Page images
PDF
EPUB
[merged small][merged small][graphic][subsumed][subsumed][subsumed][subsumed]

Say, love-ly peace, that grac'd eur ifle, Why you with draw the

[graphic]

in-dul-gent

fmile? Why you with draw

th' in-dul - gent

[graphic]
[ocr errors]
[merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][ocr errors][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small]
[merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][ocr errors][merged small][ocr errors][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small]

POETICAL ESSAYS in M A Y 1756.

The following piece was fent us laft Month in aMa-
nufcript, which appeared to have been written fame
Time. Its merit inclines us to fear that it has al-
ready been in print, but as neither we nor any of
our poetical friends, bave ever seen it, it will be
newo to fo great a number of our readers, that no
apology can be thought neceffary for giving it a
place in our collection.

The ARTIFICIAL KITE.
An Heroic-Comic-Poem. In THREE CANTOS.
CANTO I.

IAN knew well to chace the tim'rous hares

247

The lavish rofe here wantons all the year,
So fpreads its blooming leaves, fo blushes here.
Here, to repair his lofs, poor Cupid flies,
And darts in ev'ry cafk his refflefs eyes.

Beneath a guilded pile of billet deaux,
Cupid at length the marbled quarto views,
That taught her words a fable hue to wear,
And bid 'em please the eye, as well as ear.
In virgin order, the coy letters move,
Nor modeft know the closer ties of love;
Yet not the chief, that boafts a flourish'd train
(The rolling beauties of a hafty pen)
With all his gaudy ornaments cou'd please
More than the fimple elegance of thefe :

D'or the the woods purfue the flying deer; Here, by himself &, firaam' d the great,

O'er the high mound her courfer rag'd fecure,
Eager, yet confcious of the charge he bore:
While health aufpicious mantled in her face,
Glow'd on her cheek, and heighten'd ev'ry grace.
Or if the clam'rous echo's of the field,
To the gay dance, and fweeter mufick yield,
Her courtly motion fet the foul on fire,
And told us all the graces of the lyre.
If Dian at the frame difplay'd her pow'r,
And charg'd the needle with the future flow'r,
New life, like fome kind deftiny she gives,
And in a nobler loom the heroe lives:
Here Ormond's duke retir'd from martial cares,
The peaceful fcarlet of a tulip wears ;
There great Eugene in azure robes array'd,
Confefs'd his toils and dangers well repaid:
Here grew, adorn'd with ev'ry fpreading grace,
The purple honours of the gay Borlace:
On this fair ftalk the Gallick monarch fhone,
More pow'rful on her apron, than his throne.
Love with a jealous eye beheld the fair,
Her conquests number'd, and began to fear,
Watch'd ev'ry glance that wanderd from her eye,
And faw with lefs fuccefs his arrows fly :

But muft that empire I derive from heav'n,
Be given to Dian all! fo cheaply given !
• Nations no more at my dread altar bow!
And these victorious fhafts lie useless now!
"Not fo the golden trophy Venus gain'd,
'Twas with the ruins of a Troy the reign'd,
When flighted uno, raging with despair,
Led fternly out her booted Greeks to war.'

So griev'd the god, and ftung with fury fied,
Where jealous rage and pale refentment led.
Sacred to fecrecy and fweet repofe,

Rofe an alcove where rang'd in artful rows,
(By Dian wrought) the drowzy poppy grows.
The virgin here, like Sol's declining ray,
Withdrew her luftre, and retir'd from day.
Gay fancy, ever-waking, here retains
Her livelieft vifions, and her fofteft fcenes;
While flumbers round their filent ftation take,
And feal thofe eyes that keep the world awake.
Where wedding-cake, infpiring pleafing dreams,
The happy partner of her bed proclaims;
While guardian loves the merry dance begin,
And jolly Hymen leads the bridegroom in.
In cafkeis here unnumber'd trophies lay,
And loaded fhelves their mimic pomp difplay.
Here paper towns their waving turrets fhew,
And forefts from her fcillars taught to grow;
There he proud fhip extends its wond'rous frame,
And to the maid brings home eternal fame ;
Carnations here the ling'ring eye regale,
Here ever blows the lilly of the vale;

