Drama, Psychotherapy and Psychosis: Dramatherapy and Psychodrama with People Who Hear VoicesRoutledge, 2004 M03 11 - 304 pages
John Casson - Winner of the British Psychodrama Association (BPA) Lifetime Achievement Award 2012! Drama, Psychotherapy and Psychosis explores the use of drama and theatre in the challenging area of working with people who hear voices, focusing especially on survivors of abuse and those diagnosed as suffering from schizophrenia. In examining the often baffling and frightening world of psychosis the book offers alternative models of madness and the self, which form the basis for therapeutic interventions.Illustrated by case histories and examples of practice, this book provides a description and analysis of voice hearing. Chapters cover areas including: * historical perspectives on psychosis and hearing voices * group psychodrama * dramatherapy with individuals. Drama, Psychotherapy and Psychosis demonstrates how creative action methods can be helpful to those who hear voices. It provides guidelines for good practice; essential to all those interested in promoting the safe use of these methods in therapy. |
From inside the book
Results 1-5 of 20
Page 2
... (Romme and Escher, 2000: see Chapter 2). It is therefore relevant to consider the incidence of trauma in the participants' lives. Experiences of trauma Survivor of sexual abuse as a child: 2 lntroduction.
... (Romme and Escher, 2000: see Chapter 2). It is therefore relevant to consider the incidence of trauma in the participants' lives. Experiences of trauma Survivor of sexual abuse as a child: 2 lntroduction.
Page 7
... (Romme and Escher, 1993: 59). As the dominance of the church in matters of the soul (psyche) gave way to the rise of psychiatry, hearing voices came to be seen as a symptom of mental illness. Nevertheless religious, creative and ...
... (Romme and Escher, 1993: 59). As the dominance of the church in matters of the soul (psyche) gave way to the rise of psychiatry, hearing voices came to be seen as a symptom of mental illness. Nevertheless religious, creative and ...
Page 14
... (Romme and Escher, 1993). This self-help organisation has encouraged new thinking about the experience of hearing voices, resulting in research and the discovery of self-help and coping strategies. Patsy has since recovered and no longer ...
... (Romme and Escher, 1993). This self-help organisation has encouraged new thinking about the experience of hearing voices, resulting in research and the discovery of self-help and coping strategies. Patsy has since recovered and no longer ...
Page 15
... (Romme, 2001:7) Many voice hearing experiences have been found to start after ... Escher, 1993: 15) The copers are interacting with the voices and others ... Romme and Escher (1993) provided a comprehensive survey of different explanations ...
... (Romme, 2001:7) Many voice hearing experiences have been found to start after ... Escher, 1993: 15) The copers are interacting with the voices and others ... Romme and Escher (1993) provided a comprehensive survey of different explanations ...
Page 16
... (RommeandEscher, 1993) Romme and Escher ( 1996) wondered if hearing voices is a survival strategy instead of a symptom of illness. In my research Diane said her voices were a coping mechanism. People often begin to hear voices at a ...
... (RommeandEscher, 1993) Romme and Escher ( 1996) wondered if hearing voices is a survival strategy instead of a symptom of illness. In my research Diane said her voices were a coping mechanism. People often begin to hear voices at a ...
Contents
7 | |
14 | |
33 | |
Theatre madness and healing | 51 |
The twentieth century theatrotherapy psychodrama and dramatherapy | 63 |
Dramatherapy with individuals finding a voice and telling stories | 92 |
The wave and the whelm distance and empowerment | 114 |
Individual dramatherapy Cheryll | 126 |
What is helpful and not helpful in dramatherapy and psychodrama | 212 |
Guidelines for good practice | 239 |
Afterword | 249 |
Voices interview | 252 |
The etymology of whelm | 254 |
Purchasing the Five Story Self Structure | 256 |
Comparative costings hospital medication and therapy | 257 |
The Morenean method of psychodramatising suicidal ideation | 260 |
The theatre model of the self | 146 |
Group dramatherapy | 163 |
Individual psychodrama Harry | 182 |
Group psychodrama | 197 |
References | 261 |
Author index | 275 |
Subject index | 279 |
Other editions - View all
Drama, Psychotherapy and Psychosis: Dramatherapy and Psychodrama with People ... John Witham Casson No preview available - 2004 |
Common terms and phrases
able activities aesthetic distance aggression anger Anton audience auxiliary Casson catharsis chairs Chapter Chervil Cheryll child client container coping countertransference created creative Dave delusions diagnosed Diane Dillon dissociation distance dramatherapy and psychodrama dreams effect emotional empowered enable explore express fantasy fear feelings felt Gloria group members group therapy hallucinations Harry healing hear voices heard Hearing Voices Network hehaviour helpful implicit drama individual therapy interpersonal intrapsychic isolation Leah listen McLuskie medication mental illness metaphor Moreno mother offer overwhelmed patients person projected play protagonist psychiatrist psychosis psychotherapy psychotic experiences reality rehearsals relationship relaxation role play role reversal Romme and Escher safe schizophrenic self-esteem self-harm sense session sexual abuse shamanic Sheila Slade social atom social skills someone space speak spontaneity talk technique theatre model therapeutic therapist things thought thought disorder toy theatre trauma voice hearers voice hearing vulnerable whelm