Elements of Criticism, Volume 3A. Miller, London; and A. Kincaid & J. Bell, Edinburgh, 1762 |
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Page 26
... ornament ; fuch as comparisons that fet the principal object in a strong point of view , or that embellish and diverfify the narration . In general , when by any animating paffion , whether pleafant or painful , an impulfe is given to ...
... ornament ; fuch as comparisons that fet the principal object in a strong point of view , or that embellish and diverfify the narration . In general , when by any animating paffion , whether pleafant or painful , an impulfe is given to ...
Page 167
... ornaments and graces fuit not any of the difpiriting paffions , nor are pro- per for expreffing any thing grave and im- portant . In familiar converfation , they are in fome measure ridiculous . Profpero in the Tempest , fpeaking to his ...
... ornaments and graces fuit not any of the difpiriting paffions , nor are pro- per for expreffing any thing grave and im- portant . In familiar converfation , they are in fome measure ridiculous . Profpero in the Tempest , fpeaking to his ...
Page 168
... ornament of any kind . E YOUR 4 jezeraerá H % 1 L ནག ad t don eomys Borut me -9x la sonne fazan alirud on : tweed , alur Iveng og bad en beloved maid se qadə sadiq sifa To : Oxen bra eldgood ! 1 , Saite.lib ol & CHAP . 10 CHA P. XXI ...
... ornament of any kind . E YOUR 4 jezeraerá H % 1 L ནག ad t don eomys Borut me -9x la sonne fazan alirud on : tweed , alur Iveng og bad en beloved maid se qadə sadiq sifa To : Oxen bra eldgood ! 1 , Saite.lib ol & CHAP . 10 CHA P. XXI ...
Page 188
... ornaments that founding words , meta- phor , and figurative expreffion , can be- ftow upon it . I fhall give a few examples of the fore- going doctrine . A poet of any genius will not readily drefs a high fubject in low words ; and yet ...
... ornaments that founding words , meta- phor , and figurative expreffion , can be- ftow upon it . I fhall give a few examples of the fore- going doctrine . A poet of any genius will not readily drefs a high fubject in low words ; and yet ...
Page 198
... ornament , but poffeffes not in the fame degree the talent of draw- ing from the life . A tranflation of the fixth fatire of Horace , begun by the former and finished by the latter , affords the fairest opportunity for a comparison ...
... ornament , but poffeffes not in the fame degree the talent of draw- ing from the life . A tranflation of the fixth fatire of Horace , begun by the former and finished by the latter , affords the fairest opportunity for a comparison ...
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Common terms and phrases
abſtract action Æneid againſt agreeable alfo allegory alſo appears beauty becauſe betwixt caufe cauſe cenfured chap circumftance compariſon compofition confidered Cymbeline defcription difagreeable diſtinguiſhed effect effential emotions employ'd Eneid epic poem epic poetry Euripides expreffed expreffion fame fcene fect feems fenfe fenfible fhall fhould fignify figure fimile fingle firft firſt fize fome fpectator fpeech ftandard ftill fubject fuch fuppofe garden hath Henry IV Henry VI himſelf houſe Iliad imagination impreffion inftances itſelf ject lefs meaſure metaphor mind moſt Mozambic mufic muft muſt nature neceffary obfcure obferved objects occafion oppofite ornament paffage paffing paffion Paradife Loft perfon perfonification pleaſant pleaſure prefent principle proper proportion purpoſe raiſed reafon refpect regularity reliſhed repreſentation repreſented reſemblance Richard II ſcene ſenſe ſome ſtage ſtate ſuch tafte taſte termed thee thefe theſe thing thofe thoſe thou tion tragedy uſe vafes words
Popular passages
Page 178 - Your infants in your arms, and there have sat The livelong day, with patient expectation, To see great POmpey pass the streets of Rome...
Page 15 - Like night, and darken'd all the land of Nile: So numberless were those bad Angels seen Hovering on wing under the cope of Hell, Twixt upper, nether, and surrounding fires...
Page 211 - I'll give my jewels for a set of beads, My gorgeous palace for a hermitage, My gay apparel for an almsman's gown, My...
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Page 12 - And thus still doing, thus he pass'd along. Duch. Alas ! poor Richard ! where rides he the while ? York. As in a theatre, the eyes of men, After a well-graced actor leaves the stage, Are idly bent on him that enters next, Thinking his prattle to be tedious : Even so, or with much more contempt, men's eyes Did scowl on Richard ; no man cried, God save him...
Page 17 - Looks through the horizontal misty air Shorn of his beams, or from behind the moon, In dim eclipse, disastrous twilight sheds On half the nations, and with fear of change Perplexes monarchs.
Page 199 - Should I turn upon the true prince ? Why, thou knowest, I am as valiant as Hercules: but beware instinct; the lion will not touch the true prince. Instinct is a great matter ; I was a coward on instinct.
Page 18 - And higher than that wall a circling row Of goodliest trees, loaden with fairest fruit, Blossoms and fruits at once...
Page 62 - First in his east the glorious lamp was seen, Regent of day, and all th' horizon round Invested with bright rays, jocund to run His longitude through heav'n's high road; the gray Dawn and the Pleiades before him danc'd, Shedding sweet influence...
Page 55 - O, pardon me, thou bleeding piece of earth, That I am meek and gentle with these butchers; Thou art the ruins of the noblest man That ever lived in the tide of times.