The Calcutta Review, Volumes 58-59University of Calcutta, 1874 |
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Page 250
... mode , the minor mode . In this , taking C as our key note , we also employ seven notes only out of the twelve semi - tones ; these seven being reckoned in semi - tones from C ascending . 1 , 3 , 4 , 6 , 8 , 9 , 12 and in melodies ...
... mode , the minor mode . In this , taking C as our key note , we also employ seven notes only out of the twelve semi - tones ; these seven being reckoned in semi - tones from C ascending . 1 , 3 , 4 , 6 , 8 , 9 , 12 and in melodies ...
Page 251
... mode is the minor mode . Some musical authorities reckon two " minor " modes , some as many as nine minor modes . The fact is that the European minor mode is not so defi- nitely fixed as is the major ; the descending scale is usually ...
... mode is the minor mode . Some musical authorities reckon two " minor " modes , some as many as nine minor modes . The fact is that the European minor mode is not so defi- nitely fixed as is the major ; the descending scale is usually ...
Page 253
... mode : and can be made to stand in any one of the 36 modes em- ployed in Hindoo music . This connection between the sitára and the modes in use renders it certain that either the modes are derived from the sitára , or that the sitára ...
... mode : and can be made to stand in any one of the 36 modes em- ployed in Hindoo music . This connection between the sitára and the modes in use renders it certain that either the modes are derived from the sitára , or that the sitára ...
Contents
No CXV | 1 |
THE REVIVAL OF ISLAM | 39 |
RIFLED ARTILLERY PART II A PAPER FOR | 73 |
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