The RecognitionsDeep Vellum Publishing, 2012 M02 7 - 976 pages The book Jonathan Franzen dubbed the "ur-text of postwar fiction" and the "first great cultural critique, which, even if Heller and Pynchon hadn't read it while composing Catch-22 and V., managed to anticipate the spirit of both”—The Recognitions is a masterwork about art and forgery, and the increasingly thin line between the counterfeit and the fake. Gaddis anticipates by almost half a century the crisis of reality that we currently face, where the real and the virtual are combining in alarming ways, and the sources of legitimacy and power are often obscure to us. |
Contents
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Section 14 | |
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Section 17 | |
Section 18 | |
Section 19 | |
Section 20 | |
Section 21 | |
Section 9 | |
Section 10 | |
Section 11 | |
Section 12 | |
Section 13 | |
Section 22 | |
Section 23 | |
Section 24 | |
Section 25 | |
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