Literature and CriticismChatto and Windus, 1953 - 190 pages |
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Page 10
... emotional boor . ' More than this , even an artistically and emotion- ally educated man must be a man of good faith . He must have the courage to admit what he feels , as well as the flexibility to know what he feels . So Sainte- Beuve ...
... emotional boor . ' More than this , even an artistically and emotion- ally educated man must be a man of good faith . He must have the courage to admit what he feels , as well as the flexibility to know what he feels . So Sainte- Beuve ...
Page 107
... emotion's lack of strength that it is under control ; the emotion may be extremely powerful and yet be controlled ; control is not the same as sup- pression , as shutting out the feelings , which is , obviously , bad . A man at the ...
... emotion's lack of strength that it is under control ; the emotion may be extremely powerful and yet be controlled ; control is not the same as sup- pression , as shutting out the feelings , which is , obviously , bad . A man at the ...
Page 110
... emotion , making use of a simple rhythm to purvey his ' romantic ' wares . That is perhaps not the fairest way of putting it ; it isn't intended to suggest that Shelley is consciously exploiting the responses of his readers in the ...
... emotion , making use of a simple rhythm to purvey his ' romantic ' wares . That is perhaps not the fairest way of putting it ; it isn't intended to suggest that Shelley is consciously exploiting the responses of his readers in the ...
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abstract alliteration analysis Antony attitude beauty bird Bulstrode comparison complex concrete contrast convey couplet course D. H. Lawrence Dead mountain mouth death diction effect Eliot emotion emotionally emphasis Enobarbus example experience expression eyes F. R. Leavis fear feeling felt force Four Quartets George Eliot given gives Hopkins human I. A. Richards idea imagery imagination impressive inevitably instance intended ISAAC ROSENBERG kind lack language lines literary criticism living Lydgate meaning ment Milton mind movement musical nature ness obvious Paradise Lost passage perhaps phrase physical play poem poet poet's poetic thought poetry present prose prose-meaning quiet readers reveal rhyming words rhythm Ring seems sense sensuous Shakespeare Shelley's shew significance simile simple sound speech stanza stress strong suggest sweet T. S. Eliot thee things Thomas Hardy thou tion tone truth vague verse vivid W. B. Yeats whole Wordsworth