With awful front o'erlooks the little state,
And like Eneas, with majestick pace,
'T' Italian order leads his letter'd race;
While, next him, little a with youthful pride,
Trips like Iülus by his father's fide;
Here bending c's disclose half orbs of light,
Like the new honours of the queen of night:
There i, like the fifth Edward, stands display'd,
His crown for ever hanging o'er his head:
There o, diftinguish'd by his curious round,
And q, by children in the corner found.
The f, with arched neck, an: tail reclin'd,
And the twin v's in facred friendship join'd.
Each letter thus, by diff'rent beauties known,
In order led the gay fucceffion on.
Trembling, with eager joy, he fnatch'd the prize,
Dian no more grew hateful to his eyes;
And now in haft his golden wings he fpread,
And, all impatient, fought the beauteous maid.
Fix'd to the lyre, he found the tuneful fair,
The myftick numbers well deferv`'d his ear;
She fung, When ghofts approach, why lights
burn blue,

[ocr errors]
[ocr errors]

'Why candles fhew the future billet deaux;
Why from the taper rofe the virgin ftrife,
Why chastest breath recalls it into life;
Why the young Hylas bids his father run
Tobey the fummons of a watry fun;
And why, to think, fhou'd aid the house-wife's
skill,

[ocr errors]

And thro' the joint conduct the lucky steel;
What certain ills fucceed, if crickets call,

Why ftates, and falt-fellars together fall.'
End of Canto I. (To be continued.)

The old Elm in Hurworth in the County of Durham.

H

AIL, venerable Elm! the vilia's pride,
That lovely Tees enriches with its flieams,
Which foftly wind, and form a pleasing feat,
Moft grateful to the mufes! Thee I fing,
And, if my fong were equal to my wifh,
For ever thou shouldft flourish, shouldst excel
The oak facred to Jove, which erft inspir'd
With a prophetic art, (wond'rous to hear!)
Reveal'd foturity with human voice:

Thou shouldft excel the laurel too, belov'd
By Phoebus, which in elegantly fmooth,
But artful ftrains, the bard defcrib'd, and well
Leferv'd the laurel for his charming verfe.

Happy beneath thy fhade I fit, and tune
My flender reed, (accept the grateful lay)
Whilft zephyrs cool attemperate the fun
To mildness in the fummer's eye, the beft,
The fweeteft folace to the tuneful bard.

The

248

The GENTLEMAN'S MAGAZINE, VOL. XXVI:

The luckless youth, that glows with ardent love,
Seeks thy kind fhade, and in his gen'rous heart
Defigns the amiable fhe, and much
Extolls the blushing graces of her cheeks,
Her lips, her reck, and oh! how much he burns
With each refiftlefs fparkle of her eye.
He mourns her abfence. thinks it wretchedness.
But happy, above meafure happy, calls
The youth, who in warm whispers, not disdain'd
By her he loves, breathes out the fofteft things
Beneath the shelter of the filent elm..
His native elm (to fapience still a friend)
Merones loves, and meditates beneath
The verdure of thy fhady leaves: See there
How filently he fits! and, loft in thought,
Weighs in his mind fome great defign! revolves
He now his fubtile Fluxions? or displays
By trueft figns the Sphere's projection wide?
Wide as thy fphere, Merones, be thy fame.

How well things fimilar agree! the men
Of hoary hairs do thee coeval love.
Beneath thy well-known fhade they early meet,
And late retire, each man an ornament,

And bleffing to his country. There they fit,
Like fenators, that rule the conquer'd globe.
Their ftrength decays, their wisdom gains increafe;
But yet their tongues are talkative. They first,
As ufual, p aife the lovely feafon; then
Foretell the weather's ftrange viciffitudes,
By figns unerring. Soon they change the theme,
And make a kind enquiry how their herds
Of cattle fare? if they ftill brouze in fields
Untainted, or diftempers dire infect;
Diftempers fuch as neither they, nor e'er
Their fathers knew. On this they long debate-
Whether the taint from air or earth's deriv'd?
Whether by man or beaft convey'd around;
Or whether Med'cine can its force afwage?
Unanimous they own it is a fcourge,
Sent us by providence: Unanimous,
They pray, that heav'n would ftop the malady.

They tell of that malignant plague that rag'd,
When they were boys; and how fucceeding foon
The conflagration, with relentless sweep,
The city buried in one dreadful pile.

