Dialogues Concerning Eloquence in General: And, Particularly that Kind which is Proper for the PulpitFarrand, Mallory, & Company, 1810 - 174 pages |
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Page 49
... style : in- stead of making pertinent inquiries into the * The ornaments of speaking are much degenerated from their original usefulness . They were at first , no doubt , an admirable instrument in the hands of wise men , when they were ...
... style : in- stead of making pertinent inquiries into the * The ornaments of speaking are much degenerated from their original usefulness . They were at first , no doubt , an admirable instrument in the hands of wise men , when they were ...
Page 55
... style , and for the historical facts they relate . He particularly enjoinst the study of the poets : because of the great resemblance there is be- twixt the figures of poetry , and those of elo- ligione , nihil de morte , nihil de ...
... style , and for the historical facts they relate . He particularly enjoinst the study of the poets : because of the great resemblance there is be- twixt the figures of poetry , and those of elo- ligione , nihil de morte , nihil de ...
Page 56
... style almost of the poets ; the elocution and gesture of the finest actors . ' Consider now how much application must be necessary to attain all this . C. I have observed indeed , on several occasions , that some orators , though they ...
... style almost of the poets ; the elocution and gesture of the finest actors . ' Consider now how much application must be necessary to attain all this . C. I have observed indeed , on several occasions , that some orators , though they ...
Page 57
... style , employ pompous expressions when the subject requires plain ones : and they who affect the boyish style , make use of low expressions when the matter requires the loftiest . But our language is become so modest , so re- served ...
... style , employ pompous expressions when the subject requires plain ones : and they who affect the boyish style , make use of low expressions when the matter requires the loftiest . But our language is become so modest , so re- served ...
Page 58
... styles with different subjects sort , As several garbs with country , town , and court . Some by old words to fame have made pretence : Ancients in phrase , mere moderns in their sense ! Such labour'd nothings , in so strange a style ...
... styles with different subjects sort , As several garbs with country , town , and court . Some by old words to fame have made pretence : Ancients in phrase , mere moderns in their sense ! Such labour'd nothings , in so strange a style ...
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Common terms and phrases
action affect amuse ancient antitheses apostles Archbishop of Cambray atque audience autem beauty Christian church Cicero declaimers Demosthenes discourse divine eloquence endeavour enim ESSAY ON CRITICISM etiam explain express false fancy force gesture give Gorgias gospel Greeks hæc harangues hear hearers holy Homer imitate instruction Isocrates knowledge language learning lively Longinus manner mean ment mind moral Mosaic law motus moving the passions natural neque nihil noble notions observe omnes omni oratory ornaments paint panegyric panegyrists passages pastors perceive persuade philosopher Plato poetry poets praise preach preacher principles proper quæ quaint quam quence quod reason reckon religion rhetoric rules sacred says scrip scripture sentiments shew simplicity sion Socrates solid sophisms speak style sublime sunt talk taste things thoughts tion true orator truth tuam Tully ture Virgil virtue wisdom words καὶ
Popular passages
Page 117 - First follow Nature, and your judgment frame By her just standard, which is still the same : Unerring NATURE, still divinely bright, One clear, unchanged, and universal light, Life, force, and beauty, must to all impart, At once the source, and end, and test of Art.
Page 69 - True Wit is Nature to advantage dress'd, What oft was thought, but ne'er so well express'd ; Something, whose truth convinc'd at sight we find, That gives us back the image of our mind.
Page 109 - Its gaudy colours spreads on every place ; The face of nature we no more survey, All glares alike, without distinction gay ; But true expression, like th' unchanging sun, Clears and improves whate'er it shines upon ; It gilds all objects, but it alters none.
Page 58 - ... unchanging sun, Clears and improves whate'er it shines upon ; It gilds all objects, but it alters none. Expression is the dress of thought, and still Appears more decent, as more suitable ; A vile conceit in pompous words express'd, Is like a clown in regal purple dress'd : For different styles with different subjects sort, As several garbs with country, town, and court. Some by old words to fame have made pretence : Ancients in phrase, mere moderns in their sense ! Such labour'd nothings, in...
Page 18 - Thee, bold Longinus ! all the Nine inspire, And bless their Critic with a Poet's fire. An ardent Judge, who zealous in his trust, With warmth gives sentence, yet is always just ; Whose own example strengthens all his laws ; And is himself that great Sublime he draws.
Page 75 - A work t* outlast immortal Rome design'd, Perhaps he seem'd above the Critic's law, And but from Nature's fountains scorn'd to draw: But when t' examine ev'ry part he came, Nature and Homer were, he found, the same.
Page 136 - It is he that sitteth upon the circle of the earth, And the inhabitants thereof are as grasshoppers; That stretcheth out the heavens as a curtain, And spreadeth them out as a tent to dwell in: That bringeth the princes to nothing; He maketh the judges of the earth as vanity.
Page 22 - I said before, and concluding that eloquence ought to be banish'd out of all civil Societies, as a thing fatal to Peace and good Manners.
Page 49 - Fancy disgust the best things, if they come sound, and unadorn'd: they are in open defiance against Reason; professing, not to hold much correspondence with that; but with its Slaves, the Passions: they give the mind a motion too changeable, and bewitching, to consist with right practice.
Page 32 - Who can behold, without indignation, how many mists and uncertainties, these specious Tropes and Figures have brought on our Knowledg?