The Harp Re-strung: The United Irishmen and the Rise of Irish Literary Nationalism

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Syracuse University Press, 1994 - 286 pages
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Mary Helen Thuente pushes the clock back, some fifty years, as she demonstrates in The Harp Re-strung that Irish literary nationalism actually began in the 1790s, with the United Irish movement, rather than in the 1840s, as has been generally accepted. The United Irish movement began as a club of paramilitary reformers in Belfast in 1791. Influenced by the French Revolution and related movements, these sons of the Enlightenment became ever more radical. Within five or six years, what had been a small club of intellectuals and political agitators resulted in a mass movement that was committed to overthrowing British rule in Ireland. By reevaluating the writings associated with the United Irish movement, especially the works of Thomas Moore and the Young Ireland writers, their context within the culture, and their impact on subsequent Irish nationalistic writing, Thuente establishes that the movement played a pivotal role in the development of Irish literary nationalism. She provides a rich balance in her treatment of elite and popular cultures, salvages information previously ignored by critics, and invites readers to look anew at the history and propaganda of the movement.

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The harp re-strung: the United Irishmen and the rise of Irish literary nationalism

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"Few would fight, when none would sing.'' As this aphorism suggests, the United Irishmen of the 1790s took their cue from the French Revolution and embraced a larger cultural nationalism, encouraging ... Read full review


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About the author (1994)

Mary Helen Thuente is professor of English at North Carolina State University. She is the author of W. B. Yeats and Irish Folklore.

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