Nature in Eighteenth Century PoetryUniversity of Allahabad, 1964 - 117 pages |
From inside the book
Results 1-3 of 15
Page 16
... models were the summon bonum of the Eighteenth Century poets and the charge of the lack of originality can be candidly met with , with regard to a definite background and as to how far the poets look to their models and how long they ...
... models were the summon bonum of the Eighteenth Century poets and the charge of the lack of originality can be candidly met with , with regard to a definite background and as to how far the poets look to their models and how long they ...
Page 29
... models for imitation or the Eighteenth Century English poets painted landscape quite oblivious of any foreign models . The imitations of the poets , so far , have been defend- ed as being parallelisms - an accident of artistic minds ...
... models for imitation or the Eighteenth Century English poets painted landscape quite oblivious of any foreign models . The imitations of the poets , so far , have been defend- ed as being parallelisms - an accident of artistic minds ...
Page 30
... models of the decadent metaphysical school and the dissatisfaction expressing itself in many ways with the prevalent models . Men in disgust , then , either turned to the ancient springs of thought and form as a relief or could strive ...
... models of the decadent metaphysical school and the dissatisfaction expressing itself in many ways with the prevalent models . Men in disgust , then , either turned to the ancient springs of thought and form as a relief or could strive ...
Other editions - View all
Common terms and phrases
appear aspects of Nature atmosphere Autumn background birds blooming breathing bright Century Nature Poetry charms classical Claudian clouds convention couplet created critics David Nicol delight diction divinity Dodsley Eighteenth Century Nature Eighteenth Century poets emotion express fading Fancy favour feeling flocks flowers forests fresh genius Gilfillan green groves harmony Hildebrand Jacob hills human Ibid images imagination imitation inspiration James Thomson Joseph Warton Kensington Garden KHATTRY landscape landscape art Lansdown lastly literary literature living metaphor midst mind models Monody mood moral mountain murmurs Muse Nature's beauties Nineteenth Century o'er observation painting passion pastoral peace pleasure poems poet's poetic Pope realised Reason reflected rills romantic rose rural scenes sense shade Shenstone sincere sing smile solitude song spring stream sublime suggestions things Thomas Denton Thomas Warton Thomson thought thro tion trees verse vivid wave William Lisle Bowles William Shenstone wind wood writing