Cinema of Flames: Balkan Film, Culture and the MediaBloomsbury Publishing, 2019 M07 25 - 320 pages First study of cinema, media and the Balkan wars; Wide-ranging view of politics and culture of the region; The break-up of Yugoslavia triggered a truly international film-making project. Underground, Ulysses' Gaze, Before the Rain, Pretty Village, Pretty Flame and Welcome to Sarajevo were amongst a host of films created as the conflicts in the region unravelled. These conflicts restored the Balkans as a centrepiece of Western imagery and the media (especially cinema) assumed a leading but ambiguous role in defining it for global consumption through a narrow range of selectively defined images. Simultaneously, a lot of the high-quality cinematic and television work made in the region (much of it discussed in this book) remains relatively unknown. Cinema of Flames attempts to go deeper than the imagery and address some of the general concerns of the cross-cultural representation and self-representation of the Balkans: narrative strategies within the context of Balkan exclusion from the European cultural sphere, the cosmopolitan image of Sarejevo, diaspora, and the representations of villains, victims, women, and ethnic minorities, all considered in the general context of Balkan cinema. 'encyclopaedic in scope and brilliance, making excellent use of the scholarly literature whilst interweaving analysis of films and other mass media. The book will be a superb addition to the literatures on Bosnia and Yugoslavia. It will also serve as a standard reference on Balkans film.' Robert Hayden (University of Pittsburgh) |
From inside the book
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Page 3
... important task for educators and academics seemed to be to defeat the stereotypes of East and West, celebrity experts would recite so many of the cold war clichés and come up with even more hateful ones? How come some in the West were ...
... important task for educators and academics seemed to be to defeat the stereotypes of East and West, celebrity experts would recite so many of the cold war clichés and come up with even more hateful ones? How come some in the West were ...
Page 4
... the Balkans, however, remains invariably important and controversial. And it is this subtle role that I hope to have captured and problematised in my work. Chapter 1 War in the Balkans – Moving Images This 4 CINEMA OF FLAMES.
... the Balkans, however, remains invariably important and controversial. And it is this subtle role that I hope to have captured and problematised in my work. Chapter 1 War in the Balkans – Moving Images This 4 CINEMA OF FLAMES.
Page 5
... and self-perceptions, and to show why the continuity and the direction of cinematic mediation is of crucial importance. In my study I persistently point out that cross-cultural causality Chapter 1: War in the Balkans – Moving Images.
... and self-perceptions, and to show why the continuity and the direction of cinematic mediation is of crucial importance. In my study I persistently point out that cross-cultural causality Chapter 1: War in the Balkans – Moving Images.
Page 6
... important transnational issues that often remain neglected when the exploration is limited to individual countries. Abandoning the one-county approach and taking the issues on a cross-cultural level, even within the boundaries of a ...
... important transnational issues that often remain neglected when the exploration is limited to individual countries. Abandoning the one-county approach and taking the issues on a cross-cultural level, even within the boundaries of a ...
Page 9
... importance and will be analysing them in my text. Textual Versus Contextual Analysis In my approach I am more preoccupied with contextual rather than textual analysis. Where world cinema is concerned, textual analysis only makes sense ...
... importance and will be analysing them in my text. Textual Versus Contextual Analysis In my approach I am more preoccupied with contextual rather than textual analysis. Where world cinema is concerned, textual analysis only makes sense ...
Contents
1 | |
5 | |
27 | |
Part 2 Commitments Amid Strife | 87 |
Part 3 People | 173 |
Part 4 Spaces | 233 |
Bibliography | 283 |
Filmography | 300 |
Index | 318 |
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Common terms and phrases
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