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Which at the bottom, like a Fairy's page,
As merry and no taller, dances still,

Nor wrinkles the smooth surface of the fount.
Here twilight is and coolness: here is moss,
A soft seat, and a deep and ample shade.
Thou mayest toil far and find no second tree.
Drink, Pilgrim, here! Here rest! and if thy heart
Be innocent, here too shalt thou refresh

Thy spirit, listening to some gentle sound,

Or passing gale or hum of murmuring bees!

S. T. COLERIDGE.

18

An English Scene.

I HAD a little chamber in the house,

As green as any privet-hedge a bird

Might choose to build in, though the nest itself

Could show but dead-brown sticks and straws; the walls

Were green, the carpet was pure green, the straight

Small bed was curtained greenly, and the folds

Hung green about the window which let in

The out-door world with all its greenery.
You could not push your head out and escape
A dash of dawn-dew from the honeysuckle,
But so you were baptized into the grace
And privilege of seeing. .

First, the lime,
(I had enough there, of the lime, be sure,-
My morning-dream was often hummed away
By the bees in it ;) past the lime, the lawn,
Which, after sweeping broadly round the house,
Went trickling through the shrubberies in a stream
Of tender turf, and wore and lost itself

Among the acacias, over which you saw

The irregular line of elms by the deep lane

Which stopped the grounds and dammed the overflow
Of arbutus and laurel. Out of sight

The lane was; sunk so deep, no foreign tramp
Nor drover of wild ponies out of Wales

Could guess if lady's hall or tenant's lodge

Dispensed such odours,-though his stick well-crooked Might reach the lowest trail of blossoming briar

Which dipped upon the wall. Behind the elms,
And through their tops, you saw the folded hills
Striped up and down with hedges. (burly oaks
Projecting from the line to show themselves)
Through which my cousin Romney's chimneys smoked
As still as when a silent mouth in frost

Freathes, showing where the woodlands hid Leigh Hall;
While, far above, a fut of table-land,

A promontory without water, stretched,—
You could not catch it if the days were thick,
Or took it for a cloud; but, otherwise,
The vigorous sun would catch it up at eve
And use it for an anvil till he had filled

The shelves of heaven with burning thunderbolts,
Protesting against night and darkness:—then,
When all his setting trouble was resolved

To a trance of passive glory, you might see
In apparition on the golden sky

(Alas, my Giotto's background!) the sheep run
Along the fine clear outline, small as mice
That run along a witch's scarlet thread.

Not a grand nature. Not my chestnut-woods
Of Vallombrosa, cleaving by the spurs
To the precipices. Not my headlong leaps
Of waters, that cry out for joy or fear
In leaping through the palpitating pines,
Like a white soul tossed out to eternity
With thrills of time upon it. Not indeed
My multitudinous mountains, sitting in
The magic circle, with the mutual touch
Electric, panting from their full deep hearts
Beneath the influent heavens, and waiting for
Communion and commission.
Is one thing, England one.

19.

Italy

E. B. BROWNING.

The Shepherd.

YET, hail to you

Moors, mountains, headlands, and ye hollow vales,
Ye long deep channels for the Atlantic's voice,
Powers of my native region! Ye that seize

The heart with firmer grasp! Your snows and streams
Ungovernable, and your terrifying winds,
That howl so dismally for him who treads
Companionless your awful solitudes!

