ) . In action and costume both are much alike . But there is a marked difference in the left arms . In our torso of Victory the left arm has been raised high ...
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Common terms and phrases
Acropolis Acropolis of Athens action Alcamenes angle Aphroditè apobates appear artistic Athenè Athenians attitude beauty birth of Athenè body British Museum Carrey's drawing carry cast Cecrops Centaur Centaurs and Lapiths central group central metopes centre chariot chariot group chiton colossal composition cows deities drapery east frieze effect Elgin Room Ergastinae figure folds fore leg front girls goddess gods gold and ivory Greek head helmet Hephaestos Hera horses Ilissos instances knee Lapith left arm left hand long sides Lord Elgin mantle marble Michaelis nearer north frieze north side nude form Olympia Olympos original in Athens Parthenon frieze Pausanias pediment of Olympia peplos Pheidias PLATE Poseidon possible present procession raised recognise represent right arm right hand scene sculptured seated seen shield shoulders Slab south metopes south side spectator temple Theseus turning round vase west frieze west pediment whole wings woman women xoanon youth Zeus at Olympia