Nature in Eighteenth Century PoetryUniversity of Allahabad, 1964 - 117 pages |
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Page 59
... heart is not a bird . But then , these pictures warm the heart , while exact definitions and scrupulously logical statements , necessary for certain purposes , exclude the emotions in exact proportion to their accuracy and their appeal ...
... heart is not a bird . But then , these pictures warm the heart , while exact definitions and scrupulously logical statements , necessary for certain purposes , exclude the emotions in exact proportion to their accuracy and their appeal ...
Page 97
... heart . ” The superficiality of artifice had no vital attraction for them and they had an established faith that heart is of greater value and that which appeals to it is really abiding . The chapter of the life of Art if it was ever ...
... heart . ” The superficiality of artifice had no vital attraction for them and they had an established faith that heart is of greater value and that which appeals to it is really abiding . The chapter of the life of Art if it was ever ...
Page 116
... heart of tranquility dances to the melody of the groves , and the eye of benevolence sparkles at the sight of happiness and plenty . ... " ... And why does life in and with Nature please at all ? The ques- tion is answered by Johnson ...
... heart of tranquility dances to the melody of the groves , and the eye of benevolence sparkles at the sight of happiness and plenty . ... " ... And why does life in and with Nature please at all ? The ques- tion is answered by Johnson ...
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Common terms and phrases
appear aspects of Nature atmosphere Autumn background birds blooming breathing bright Century Nature Poetry charms classical Claudian clouds convention couplet created critics David Nicol delight diction divinity Dodsley Eighteenth Century Nature Eighteenth Century poets emotion express fading Fancy favour feeling flocks flowers forests fresh genius Gilfillan green groves harmony Hildebrand Jacob hills human Ibid images imagination imitation inspiration James Thomson Joseph Warton Kensington Garden KHATTRY landscape landscape art Lansdown lastly literary literature living metaphor midst mind models Monody mood moral mountain murmurs Muse Nature's beauties Nineteenth Century o'er observation painting passion pastoral peace pleasure poems poet's poetic Pope realised Reason reflected rills romantic rose rural scenes sense shade Shenstone sincere sing smile solitude song spring stream sublime suggestions things Thomas Denton Thomas Warton Thomson thought thro tion trees verse vivid wave William Lisle Bowles William Shenstone wind wood writing