Literature and CriticismChatto and Windus, 1953 - 190 pages |
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Page 19
... matter of methodical timing and mechanical emphasis ; the account omits real emphasis , the meaningful emphasis of words given by the quality and pressure of the emo- tion and thought behind the words . Good rhythm , which means really ...
... matter of methodical timing and mechanical emphasis ; the account omits real emphasis , the meaningful emphasis of words given by the quality and pressure of the emo- tion and thought behind the words . Good rhythm , which means really ...
Page 73
... matter or as ends or near- ends in themselves ; to shew that a poet dealing with thoughts is not necessarily a strong - thinking poet ; and to indicate that what we understand by poetic thought , at its finest , is fused with feeling ...
... matter or as ends or near- ends in themselves ; to shew that a poet dealing with thoughts is not necessarily a strong - thinking poet ; and to indicate that what we understand by poetic thought , at its finest , is fused with feeling ...
Page 91
... matter in hand and at the same time , adding to the easy - going and near - conversation manner , en- sure that the matter is not heavily laboured . The sustained play of the poet's lightly - mocking and amused attitude over his ...
... matter in hand and at the same time , adding to the easy - going and near - conversation manner , en- sure that the matter is not heavily laboured . The sustained play of the poet's lightly - mocking and amused attitude over his ...
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abstract alliteration analysis Antony attitude beauty bird Bulstrode comparison complex concrete contrast convey couplet course D. H. Lawrence Dead mountain mouth death diction effect Eliot emotion emotionally emphasis Enobarbus example experience expression eyes F. R. Leavis fear feeling felt force Four Quartets George Eliot given gives Hopkins human I. A. Richards idea imagery imagination impressive inevitably instance intended ISAAC ROSENBERG kind lack language lines literary criticism living Lydgate meaning ment Milton mind movement musical nature ness obvious Paradise Lost passage perhaps phrase physical play poem poet poet's poetic thought poetry present prose prose-meaning quiet readers reveal rhyming words rhythm Ring seems sense sensuous Shakespeare Shelley's shew significance simile simple sound speech stanza stress strong suggest sweet T. S. Eliot thee things Thomas Hardy thou tion tone truth vague verse vivid W. B. Yeats whole Wordsworth