By which as Milton lay, his ev'ning ear, 65 Nigh sphered in heav'n, its native strains could hear, On which that ancient trump he reached was hung: Thither oft, his glory greeting, From Waller's yrtle shades re ting, In vain-such bliss to one alone 75 Or curtained close such scene from ev'ry future view. 1746. ODE WRITTEN IN THE BEGINNING OF THE YEAR 1746 How sleep the brave who sink to rest 5 By fairy hands their knell is wrung, To dwell a weeping hermit there! 1746. 10 1746. ODE TO EVENING Like thy own solemn springs, 5 Ιο O nymph reserved, while now the bright-haired sun With brede ethereal wove, O’erhang his wavy bed: Or where the beetle winds His small but sullen horn, Now teach me, maid composed, 15 Whose numbers, stealing through thy dark’ning vale, As, musing slow, I hail 20 For when thy folding-star, arising, shows The fragrant Hours, and elves Who slept in flow'rs the day, The pensive Pleasures sweet, 30 Then lead, calm vot'ress, where some sheety lake Or upland fallows grey 35 But when chill blust'ring winds or driving rain That from the mountain's side Views wilds, and swelling floods, Thy dewy fingers draw 40 While Spring shall pour his show'rs, as oft he wont, While Summer loves to sport 45 While sallow Autumn fills thy lap with leaves; Affrights thy shrinking train, 50 So long, sure-found beneath the sylvan shed, Thy gentlest influence own, 1746. THE PASSIONS AN ODE FOR MUSIC 5 When Music, heav'nly maid, was young, 10 15 First Fear his hand, its skill to try, Amid the chords bewildered laid, Ev'n at the sound himself had made. 20 Next Anger rushed: his eyes, on fire, In lightnings owned his secret stings; And swept with hurried hand the strings. 25 With woful measures wan Despair Low, sullen sounds his grief beguiled; 'T was sad by fits, by starts 't was wild. 30 But thou, O Hope, with eyes so fair, What was thy delightful measure? Still it whispered promised pleasure, And bade the lovely scenes at distance hail ! Still would her touch the strain prolong; And from the rocks, the woods, the vale, And where her sweetest theme she chose, 35 And longer had she sung—but with a frown 40 He threw his blood-stained sword in thunder down, And with a with'ring look And blew a blast so loud and dread, 45 And ever and anon he beat The doubling drum with furious heat; Dejected Pity, at his side, 50 Yet still he kept his wild unaltered mien, While each strained ball of sight seemed bursting from his head. Thy numbers, Jealousy, to naught were fixed, Sad proof of thy distressful state; Of diff'ring themes the veering song was mixed, 55 And now it courted Love, now raving called on Hate. 60 With eyes upraised, as one inspired, In notes by distance made more sweet, And, dashing soft from rocks around, Bubbling runnels joined the sound: Round an holy calm diffusing, Love of peace and lonely musing, 65 70 But O how altered was its sprightlier tone, Her bow across her shoulder fung, Her buskins gemmed with morning dew, The hunter's call, to faun and dryad known! Satyrs, and sylvan boys, were seen, Brown Exercise rejoiced to hear; 75 80 85 Last came Joy's ecstatic trial : He, with viny crown advancing, Whose sweet entrancing voice he loved the best. To some unwearied minstrel dancing, Love framed with Mirth a gay fantastic round; And he, amidst his frolic play, 90 |