Drama, Psychotherapy and Psychosis: Dramatherapy and Psychodrama with People Who Hear VoicesRoutledge, 2004 M03 11 - 304 pages
John Casson - Winner of the British Psychodrama Association (BPA) Lifetime Achievement Award 2012! Drama, Psychotherapy and Psychosis explores the use of drama and theatre in the challenging area of working with people who hear voices, focusing especially on survivors of abuse and those diagnosed as suffering from schizophrenia. In examining the often baffling and frightening world of psychosis the book offers alternative models of madness and the self, which form the basis for therapeutic interventions.Illustrated by case histories and examples of practice, this book provides a description and analysis of voice hearing. Chapters cover areas including: * historical perspectives on psychosis and hearing voices * group psychodrama * dramatherapy with individuals. Drama, Psychotherapy and Psychosis demonstrates how creative action methods can be helpful to those who hear voices. It provides guidelines for good practice; essential to all those interested in promoting the safe use of these methods in therapy. |
From inside the book
Results 1-5 of 73
Page 12
... things, even in such trivialities as a man dropping his newspaper . . . talk about 'the profound significance of things' was extremely counter-therapeutic and mentally loosening. I do not think that many psychodynamically oriented ...
... things, even in such trivialities as a man dropping his newspaper . . . talk about 'the profound significance of things' was extremely counter-therapeutic and mentally loosening. I do not think that many psychodynamically oriented ...
Page 13
... things that can be learned from this study including the difference in therapist styles of relating: RAS therapists were more active, self-revealing, problem solving. Therapist style may well be as important as technique: The therapist ...
... things that can be learned from this study including the difference in therapist styles of relating: RAS therapists were more active, self-revealing, problem solving. Therapist style may well be as important as technique: The therapist ...
Page 19
... thing, but now 1 know it's not . . . l'm sure it's my mind, my suhconscious, doing it ... I'm learning to understand why (I hear voices). They just kept saying to me at the hospital, 'Are you under a lot of stress?' which I have been ...
... thing, but now 1 know it's not . . . l'm sure it's my mind, my suhconscious, doing it ... I'm learning to understand why (I hear voices). They just kept saying to me at the hospital, 'Are you under a lot of stress?' which I have been ...
Page 20
... things of which he was ashamed. This is confirmed by Sheila: l used to hear voices all week, every week, because I had such a low opinion of myself. It has changed ... I think because I'm feeling a bit better about myself I'm having ...
... things of which he was ashamed. This is confirmed by Sheila: l used to hear voices all week, every week, because I had such a low opinion of myself. It has changed ... I think because I'm feeling a bit better about myself I'm having ...
Page 21
... things worse. It is important to note that stimulating activity alleviates voices, conversely lack of stimulus and ... thing about the voices is why they always come at night time: I'm fine in the day time. l think that might be because ...
... things worse. It is important to note that stimulating activity alleviates voices, conversely lack of stimulus and ... thing about the voices is why they always come at night time: I'm fine in the day time. l think that might be because ...
Contents
7 | |
14 | |
33 | |
Theatre madness and healing | 51 |
The twentieth century theatrotherapy psychodrama and dramatherapy | 63 |
Dramatherapy with individuals finding a voice and telling stories | 92 |
The wave and the whelm distance and empowerment | 114 |
Individual dramatherapy Cheryll | 126 |
What is helpful and not helpful in dramatherapy and psychodrama | 212 |
Guidelines for good practice | 239 |
Afterword | 249 |
Voices interview | 252 |
The etymology of whelm | 254 |
Purchasing the Five Story Self Structure | 256 |
Comparative costings hospital medication and therapy | 257 |
The Morenean method of psychodramatising suicidal ideation | 260 |
The theatre model of the self | 146 |
Group dramatherapy | 163 |
Individual psychodrama Harry | 182 |
Group psychodrama | 197 |
References | 261 |
Author index | 275 |
Subject index | 279 |
Other editions - View all
Drama, Psychotherapy and Psychosis: Dramatherapy and Psychodrama with People ... John Witham Casson No preview available - 2004 |
Common terms and phrases
able activities aesthetic distance aggression anger Anton audience auxiliary Casson catharsis chairs Chapter Chervil Cheryll child client container coping countertransference created creative Dave delusions diagnosed Diane Dillon dissociation distance dramatherapy and psychodrama dreams effect emotional empowered enable explore express fantasy fear feelings felt Gloria group members group therapy hallucinations Harry healing hear voices heard Hearing Voices Network hehaviour helpful implicit drama individual therapy interpersonal intrapsychic isolation Leah listen McLuskie medication mental illness metaphor Moreno mother offer overwhelmed patients person projected play protagonist psychiatrist psychosis psychotherapy psychotic experiences reality rehearsals relationship relaxation role play role reversal Romme and Escher safe schizophrenic self-esteem self-harm sense session sexual abuse shamanic Sheila Slade social atom social skills someone space speak spontaneity talk technique theatre model therapeutic therapist things thought thought disorder toy theatre trauma voice hearers voice hearing vulnerable whelm