Nature in Eighteenth Century PoetryUniversity of Allahabad, 1964 - 117 pages |
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Page 28
... moral influ- ences felt along the blood and along the heart as we have in Words- worth . The poet seems too near the ' still sad music ' and almost every nature poem is impregnated with either a moral ending or a human truth . Yet Pope ...
... moral influ- ences felt along the blood and along the heart as we have in Words- worth . The poet seems too near the ' still sad music ' and almost every nature poem is impregnated with either a moral ending or a human truth . Yet Pope ...
Page 33
... moral and devotional moods which were naturally interwoven . For moral minds attract richer hues from the vastness and sub- limity of such places where silence reigns . Hence in many a des- criptive , narrative or reflective piece of ...
... moral and devotional moods which were naturally interwoven . For moral minds attract richer hues from the vastness and sub- limity of such places where silence reigns . Hence in many a des- criptive , narrative or reflective piece of ...
Page 35
... moral bearing is either bad poetry or no poetry at all . If poetry is to be judged , its judgment should rest upon its appeal to human understanding , human emotion and human welfare and the Eighteenth Century poets satisfied many of ...
... moral bearing is either bad poetry or no poetry at all . If poetry is to be judged , its judgment should rest upon its appeal to human understanding , human emotion and human welfare and the Eighteenth Century poets satisfied many of ...
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Common terms and phrases
appear aspects of Nature atmosphere Autumn background birds blooming breathing bright Century Nature Poetry charms classical Claudian clouds convention couplet created critics David Nicol delight diction divinity Dodsley Eighteenth Century Nature Eighteenth Century poets emotion English express fading Fancy favour feeling flocks flowers forests fresh genius Gilfillan green groves harmony Hildebrand Jacob hills human Ibid images imagination imitation inspiration James Thomson Joseph Warton Kensington Garden KHATTRY landscape landscape art Lansdown lastly literary literature living metaphor midst mind models Monody mood moral mountain murmurs Muse Nature's beauties Nineteenth Century o'er observation painting passion pastoral peace pleasure poems poet's poetic Pope realised Reason reflected rills romantic rose rural scenes sense shade Shenstone sincere sing smile solitude song spring stream suggestions things Thomas Denton Thomas Warton Thomson thought thro tion trees verse vivid wave William Lisle Bowles William Shenstone wind woods write