Time is the ruft of things; the world decays.
With what difdainful pomp didst thou appear
In days of yore, when thy huge body flood
On firmeft bafe; when thy afpiring head.
Did brave the ftars; And when thy arms robust,
Extending wide, were cloath'd with foliage green,
By nature neatly wrought, thyfelf a grove.
But now, how art thou chang'd from what thou

waft?

Fall'n is thy creft, and wither'd are thy leaves.
Thy frength decays; thy glory brighter fhines:
Thou shalt be fil'd, to monarchy a friend;
And to thy native foil a patriot firm.
For thou, to Britons dear, didit bear aloft
On thy rejoicing head the pitchy flames,*
(Tho' fare to perish in the glorious deed)
When the rebellious clans were overthrown
In dreadful fight, by Cumberland the great,
The people's darling, and the monarch's boaft.
The foldier thus worn out with age and arms,
When late difcharg'd, fome quiet village fecks,

*Tar barrels fixed upon the top of this tree at the battle of Culloden.

Where he may spend his eve of life in peace :
But if per chance he hears his country's foes
Are greatly routed in fome fignal field,
His heart beats high, he fwoons, the falls, & with
The tranfports of too big a joy he dies.

On MAY MORNING.

LL hail! thou pleafing, chearful morn,
Sweet harbinger of May,

A'

Welcome, thrice welcome, thy return,
Which makes all nature gay.

At thy foft call, the genial earth
Yields up her verdant ftores,
Her flow'ry off'spring now fpring forth,
Awak'd by vernal thow'rs,

The bright parterres for thee difplay
Their utmost blooming pride,
Behold the varying tulip gay,
In all the rainbow dy'd.
There rich auriculas appear,

In powder'd luftre dreft,
The modeft polyanthus here,
In Nature's humbler veft.
In one the finish'd toaft we trace,
In one the rural maid;
Art there beftows the foreign grace,
But here with-holds her aid.

Yet, tho' the first more brilliant fhows,
The laft is not lefs fair,

She fears not every blast that blows,
'But blooms thro' all the year.

Behold on yonder fragrant bush,
Where blows the lovely rofe,
Thy warm approach has made it blufh,
And all its fweets difclofe.

Thy fmiles have fill'd, hills, dales, and groves,
With beauty and with fong,

Have imp'd with speed the wings of love,
And urg'd his fhafts along.

Thy influence bids soft numbers flow;
To thee I tune my lays,
To thee the joys thy fmiles below,
Return in artless praife.

Still as the kind revolving year,

Thy charms renews again,
To Nature's voice I'll tune my lyre,
And blefs thy happy reign,
Yorkshire, May 24, 1756.

EPIGRA M.

OPHELIA

[merged small][merged small][merged small][ocr errors]
[ocr errors]

Lift of Books published; with Remarks.

DIVINITY, MORALITY.

"Thistory in miniature of the celebrated

HE paths of virtue delineated, or the

Pamela, Clariffa Harlow, and Sir CharlesGrandifon, familiarized and adapted to the capacities of youth. 25 6d Baldwin.

2. Three tracts: 1ft, Remarks upon this question, whether the appearances under the Old Teftament were the true God, or fome fpiritual being reprefenting him, and acting in his name. 24, An essay on the Schechinab, or divine appearances mentioned in the fcriptures. 3. Texts of fcripture relating to the Logos confidered. By the late Rev. Mr Moses Lowman, 3s few'd, Noon.

3. Two letters to Mr George Whitfield, upon the workers of iniquity, and Anti-Chriftian fpirit of diffention, dividing our brethren from the church of their nation. 35 Marfbal.

4. A free and candid examination of the principles advanced by the Bp of London, in his fermon and difcourfes on prophecy. Davis.

5. The great fecret difclofed; or, an infallible falve for opening the eyes of those whom the God of this world has blinded, by applying of which may be seen the true caufe why religion decays and methodim daily encreases amongst us, and with it all that train of vice and immorality fo common in the nation, with an effectual method for bringing about a reformation, and deftroying methodifm. Is Reason. 6. Scripture marks of falvation.gd Buckland SERMONS.

