Poets and Story-tellersBarnes & Noble, 1961 - 201 pages |
From inside the book
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Page 19
... comedy in it ; ranging from the farcical humour of the clown , who brings the means of death to Cleopatra - ironically this illustrates how little the great and their misfortunes mean to the humble - to the cool satire of the scene on ...
... comedy in it ; ranging from the farcical humour of the clown , who brings the means of death to Cleopatra - ironically this illustrates how little the great and their misfortunes mean to the humble - to the cool satire of the scene on ...
Page 71
... comedy that the head should rule the heart and fancy . As for Gray's baroque conventionalities of phrase , these , when introduced , as it were , with a smile , enhance his wit by a delightful ironical stylishness : The hapless Nymph ...
... comedy that the head should rule the heart and fancy . As for Gray's baroque conventionalities of phrase , these , when introduced , as it were , with a smile , enhance his wit by a delightful ironical stylishness : The hapless Nymph ...
Page 102
... comedy will disperse its comic atmosphere . Jane Austen avoided them . She avoided jarring characters too . Two - thirds of her dramatis personae are regular comic character- parts like Mr. Collins or Mrs. Allen . And even those figures ...
... comedy will disperse its comic atmosphere . Jane Austen avoided them . She avoided jarring characters too . Two - thirds of her dramatis personae are regular comic character- parts like Mr. Collins or Mrs. Allen . And even those figures ...
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Common terms and phrases
action admiration Adolphe æsthetic Antony and Cleopatra Antony's appear artist aspects beauty Branghtons Burney's character charm comedy comic complex convention critic Dalloway death Devil drama Duchess Duchess of Malfi E. M. FORSTER eighteenth-century Elizabethan Ellénore emotion English Evelina experience expression eyes fact Fanny Burney feeling Forster give Gray Gray's hand heart heroine historical House of Gentlefolk Howard's End human humour imagination impression inevitably intensity Jane Austen ladies living Longest Journey looked love-story Mansfield Park mind Miss mood moral mystery nature never novel novelists observation Octavius once passages passion picture Pindaric play plot poem poet poetry Progress of Poesy reader realistic reality relation reveals romantic Russian satirical scene seems sense sensibility Shakespeare significance social soul spirit story success talent taste theme things THOMAS GRAY thought tragedy tragic true Turgenev turn Virginia Woolf virtue vision Webster Wilcox worldly writer