Elements of Criticism, Volume 3A. Miller, London; and A. Kincaid & J. Bell, Edinburgh, 1762 |
From inside the book
Results 1-5 of 21
Page 209
... representation of tranfactions . But nature hath not been fa- tisfied to recommend language by its utility merely it is made fufceptible of many beauties that have no relation to utility , which are directly felt without the inter ...
... representation of tranfactions . But nature hath not been fa- tisfied to recommend language by its utility merely it is made fufceptible of many beauties that have no relation to utility , which are directly felt without the inter ...
Page 210
... representation of it will be relished : K. Richard . What muft the King do now ? muft he fubmit ? The King fhall do it : muft he be depos'd ? The The King fhall be contented : must he lose The 210 Ch.XXI . NARRATION AND.
... representation of it will be relished : K. Richard . What muft the King do now ? muft he fubmit ? The King fhall do it : muft he be depos'd ? The The King fhall be contented : must he lose The 210 Ch.XXI . NARRATION AND.
Page 215
... representation : not even Shake- fpear's masterly hand can make the picture agreeable . Though the objects introduced in the fol- lowing fcenes , are not altogether fo horrible as Sin is in Milton's picture ; yet with every perfon of ...
... representation : not even Shake- fpear's masterly hand can make the picture agreeable . Though the objects introduced in the fol- lowing fcenes , are not altogether fo horrible as Sin is in Milton's picture ; yet with every perfon of ...
Page 230
... the fame vicious difpo- fition with the perfon represented . His last propofition is , That the only character fit for reprefentation 1 representation lies in the middle , neither e- minently good 230 EPIC AND DRAMATIC Ch . XXII .
... the fame vicious difpo- fition with the perfon represented . His last propofition is , That the only character fit for reprefentation 1 representation lies in the middle , neither e- minently good 230 EPIC AND DRAMATIC Ch . XXII .
Page 231
... representation deferves that name , but where the misfortunes exhibited are caused by a wrong balance of mind , or fome diforder in the internal conftitution . Such misfortunes always fuggeft moral in- ftruction ; and by fuch ...
... representation deferves that name , but where the misfortunes exhibited are caused by a wrong balance of mind , or fome diforder in the internal conftitution . Such misfortunes always fuggeft moral in- ftruction ; and by fuch ...
Other editions - View all
Common terms and phrases
abſtract action Æneid againſt agreeable alfo allegory alſo appears beauty becauſe betwixt caufe cauſe cenfured chap circumftance compariſon compofition confidered Cymbeline defcription difagreeable diſtinguiſhed effect effential emotions employ'd Eneid epic poem epic poetry Euripides expreffed expreffion fame fcene fect feems fenfe fenfible fhall fhould fignify figure fimile fingle firft firſt fize fome fpectator fpeech ftandard ftill fubject fuch fuppofe garden hath Henry IV Henry VI himſelf houſe Iliad imagination impreffion inftances itſelf ject lefs meaſure metaphor mind moſt Mozambic mufic muft muſt nature neceffary obfcure obferved objects occafion oppofite ornament paffage paffing paffion Paradife Loft perfon perfonification pleaſant pleaſure prefent principle proper proportion purpoſe raiſed reafon refpect regularity reliſhed repreſentation repreſented reſemblance Richard II ſcene ſenſe ſome ſtage ſtate ſuch tafte taſte termed thee thefe theſe thing thofe thoſe thou tion tragedy uſe vafes words
Popular passages
Page 178 - Your infants in your arms, and there have sat The livelong day, with patient expectation, To see great POmpey pass the streets of Rome...
Page 15 - Like night, and darken'd all the land of Nile: So numberless were those bad Angels seen Hovering on wing under the cope of Hell, Twixt upper, nether, and surrounding fires...
Page 211 - I'll give my jewels for a set of beads, My gorgeous palace for a hermitage, My gay apparel for an almsman's gown, My...
Page 67 - O gentle sleep, Nature's soft nurse, how have I frighted thee, That thou no more wilt weigh my eyelids down, And steep my senses in forgetfulness...
Page 12 - And thus still doing, thus he pass'd along. Duch. Alas ! poor Richard ! where rides he the while ? York. As in a theatre, the eyes of men, After a well-graced actor leaves the stage, Are idly bent on him that enters next, Thinking his prattle to be tedious : Even so, or with much more contempt, men's eyes Did scowl on Richard ; no man cried, God save him...
Page 17 - Looks through the horizontal misty air Shorn of his beams, or from behind the moon, In dim eclipse, disastrous twilight sheds On half the nations, and with fear of change Perplexes monarchs.
Page 199 - Should I turn upon the true prince ? Why, thou knowest, I am as valiant as Hercules: but beware instinct; the lion will not touch the true prince. Instinct is a great matter ; I was a coward on instinct.
Page 18 - And higher than that wall a circling row Of goodliest trees, loaden with fairest fruit, Blossoms and fruits at once...
Page 62 - First in his east the glorious lamp was seen, Regent of day, and all th' horizon round Invested with bright rays, jocund to run His longitude through heav'n's high road; the gray Dawn and the Pleiades before him danc'd, Shedding sweet influence...
Page 55 - O, pardon me, thou bleeding piece of earth, That I am meek and gentle with these butchers; Thou art the ruins of the noblest man That ever lived in the tide of times.