Yale/theatre, Volume 8

acting aesthetic African theatre Afro-American American actor American style Andrei Serban artist audience avant-garde become behavior Black Brecht Chaikin feels character Chekhov Cherry Orchard comedy costumes create critics culture dance developed director dramaturgs emotional ence ensemble event example experience festival films going Group Theatre Handke Handke's Hirst important improvisation impulse Ipi-Tombi Joseph Chaikin kind language Lee Strasberg living Memoirs movement Müller Mutwa Mwondo never Nigerian O'Neill Open Theater opera performance person Peter Brook Peter Maloney play playwright political present problem production rehearsal Review rhythm Richard Schechner ritual Robert Brustein role Sanford Meisner scene seems sense Serban singing social society song South Africa spectators Spooner stage Stanislavski Stella Adler Sticks and Bones Strasberg talk teacher technique theatrical theory things Threepenny Opera tion traditional drama trying uHlanga village Williams words write Yale Yale/Theatre York Yoruba Zimet