Ethics and Narrative in the English Novel, 1880–1914

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Cambridge University Press, 2001 M02 12 - 176 pages
Drawing on interdisciplinary work in the field of ethics and literature by a diverse range of thinkers, including Martha Nussbaum, Emmanuel Levinas and Paul Ricoeur, Jil Larson offers new readings of late Victorian and turn-of-the-century British fiction, she shows how ethical concepts can transform our understanding of narratives, just as narratives make possible a valuable, contextualised moral deliberation. Focusing on novels by Thomas Hardy, Sarah Grand, Olive Schreiner, Oscar Wilde, and Henry James, Larson explores the conjunction of ethics and fin-de-siècle history and culture through a consideration of what narratives from this period tell us about emotion, reason, and gender, aestheticism, and such speech acts as promising and lying. This book will be of interest to scholars of nineteenth century and modernism, and all interested in the conjunction between narrative, ethics and literary theory.

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Contents

CHAPTER 1 Ethics and the turn to narrative
1
anxiety about agency at the fin de siècle
20
CHAPTER 3 Emotion gender and ethics in fiction by Thomas Hardy and the New Woman writers
44
chance and moral luck in A Laodicean The Mayor of Casterbridge and Tess
64
aestheticizing ethics
93
CHAPTER 6 Promises lies and ethical agency in Joseph Conrads Under Western Eyes
114
Afterword
137
Notes
141
Bibliography
165
Index
173
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