The Sculptures of the ParthenonJ. Murray, 1903 - 173 pages |
From inside the book
Results 1-5 of 18
Page 22
... woman Q next to Poseidon's charioteer is seated high to the front . She herself does not appear to share the same ... woman , T , who appears to be seated low on the ground , and in the act of raising her knees as if in some astonishment ...
... woman Q next to Poseidon's charioteer is seated high to the front . She herself does not appear to share the same ... woman , T , who appears to be seated low on the ground , and in the act of raising her knees as if in some astonishment ...
Page 22
... woman . Woman or not , being on the side of Poseidon she must be explained in some relation to the sea . If a woman , and intended in this connection , we have no difficulty in finding analogies for her among sea - nymphs . For that ...
... woman . Woman or not , being on the side of Poseidon she must be explained in some relation to the sea . If a woman , and intended in this connection , we have no difficulty in finding analogies for her among sea - nymphs . For that ...
Page 27
... Cephisos we are content to believe . The other figure , W , is a woman , thickly draped , reclining at full length , and grasping with her right hand the rock beneath her . Enough remains to show that she had THE RIVER GODS 27.
... Cephisos we are content to believe . The other figure , W , is a woman , thickly draped , reclining at full length , and grasping with her right hand the rock beneath her . Enough remains to show that she had THE RIVER GODS 27.
Page 41
... L on the right respond fairly well to E , F on the left . But as a response to the nude Cephalos on the left we have a draped woman , M , on the right . Yet G 1 beneath this superficial aspect we cannot deny that the reclining THE FATES 41.
... L on the right respond fairly well to E , F on the left . But as a response to the nude Cephalos on the left we have a draped woman , M , on the right . Yet G 1 beneath this superficial aspect we cannot deny that the reclining THE FATES 41.
Page 42
... woman . In spirit the two angles thus respond perfectly . In both we have a scene of awaken- ing , appropriately caused in the first instance by the dawn , but intensified in the second instance by the coincident birth of Athenè . The ...
... woman . In spirit the two angles thus respond perfectly . In both we have a scene of awaken- ing , appropriately caused in the first instance by the dawn , but intensified in the second instance by the coincident birth of Athenè . The ...
Other editions - View all
Common terms and phrases
Acropolis Acropolis of Athens action Alcamenes angle Aphroditè apobates appear artistic Athenè Athenians attitude beauty birth of Athenè body British Museum Carrey's drawing carry cast Cecrops Centaur Centaurs and Lapiths central group central metopes centre chariot chariot group chiton colossal composition cows deities drapery east frieze effect Elgin Room Ergastinae figure folds fore leg front girls goddess gods gold and ivory Greek head helmet Hephaestos Hera horses Ilissos instances knee Lapith left arm left hand long sides Lord Elgin mantle marble Michaelis nearer north frieze north side nude form Olympia Olympos original in Athens Parthenon frieze Pausanias pediment of Olympia peplos Pheidias PLATE Poseidon possible present procession raised recognise represent right arm right hand scene sculptured seated seen shield shoulders Slab south metopes south side spectator temple Theseus turning round vase west frieze west pediment whole wings woman women xoanon youth Zeus at Olympia