Greek Buildings: Represented by Fragments in the British MuseumB. T. Batsford, 1908 - 218 pages |
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Page 10
... statue . The site and the fragments found were carefully measured by Mr Henderson . It is most desirable that the publication of these should not be delayed . * In 1906 was published a most careful Austrian survey of the site by the ...
... statue . The site and the fragments found were carefully measured by Mr Henderson . It is most desirable that the publication of these should not be delayed . * In 1906 was published a most careful Austrian survey of the site by the ...
Page 27
... statue , and from the uniform disposition of certain rough masonry piers along the foundations of the side walls , it seems more likely that the cella was undivided in this way . Such an arrangement would further allow of an eastern ...
... statue , and from the uniform disposition of certain rough masonry piers along the foundations of the side walls , it seems more likely that the cella was undivided in this way . Such an arrangement would further allow of an eastern ...
Page 28
... statue ) , seem to support this view . Wood also found a drain in the foundations of this basis , which he called an altar - " probably for carrying away the water used in washing the surface after sacrifice . " There would be plenty of ...
... statue ) , seem to support this view . Wood also found a drain in the foundations of this basis , which he called an altar - " probably for carrying away the water used in washing the surface after sacrifice . " There would be plenty of ...
Page 31
... statue ; and a bas - relief of a similar figure ( see Collignon ) from the same place has open - work shoes , which are identical with . those on our column . On the left of the Hermes are two superb figures almost complete , and a ...
... statue ; and a bas - relief of a similar figure ( see Collignon ) from the same place has open - work shoes , which are identical with . those on our column . On the left of the Hermes are two superb figures almost complete , and a ...
Page 35
... statue of which there is record ; it was called " Night , " and was placed at the altar of Artemis . Theodorus was an architect , sculptor , and writer who " possessed all the technical knowledge of his time . " The signatures of both ...
... statue of which there is record ; it was called " Night , " and was placed at the altar of Artemis . Theodorus was an architect , sculptor , and writer who " possessed all the technical knowledge of his time . " The signatures of both ...
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Common terms and phrases
Acropolis acroterion angle volute anta antæ architect architecture architrave Athena Athenians base Bassæ British Museum bronze building Callicrates capital Carrey's carved Cecrops cella centre century chariot Choisy Cockerell colour columns cornice cymatium decoration Demeter diameter dimension Dionysos Doric Dr Murray drapery drawing drums east egg and tongue entablature Ephesus epistyle Erechtheum exactly feet figure flanks flutes fragments frieze Furtwängler Greek gutter head height Hera Hermes horses inches Inwood Ionic lacunar lacunaria later marble Mausoleum ment metopes Miletus moulding Nereid Nereid monument Nike Old Temple ornament painted palmette panel Parthenon Pausanias pedestals pediment Penrose peristyle Phidias pillar plinth portico Priene probably Propylæa Pullan pyramid Pythios relief represent rest restoration roof says sculptured seems shaft shields shoulder shown shows side sketch slabs square statue steps stones stylobate suggested Theseum tion tomb triglyphs vase Victory Vitruvius volute wall west front Wood Zeus
Popular passages
Page 70 - Pythius, one of the antients, architect of the noble temple of Minerva at Priene, says, in his commentaries, that an architect should have that perfect knowledge of each art and science which is not even acquired by the professors of any one in particular, who have had every opportunity of improving themselves in it.
Page 84 - ... universal plenty ; for as so many kinds of labour, and such a variety of instruments and materials were requisite to these undertakings, every art would be exerted, every hand employed, almost the whole city would be in pay, and be at the same time both adorned and supported by itself.
Page 98 - I have not yet touched at all ; nor that the least important, — namely, the actual method and style of handling. A great sculptor uses his tool exactly as a painter his pencil, and you may recognize the decision of his thought, and glow of his temper, no less in the workmanship than the design.
Page 98 - ... horses, one behind the other, is certainly not more, altogether, than three-quarters of an inch from the flat ground, and the one in front does not in reality project more than the one behind it, yet, by mere drawing,* you see the sculptor has got them to appear to recede in due order, and by the soft rounding of the flesh surfaces, and modulation of the veins, he has taken away all look of flatness from the necks. He has drawn the eyes and nostrils with dark incision, careful as the finest touches...
Page 83 - ... period of twenty years nearly all the great works of that country were begun and completed. Plutarch writes of these wonders in these words : " Hence we have the more reason to wonder that the structures raised by Pericles should be built in so short a time, and yet built for ages. For as each of them, as soon as it was finished, had the venerable air of antiquity, so now that they are old they have the freshness of a modern building. A bloom is diffused over them which preserves their aspect...
Page 136 - The head, which is said to have been knocked off by a Turk, is in my possession. I received it four years afterwards...
Page 89 - ... painted by him ; and being more celebrated as a painter than a sculptor, Pausanias, with a negligence not unusual with antient authors, has mentioned them as paintings. The colours are still perceptible on a close inspection. The armour and accessories have been gilt, to represent gold or bronze : the drapery is generally green, blue, or red, which seem to have been the favourite colours of the Greeks. The scene took place in the open air, which is represented by being painted blue.
Page 39 - ... feet, and the southern 126. The entire circumference may therefore be reckoned at 472 feet, the whole of this area being cut out of the native rock, to depths varying from 2 to 16 feet below the surface of the surrounding fields. Where the rock has failed at the sides, the line of cutting is continued as a wall, formed of large oblong blocks. The inner part of this quadrangle has been paved with large slabs of a greenish stone one foot thick, and when first cleared of earth, was strewn with frusta...
Page 12 - For if any one should reckon up the buildings and public works of the Grecians, they would be found to have cost less labour and expense than this labyrinth ; though the temple in Ephesus is deserving of mention, and also that in Samos. The pyramids likewise were beyond description, and each of them comparable to many of the great Grecian structures. Yet the labyrinth surpasses even the pyramids. For it has twelve courts enclosed with walls, with doors opposite each other, six facing the north, and...