SwiftHarvester Press, 1986 - 153 pages |
From inside the book
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Page 7
... particular selection of themes and patterns that most conduced to a unified work of art . In short , the text was deemed the result of an imitation of prior intentions unchanged in their expression . For the ' textual ' critic , reading ...
... particular selection of themes and patterns that most conduced to a unified work of art . In short , the text was deemed the result of an imitation of prior intentions unchanged in their expression . For the ' textual ' critic , reading ...
Page 70
... particular train of experiences , how can the individual be fully responsible both for his / her vices or virtues ? ' Character ' could be invoked as a vivid and decisively irreducible unit against such intimations of flux and decay ...
... particular train of experiences , how can the individual be fully responsible both for his / her vices or virtues ? ' Character ' could be invoked as a vivid and decisively irreducible unit against such intimations of flux and decay ...
Page 93
... particular extreme . ( p . 67 ) In the midst of Locke's ' corpuscularian ' view of nature ( that objects actually possess such ' primary qualities ' independent of any ' secondary ' judgement ) , Berkeley saw the myth of abstraction ...
... particular extreme . ( p . 67 ) In the midst of Locke's ' corpuscularian ' view of nature ( that objects actually possess such ' primary qualities ' independent of any ' secondary ' judgement ) , Berkeley saw the myth of abstraction ...
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