The Sculptures of the ParthenonJ. Murray, 1903 - 173 pages |
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Page 22
... right wing represent the family of Erechtheus , as Professor Furtwaengler has proposed , we would be content so far ... hand clasping her knee , and his mantle stretched between him and her . On her left was another boy , R , of whom we ...
... right wing represent the family of Erechtheus , as Professor Furtwaengler has proposed , we would be content so far ... hand clasping her knee , and his mantle stretched between him and her . On her left was another boy , R , of whom we ...
Page 26
... right angle , as the analogy of the two river - gods at Olympia might lead ... hand , as in late Greek and Roman art ; we may fairly be content if his nude ... hand in a thin sheet of flat folds , which , though only sketched in , 26 THE ...
... right angle , as the analogy of the two river - gods at Olympia might lead ... hand , as in late Greek and Roman art ; we may fairly be content if his nude ... hand in a thin sheet of flat folds , which , though only sketched in , 26 THE ...
Page 27
... right place for once . He is excited by the contest of the two deities , and raises himself in his channel , pulling back his left foot and raising his right knee ; his right hand has caught hold of an end of his mantle , dragging it ...
... right place for once . He is excited by the contest of the two deities , and raises himself in his channel , pulling back his left foot and raising his right knee ; his right hand has caught hold of an end of his mantle , dragging it ...
Page 33
... right hand and the moon on his left , as on a beautiful vase in the British Museum about contemporary with the Parthenon ( E 466 ) . He would then have placed his Helios in the right angle of the pediment and his Selenè in the left ...
... right hand and the moon on his left , as on a beautiful vase in the British Museum about contemporary with the Parthenon ( E 466 ) . He would then have placed his Helios in the right angle of the pediment and his Selenè in the left ...
Page 35
... right hand raised towards the head in a familiar act of awakening . His left hand may have held two sloping spears , like the Cephalos on our vase THESEUS 35.
... right hand raised towards the head in a familiar act of awakening . His left hand may have held two sloping spears , like the Cephalos on our vase THESEUS 35.
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Common terms and phrases
Acropolis Acropolis of Athens action Alcamenes angle Aphroditè apobates appear artistic Athenè Athenians attitude beauty birth of Athenè body British Museum Carrey's drawing carry cast Cecrops Centaur Centaurs and Lapiths central group central metopes centre chariot chariot group chiton colossal composition cows deities drapery east frieze effect Elgin Room Ergastinae figure folds fore leg front girls goddess gods gold and ivory Greek head helmet Hephaestos Hera horses Ilissos instances knee Lapith left arm left hand long sides Lord Elgin mantle marble Michaelis nearer north frieze north side nude form Olympia Olympos original in Athens Parthenon frieze Pausanias pediment of Olympia peplos Pheidias PLATE Poseidon possible present procession raised recognise represent right arm right hand scene sculptured seated seen shield shoulders Slab south metopes south side spectator temple Theseus turning round vase west frieze west pediment whole wings woman women xoanon youth Zeus at Olympia