Lyric Poetry, Volume 2J. M. Dent and sons Limited; New York, 1913 - 374 pages |
From inside the book
Results 1-5 of 41
Page viii
... Italian , Provençal , and Norman channels . The question of rhyme is not so easy to settle . It would have been interesting to work out at length the argument from the Celtic side ; in the attempt to prove that , as the present writer ...
... Italian , Provençal , and Norman channels . The question of rhyme is not so easy to settle . It would have been interesting to work out at length the argument from the Celtic side ; in the attempt to prove that , as the present writer ...
Page 18
... carried their art of song , and an incorrigible love of rhyme : they taught it in Iceland , in Italy , in the South of France . From the early Middle Ages , almost from the first settlements , there was an almost 18 LYRIC POETRY.
... carried their art of song , and an incorrigible love of rhyme : they taught it in Iceland , in Italy , in the South of France . From the early Middle Ages , almost from the first settlements , there was an almost 18 LYRIC POETRY.
Page 37
... Italy and the South of France . From the Dark Ages , indeed from our first settle- ments , there was a gradual diffusion of church hymns , verse and music , in the various countries . As M. Pierre Aubry tells us , the language of words ...
... Italy and the South of France . From the Dark Ages , indeed from our first settle- ments , there was a gradual diffusion of church hymns , verse and music , in the various countries . As M. Pierre Aubry tells us , the language of words ...
Page 76
... Italian influences . And instead of a single great reformer we have an intermittent and per- plexing line of small and inconclusive modifiers , and we follow its erratic advance in a Rolle of Hampole or in the work of anonymous song ...
... Italian influences . And instead of a single great reformer we have an intermittent and per- plexing line of small and inconclusive modifiers , and we follow its erratic advance in a Rolle of Hampole or in the work of anonymous song ...
Page 80
... Italian , verse , fairly applied and naturalised . As for lyric poetry , while he did not deliberately turn song - writer , he put the instrument ready , unstiffened its pegs , increased its vibration and made it capable of arresting ...
... Italian , verse , fairly applied and naturalised . As for lyric poetry , while he did not deliberately turn song - writer , he put the instrument ready , unstiffened its pegs , increased its vibration and made it capable of arresting ...
Other editions - View all
Common terms and phrases
accent Allan Ramsay Astrophel and Stella ballad Beaumont beauty Ben Jonson Beowulf Burns cadence called Campion Celtic century cesura Chaucer Coleridge colour couplet Cynewulf Dean Prior death delight doth earth effect Elizabethan emotion English lyric English poetry English verse Exeter Book expression fair folk-song genius grace Hampole hath heart Heaven helped Herrick hymns idea idiom imagination impulse influence instance Italian Jonson Lady Latin Layamon lines literary Lord lovers lute lyric poetry Lyrical Ballads master melody Milton mode nature never night northern passages passion play poems poet poetic prose Queen refrain rhyme rhythm Richard Rolle romance Saxon Shakespeare Shelley Sidney singing song sonnet soul Spenser spirit stanza sung Surrey sweet tell Tennyson thee things thou thought tongue Tottel's Miscellany tradition true tune turn voice Widsith words Wordsworth writing written wrote Wyatt
Popular passages
Page 278 - Poems was to choose incidents and situations from common life, and to relate or describe them, throughout, as far as was possible in a selection of language really used by men, and, at the same time, to throw over them a certain colouring of imagination, whereby ordinary things should be presented to the mind in an unusual aspect...
Page 277 - I thought of Chatterton, the marvellous Boy, The sleepless Soul that perished in his pride; Of Him who walked in glory and in joy Following his plough, along the mountain-side: By our own spirits are we deified: We Poets in our youth begin in gladness; But thereof come in the end despondency and madness.
Page 286 - The intelligible forms of ancient poets, The fair humanities of old religion, The power, the beauty, and the majesty, That had their haunts in dale, or piny mountain. Or forest by slow stream, or pebbly spring, Or chasms and wat'ry depths; all these have vanished ; They live no longer in the faith of reason!
Page 223 - Go, lovely rose ! Tell her that wastes her time and me, That now she knows, When I resemble her to thee. How sweet and fair she seems to be.
Page 345 - THEY told me, Heraclitus, they told me you were dead, They brought me bitter news to hear and bitter tears to shed. I wept as I remember'd how often you and I Had tired the sun with talking and sent him down the sky...
Page 287 - How beautiful is night ! A dewy freshness fills the silent air, No mist obscures, nor cloud, nor speck, nor stain, Breaks the serene of heaven : In full-orbed glory yonder moon divine Rolls through the dark blue depths.
Page 185 - DEATH be not proud, though some have called thee Mighty and dreadful, for, thou art not so, For, those, whom thou think'st, thou dost overthrow, Die not, poor death, nor yet canst thou kill me. From rest and sleep, which but thy...
Page 343 - And not by eastern windows only, When daylight comes, comes in the light; In front, the sun climbs slow, how slowly, But westward, look, the land is bright.
Page 152 - I'll kneel down And ask of thee forgiveness: so we'll live, And pray, and sing, and tell old tales, and laugh At gilded butterflies, and hear poor rogues Talk of court news; and we'll talk with them too, — Who loses and who wins; who's in, who's out; — And take...
Page 188 - Ah Ben! Say how or when Shall we, thy guests, Meet at those lyric feasts, Made at the Sun, The Dog, the Triple Tun ; Where we such clusters had, As made us nobly wild, not mad ? And yet each verse of thine Out-did the meat, out-did the frolic wine.