Greek Buildings: Represented by Fragments in the British MuseumB. T. Batsford, 1908 - 218 pages |
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Page 10
... position of the fixed points laid down on them , but revises them by sweeping away the cross walls between the antæ and the door , and in carrying the columns right back in the deep pronaos as at Miletus . This plan shows the retaining ...
... position of the fixed points laid down on them , but revises them by sweeping away the cross walls between the antæ and the door , and in carrying the columns right back in the deep pronaos as at Miletus . This plan shows the retaining ...
Page 16
... position . But the exigen- cies of the heights , to make it possible to get in the sculptured pedestals where Dr Murray sug- gested , required that he blocks under these bases , and said was such a plinth should ( Fig . 13. ) Such a ...
... position . But the exigen- cies of the heights , to make it possible to get in the sculptured pedestals where Dr Murray sug- gested , required that he blocks under these bases , and said was such a plinth should ( Fig . 13. ) Such a ...
Page 25
... positions of at least two of the ancient columns at the west end which are not laid down on his plan . This is what he says : " At last we found part of * As on the Sidon sarcophagi . the base of a column . . . and in. Fig . 23 ...
... positions of at least two of the ancient columns at the west end which are not laid down on his plan . This is what he says : " At last we found part of * As on the Sidon sarcophagi . the base of a column . . . and in. Fig . 23 ...
Page 26
... position a large square block of marble which proved afterwards to be the plinth stone of the base belonging to the ... position appears to have been identical . " This was in December 1870. On the following February : Fig . 24 . " The ...
... position a large square block of marble which proved afterwards to be the plinth stone of the base belonging to the ... position appears to have been identical . " This was in December 1870. On the following February : Fig . 24 . " The ...
Page 27
... position of one of the columns between the antæ . In another place Wood says : " In January 1873 I obtained particulars relating to the position of the columns at the west end . " We can now see how he was able to get the dimensions for ...
... position of one of the columns between the antæ . In another place Wood says : " In January 1873 I obtained particulars relating to the position of the columns at the west end . " We can now see how he was able to get the dimensions for ...
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Common terms and phrases
Acropolis acroterion angle volute anta antæ architect architecture architrave Athena Athenians base Bassæ British Museum bronze building Callicrates capital Carrey's carved Cecrops cella centre century chariot Choisy Cockerell colour columns cornice cymatium decoration Demeter diameter dimension Dionysos Doric Dr Murray drapery drawing drums east egg and tongue entablature Ephesus epistyle Erechtheum exactly feet figure flanks flutes fragments frieze Furtwängler Greek gutter head height Hera Hermes horses inches Inwood Ionic lacunar lacunaria later marble Mausoleum ment metopes Miletus moulding Nereid Nereid monument Nike Old Temple ornament painted palmette panel Parthenon Pausanias pedestals pediment Penrose peristyle Phidias pillar plinth portico Priene probably Propylæa Pullan pyramid Pythios relief represent rest restoration roof says sculptured seems shaft shields shoulder shown shows side sketch slabs square statue steps stones stylobate suggested Theseum tion tomb triglyphs vase Victory Vitruvius volute wall west front Wood Zeus
Popular passages
Page 70 - Pythius, one of the antients, architect of the noble temple of Minerva at Priene, says, in his commentaries, that an architect should have that perfect knowledge of each art and science which is not even acquired by the professors of any one in particular, who have had every opportunity of improving themselves in it.
Page 84 - ... universal plenty ; for as so many kinds of labour, and such a variety of instruments and materials were requisite to these undertakings, every art would be exerted, every hand employed, almost the whole city would be in pay, and be at the same time both adorned and supported by itself.
Page 98 - I have not yet touched at all ; nor that the least important, — namely, the actual method and style of handling. A great sculptor uses his tool exactly as a painter his pencil, and you may recognize the decision of his thought, and glow of his temper, no less in the workmanship than the design.
Page 98 - ... horses, one behind the other, is certainly not more, altogether, than three-quarters of an inch from the flat ground, and the one in front does not in reality project more than the one behind it, yet, by mere drawing,* you see the sculptor has got them to appear to recede in due order, and by the soft rounding of the flesh surfaces, and modulation of the veins, he has taken away all look of flatness from the necks. He has drawn the eyes and nostrils with dark incision, careful as the finest touches...
Page 83 - ... period of twenty years nearly all the great works of that country were begun and completed. Plutarch writes of these wonders in these words : " Hence we have the more reason to wonder that the structures raised by Pericles should be built in so short a time, and yet built for ages. For as each of them, as soon as it was finished, had the venerable air of antiquity, so now that they are old they have the freshness of a modern building. A bloom is diffused over them which preserves their aspect...
Page 136 - The head, which is said to have been knocked off by a Turk, is in my possession. I received it four years afterwards...
Page 89 - ... painted by him ; and being more celebrated as a painter than a sculptor, Pausanias, with a negligence not unusual with antient authors, has mentioned them as paintings. The colours are still perceptible on a close inspection. The armour and accessories have been gilt, to represent gold or bronze : the drapery is generally green, blue, or red, which seem to have been the favourite colours of the Greeks. The scene took place in the open air, which is represented by being painted blue.
Page 39 - ... feet, and the southern 126. The entire circumference may therefore be reckoned at 472 feet, the whole of this area being cut out of the native rock, to depths varying from 2 to 16 feet below the surface of the surrounding fields. Where the rock has failed at the sides, the line of cutting is continued as a wall, formed of large oblong blocks. The inner part of this quadrangle has been paved with large slabs of a greenish stone one foot thick, and when first cleared of earth, was strewn with frusta...
Page 12 - For if any one should reckon up the buildings and public works of the Grecians, they would be found to have cost less labour and expense than this labyrinth ; though the temple in Ephesus is deserving of mention, and also that in Samos. The pyramids likewise were beyond description, and each of them comparable to many of the great Grecian structures. Yet the labyrinth surpasses even the pyramids. For it has twelve courts enclosed with walls, with doors opposite each other, six facing the north, and...