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Page 81
ADAPTABILITY OF KALIDASA'S ABHIJÑANASAKUNTALÅ ON THE STAGE Sakti Roy Chowdhury Kālidāsa is perhaps the only Sanskrit poet who has been able to hand down to the posterity a variety of works , though not a good many in number .
ADAPTABILITY OF KALIDASA'S ABHIJÑANASAKUNTALÅ ON THE STAGE Sakti Roy Chowdhury Kālidāsa is perhaps the only Sanskrit poet who has been able to hand down to the posterity a variety of works , though not a good many in number .
Page 84
( III / 14 ) and its answer ( III / 15 ) from Dusyanta , which very dramatically brings the latter on the stage , are essential . The king's assurance to the two friends regarding Sakuntala's future position in the royal palace ...
( III / 14 ) and its answer ( III / 15 ) from Dusyanta , which very dramatically brings the latter on the stage , are essential . The king's assurance to the two friends regarding Sakuntala's future position in the royal palace ...
Page 88
The entire stage performance may , thus , take approximately three hours including the recess . It may be emphasized here that the Prakrit passages of the drama have to be retained in the original and not rendered into Sanskrit or any ...
The entire stage performance may , thus , take approximately three hours including the recess . It may be emphasized here that the Prakrit passages of the drama have to be retained in the original and not rendered into Sanskrit or any ...
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Contents
A Myth Dream and Night mare in | 1 |
Mindscripts | 21 |
The Exoneration of Oedipus | 37 |
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