Nature in Eighteenth Century PoetryUniversity of Allahabad, 1964 - 117 pages |
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Page 34
... clear and tranquil . Lyric , of course is the child of music and love and the Eighteenth Century poets lacked neither . The apprenticeship at Spenser's feet had given training enough to the poets to realise the beauty of pas- sion born ...
... clear and tranquil . Lyric , of course is the child of music and love and the Eighteenth Century poets lacked neither . The apprenticeship at Spenser's feet had given training enough to the poets to realise the beauty of pas- sion born ...
Page 60
... clear to us the feeling or emotion , shape or appeal , action or dejection , in a poem or narration , yet heap comparison on compa- rison . Nothing whatever , can make that clear to us except the ori- ginal itself . But as the poet ...
... clear to us the feeling or emotion , shape or appeal , action or dejection , in a poem or narration , yet heap comparison on compa- rison . Nothing whatever , can make that clear to us except the ori- ginal itself . But as the poet ...
Page 103
... clear In every tract of ocean , earth and skies Myriads of creatures still successive rise Scarce buds a leaf , or springs of velvet weed But little flocks upon its verdure feed . Nature so plain — this primal law displays . Each living ...
... clear In every tract of ocean , earth and skies Myriads of creatures still successive rise Scarce buds a leaf , or springs of velvet weed But little flocks upon its verdure feed . Nature so plain — this primal law displays . Each living ...
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Common terms and phrases
appear aspects of Nature atmosphere Autumn background birds blooming breathing bright Century Nature Poetry charms classical Claudian clouds convention couplet created critics David Nicol delight diction divinity Dodsley Eighteenth Century Nature Eighteenth Century poets emotion express fading Fancy favour feeling flocks flowers forests fresh genius Gilfillan green groves harmony Hildebrand Jacob hills human Ibid images imagination imitation inspiration James Thomson Joseph Warton Kensington Garden KHATTRY landscape landscape art Lansdown lastly literary literature living metaphor midst mind models Monody mood moral mountain murmurs Muse Nature's beauties Nineteenth Century o'er observation painting passion pastoral peace pleasure poems poet's poetic Pope realised Reason reflected rills romantic rose rural scenes sense shade Shenstone sincere sing smile solitude song spring stream sublime suggestions things Thomas Denton Thomas Warton Thomson thought thro tion trees verse vivid wave William Lisle Bowles William Shenstone wind wood writing