7. The fure foundation: Two fermons preached before the university of Oxford, April 11, from Ifaiab xxviii, 16. By Wm Romaine, M. A. is Worral

9. Several fermons preached in Newcastle upon Tyne. By A Mumton, M.A. 5s Bathurst.

9. The divine judgments against the Midianites vindicated and applied as a warning against the modern Midianites, preached before the feveral affociations of Anti-Gallicans at St Peter's church in Cornbill, on St George's day. By Stephen Roe, A. M. 6d Millar.

TO. On the late earthquakes, more particularly that at Lifbon: Where n the subject is co fidered, both in a philofophical and religious light, preached at St. Andrew's, Plymouth. By Tho. Alcock, M. A. 6d Baldwin.

11. Two fermons ; one a preparatory to,an the other on the fast day; preached at the churches of Hooe and Ming ford, Suffer. By N. Torriano, M. D. curate of the faid parishes. Together with his letter to the parishioners and prayer before the faft fermon.

MISCELLANEOUS.

12. A fhort hiftory of the Ifraelites, with an account of their laws, cuftoms, &c. from the French of AbbeFleury. By E Farnezorth.Wkifton

13. An effay on the writings and genius of Pope. Vol. I. 8vo. 334 pages. Cooper. -This author acknowledges that Pope was fuperior, to all mankind in a certain fpecies of poetry, but infifts that his fpecies was not of of the firf class. The firft clafs is the fublime and pathetic, the fecond di actic, the third defcriptive, both of nature and manners, the laft mere verfification. He has not determined (Gent, Mrg, MAY 1756.)

249

which of thefe claffes of poetry was Pope's o therwife than by the general tenor of his work, and by adopting the following paffage of Vo!taire, which he fays characterifes Pope with as much exactnefs as it did Boileau, for whom it was originally intended, "Being incapable as well of the fublime that elevates, as of the pathetic that melts the foul, but able to give new luftre to the thoughts of those who exIcelled in both fevere, pure, and harmonious, he became at length the poet of Reafon." He proceeds to examine the works of Poperas they are ranged in Mr Warburton's elegant edition, and the fum of his obfervations will be found under the following heads, in the fame order.

Of the Paflorals.

In the paftorals of Pope, the ideas of Theocritus, Virgil, and Spencer, are expreffed in the moft pure and mellifluous language, but they do not contain one rural image that is new: In this refpect they are defective, but they contain a mixture of Grecian and British ideas, and in this refpect they are chargeable with impropriety. Paftolus is coupled with Thames, and Windfor with Hybla; complaints of immoderate beat, and withes for gloomy caverns, are proper in the character of a Grecian, but not in that of a Britif thepherd Theocritus heard the murmurs of a brook, and the whispers of a pine, during the ardors of Sirius, with a pleafure which Pope could never have felt. Pope, tho' the icene of his paftoral is in Windfor foreft, fpeaks of the fultry Sirius, the grateful clufiers of grapes, of a pipe of reeds, the antique fiftula, of thanking Ceres for a plentiful harvelt, and of the facrifice of lambs; tho'; in other inftances, he has adopted images that are proper to the scene, and in tranflating

Audiit Eurotas, juffitque adiscere LAUROS He has rejected the laurel appropriated to Eurotas, & given its native willers to the Thames,

Thames beard the numbers as he flow'd along, And bade bis willervr learn the moving fong. The imitations from Thocritus are below the original, and the riddle of the royal oak in the firft paftoral, in imitation of the enigmas of Virgil's 3d eclogue, favours of pun and conceit, for with what propriety cou'd the tree which protected a king, by hiding him with its leaves, be faid to be prolific of princes"? The principal excellence of the paftorals is faid to be the correct and mufical verfification.

Of the Windfor Forest and Lyric Pices, Defcriptive poetry was by no means Pare's talent, as appears by the images introduted into the Windfor Foreft, of which there are but very few that are not common to every other -tural place. The fcrts er shooting and fishing are not peculiar to the fpct, and the frag chace is inferior to that of Somerville,

The digreffive defcription of the remains of 30 villages defroyed by Win the conqution is well imagined. The story of Ledona is pretty, and much in vid's manner, but there is force a fingic incident in it that is not borrowed to.n fome of his transformations. The picture of a virtuous and learned man in retirement is Ji

Highly

« PreviousContinue »