There, 'tis the shepherd's task the winter long
To wait upon the storms: of their approach
Sagacious, into sheltering coves he drives
His flock, and thither from the homestead bears
A toilsome burden up the craggy ways,
And deals it out, their regular nourishment
Strewn on the frozen snow. And when the spring
Looks out, and all the pastures dance with lambs,
And when the flock, with warmer weather, climbs
Higher and higher, him his office leads

To watch their goings, whatsoever track

The wanderers choose. For this he quits his home
At day-spring, and no sooner doth the sun
Begin to strike him with a fire-like heat,
Than he lies down upon some shining rock,

And breakfasts with his dog. When they have stolen,
As is their wont, a pittance from strict time,
For rest not needed or exchange of love,
Then from his couch he starts; and now his feet
Crush out a livelier fragrance from the flowers
Of lowly thyme, by Nature's skill enwrought
In the wild turf: the lingering dews of morn
Smoke round him, as from hill to hill he hies,
His staff protending like a hunter's spear,
Or by its aid leaping from crag to crag,
And o'er the brawling beds of unbridged streams.
Philosophy, methinks, at Fancy's call,

Might deign to follow him through what he does
Or sees in his day's march; himself he feels,
In those vast regions where his service lies,
A freeman, wedded to his life of hope
And hazard, and hard labour interchanged
With that majestic indolence so dear
To native man. A rambling schoolboy, thus
I felt his presence in his own domain,
As of a lord and master, or a power,
Or genius, under Nature, under God,
Presiding; and severest solitude

Had more commanding looks when he was there.

When up the lonely brooks on rainy days
Angling I went, or trod the trackless hills
By mists bewildered, suddenly mine eyes
Have glanced upon him distant a few steps,
In size a giant, stalking through thick fog,
His sheep like Greenland bears; or, as he stepped
Beyond the boundary line of some hill-shadow,
His form hath flashed upon me, glorified

By the deep radiance of the setting sun :
Or him have I descried in distant sky,
A solitary object and sublime,

Above all height! like an ærial cross
Stationed alone upon a spiry rock

Of the Chartreuse, for worship. Thus was man
Ennobled outwardly before my sight,
And thus my heart was early introduced
To an unconscious love and reverence

Of human nature; hence the human form
To me became an index of delight,

Of grace and honour, power and worthiness.

W. WORDSWORTH.

20.

Each and All.

LITTLE thinks, in the field, yon red-cloaked clown,
Of thee from the hill-top looking down;

The heifer that lows in the upland farm,
Far-heard, lows not thine ear to charm;
The sexton, tolling his bell at noon,
Deems not that great Napoleon

Stops his horse, and lists with delight,

Whilst his files sweep round yon Alpine height;

Nor knowest thou what argument

Thy life to thy neighbour's creed has lent.
All are needed by each one--

Nothing is fair or good alone.

I thought the sparrow's note from heaven,
Singing at dawn on the alder bough;
I brought him home, in his nest, at even.
He sings the song, but it pleases not now;
For I did not bring home the river and sky:
He sang to my ear--they sang to my eye.

The delicate shells lay on the shore;
The bubbles of the latest wave
Fresh pearls to their enamel gave,
And the bellowing of the savage sea
Greeted their safe escape to me.
I wiped away the weeds and foam—
I fetched my sea-born treasures home;
But the poor, unsightly, noisome things
Had left their beauty on the shore,

With the sun, and the sand, and the wild uproar.
The lover watched his graceful maid,
As 'mid the virgin train she strayed;
Nor knew her beauty's best attire
Was woven still by the snow-white choir.
At last she came to his hermitage,

Like the bird from the woodlands to the cage;
The gay enchantment was undone-

A gentle wife, but fairy none.

Then I said, "I covet truth;

Beauty is unripe childhood's cheat

I leave it behind with the games of youth."
As I spoke, beneath my feet

The ground-pine curled its pretty wreath,
Running over the club-moss burrs;

I inhaled the violet's breath;

Around me stood the oaks and firs;
Pine-cones and acorns lay on the ground;

Over me soared the eternal sky,

Full of light and of deity;

Again I saw, again I heard,

The rolling river, the morning bird;
Beauty through my senses stole-

I yielded myself to the perfect whole.

R. W. EMERSON.

21.

The Art of Narrative.

A STORY, in which native humour reigns, Is often useful, always entertains:

A graver fact, enlisted on your side,

May furnish illustration, well applied;

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