Nature in Eighteenth Century PoetryUniversity of Allahabad, 1964 - 117 pages |
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Page 36
... descriptions favour small things of Nature , but in many descriptions they reach scenic proportions . The diction here , keeping harmony with the subject matter , creates vivid effects in words and figures . Objective description is no ...
... descriptions favour small things of Nature , but in many descriptions they reach scenic proportions . The diction here , keeping harmony with the subject matter , creates vivid effects in words and figures . Objective description is no ...
Page 39
... descriptions are numerous and have their traditional usages . The first and foremost convention in such Nature descriptions appears the subjugation of Nature to the needs of a lover's or lady's amour . To their hopes and hesitations ...
... descriptions are numerous and have their traditional usages . The first and foremost convention in such Nature descriptions appears the subjugation of Nature to the needs of a lover's or lady's amour . To their hopes and hesitations ...
Page 41
... descriptions are there , but the classical names of Flora and Fauna overwhelm the descriptions . A morning is incomplete with- out the mention of Phoebus and his fiery steeds , an evening could never be sufficient unless Vesper comes to ...
... descriptions are there , but the classical names of Flora and Fauna overwhelm the descriptions . A morning is incomplete with- out the mention of Phoebus and his fiery steeds , an evening could never be sufficient unless Vesper comes to ...
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Common terms and phrases
appear aspects of Nature atmosphere Autumn background birds blooming breathing bright Century Nature Poetry charms classical Claudian clouds convention couplet created critics David Nicol delight diction divinity Dodsley Eighteenth Century Nature Eighteenth Century poets emotion express fading Fancy favour feeling flocks flowers forests fresh genius Gilfillan green groves harmony Hildebrand Jacob hills human Ibid images imagination imitation inspiration James Thomson Joseph Warton Kensington Garden KHATTRY landscape landscape art Lansdown lastly literary literature living metaphor midst mind models Monody mood moral mountain murmurs Muse Nature's beauties Nineteenth Century o'er observation painting passion pastoral peace pleasure poems poet's poetic Pope realised Reason reflected rills romantic rose rural scenes sense shade Shenstone sincere sing smile solitude song spring stream sublime suggestions things Thomas Denton Thomas Warton Thomson thought thro tion trees verse vivid wave William Lisle Bowles William Shenstone wind wood writing