Elements of Criticism. Vol 1 [-3], Volume 1 - 365 pages |
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Page 16
... appear in a flovenly drefs ; and therefore he pretends not otherwife to apologize for his errors , than by obferving , that in a new fubject , no lefs nice than extenfive , errors are in fome meafure unavoidable . Neither pretends he to ...
... appear in a flovenly drefs ; and therefore he pretends not otherwife to apologize for his errors , than by obferving , that in a new fubject , no lefs nice than extenfive , errors are in fome meafure unavoidable . Neither pretends he to ...
Page 18
... appears , that the relations by which things are linked together , have a great influence in di- recting the train of thought . Taking a view of external objects , their inherent properties are not more remarkable , than the various ...
... appears , that the relations by which things are linked together , have a great influence in di- recting the train of thought . Taking a view of external objects , their inherent properties are not more remarkable , than the various ...
Page 23
... to proceed from effects to their caufes , and from particular propofitions to those which are more general . Why this difference in matters that appear fo nearly re- . lated ? I anfwer , The cafes are fimilar in B 4 Ch . I. 23 IN A TRAIN .
... to proceed from effects to their caufes , and from particular propofitions to those which are more general . Why this difference in matters that appear fo nearly re- . lated ? I anfwer , The cafes are fimilar in B 4 Ch . I. 23 IN A TRAIN .
Page 24
lated ? I anfwer , The cafes are fimilar in appear- ance only , not in reality . In a hiftorical chain , every event is particular , the effect of fome for- mer event , and the cause of others that follow ; in fuch a chain , there is ...
lated ? I anfwer , The cafes are fimilar in appear- ance only , not in reality . In a hiftorical chain , every event is particular , the effect of fome for- mer event , and the cause of others that follow ; in fuch a chain , there is ...
Page 25
... appears that we are framed by nature to relish order and connexion . When an object is introduced by a proper connexion , we are con- fcious of a certain pleasure arifing from that cir- cumftance . Among objects of equal rank , the ...
... appears that we are framed by nature to relish order and connexion . When an object is introduced by a proper connexion , we are con- fcious of a certain pleasure arifing from that cir- cumftance . Among objects of equal rank , the ...
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action againſt agreeable alfo appear arifing arts beauty becauſe Cæfar cafe caufe cauſe circumftances confequently congruity connexion contraft courfe courſe criticifm defcribed defcription defire degree difagreeable diffimilar diftinct diftinguifhed diftrefs dignity effect elevation emotion raiſed emotions and paffions exift expreffion faid fame fcarce feeling feems fenfe fenfible fentiment fhall fhort fhould fhows figure fimilar final caufe fingle fingular fion firft fo complex focial fome fometimes fpectator ftill ftrong fubject fublime fucceffion fuch fufficient furprife fwell grandeur gratification hath himſelf ideal prefence ideas Iliad impreffion inftances itſelf ject lefs meaſure mind moft moſt motion mufic muft muſt nature nexion novelty obfcure obfervation objects of fight occafion oppofite Othello paffing pain perceive perceptions perfon pleaſant emotion pleaſure prefent produce produceth propenfity propriety puniſhment purpoſes qualities raife reafon refemblance refpect relation relifh riety rifible ſelfiſh tafte thefe theſe things thofe thoſe tion uniformity uſe variety