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TO OUR READERS AND CORRESPONDENTS.

We earnestly solicit communications on subjects of general interest, and also from professors of the arts and authors, respecting works which they may have in hand. We conceive that the evident. advantage which must accrue to both from the more extensive publicity that will be given to their productions through the medium of the Repository, needs only to be mentioned, to induce them to favour us with such information, which shall always meet with the most prompt attention.

The Proprietor of the Repository respectfully informs his readers, that, with a view to the further improvement of the work, and to render it still more worthy of the patronage bestowed on it, he shall close the present Series at the end of the Fourteenth Volume, and commence a new one, with some alterations in the plan, of which due notice will be given.

We beg leave to remind booksellers and authors, that our Literary Intelligence is confined to the announcement of entirely new works only, and that notices of new editions are not admissible. Several articles of this kind reached us too late for insertion in the present Number: they ought to be forwarded to us by the 18th of each month at latest.

X, X. is informed, that the article mentioned in his communication, would find a ready insertion in the Repository.

We are sorry to learn, from the letter of P. S. that so painful an application should have been made of observations in which no personal allusion whatever was intended.

We apprehend, that the insertion of the Lines on Miss Stevens, and the Ode for the Birth-day of the Princess Charlotte, would afford little gratification to any except the writers.

The Proprietor begs leave to remind such of his Readers as have imperfect sets of the Repository, of the necessity of an early application for the deficiencies, in order to prevent disappointment. Those who chuse to return their Numbers to the Publisher, may have them exchanged for Volumes in a variety of bindings, at the rate of 5s. per Volume.

Repository

OF

ARTS, LITERATURE, COMMERCE, Manufactures, Fashions, and Politics,

For JANUARY, 1815.

The Seventy-third Number.

-The suffrage of the wise,

The praise that's worth ambition, is attain'd
By sense alone, and dignity of mind.

ARMSTRONG.

CONVERSATIONS ON THE ARTS.-By JUNINUS. (Continued from Vol. XII, p. 315.) MISS EVE. Does Sir Joshua Reynolds's pedigree of art run to Rubens, or Vandyke?

Miss K. No; to Rembrandt: I will presently shew you the suc

cession.

Of Vandyke's pupils David Beck, who was born at Arnheim, in 1621, painted portraits. Arnold Douth, a native of Ghent, born the same year as the black footman of Velasquez, in 1610, died in 1665, the year of the last plague in London. He painted history and portraits. Justus van Egmont, born 1602, at Leyden. This painter is mentioned by Reynolds as having been much employed by Rubens to advance his pictures.

Miss Eve. By this method of employing others, a painter may produce the works of 500 years in

less than 20.

Miss K. Yes; so may engravers, as Bartolozzi has done. Rubens painted the sketch, for the sketches No. LXXIII. Vol. XIII.

of the great colourists are mostly in colours, on canvas. The generality of the sketches of the Italian painters are on paper, without colours, made with chalk, pen and ink, &c.

Miss Eve. I think Reynolds says, that if painters look out for assistance, they can only receive it with propriety in the middle of the work; and that the first and the last parts must be the performance of their own hands.

Miss K. This is obvious; that is to say, unless the assistant be as meritorious as the employer.

Van Egmont painted history.Bertram de Fouchier, born at Bergen op Zoom, 1609, painted portraits and conversations.-James Gandy painted portraits: he died in 1689, and was probably an Englishman.--Jan de Reyn or Rhine, called Lang Jan, was born at Dunkirk, in 1610, and painted history and portraits. I forgot to observe,

B

that Il Muto, Titian's pupil, was So you th' unfeigned truth rehearse, dumb.

Of those who imitated Vandyke, Petersz van Zyl Gerard, called Gerrards, was born at Amsterdam, 1607, and painted history, conversations, and portraits. There were several Mytens; Arnold, Daniel, John, Samuel, and another whose christian name is unknown. The latter and Martin were the imitators of Vandyke. Martin was born at Stockholm, 1695, and died in 1755. Where or when the other was born and died is I believe unknown.Robert Walker was an Englishman, painted portraits, and died in 1658.

Miss Eve. Have you any poetry

That I may make it live in verse ;
That face to after times convey ;
Why thou couldst not at one essay,
Which this admires-was it thy wit,
To make her oft before thee sit?

Confess, and we'll forgive thee this,
For who would not repeat that bliss,
And frequent sight of such a dame,
Buy with the hazard of his fame?

Yet who can tax thy blameless skill?

Though thy good hand had failed, sti!{

When Nature's self so often errs,
She, for these many thousand years,
Seems to have practised, with much care,
To frame the race of women fair;
Yet never could a perfect birth
Produce before to grace the earth,
Which waxed old, ere it could see
Her that amaz'd the heart and thee.
But now this done, O let me know
Where these immortal colours grow,
That could this deathless piece compose
In lilies or the fading rose.

complimentary to Vandyke? I No, for this theft thou hast climbed higher

think Reynolds says, that he is the
best portrait-painter that ever ex-
isted, Titian and Rubens not ex-
cepted. What a number of pic-
tures he has left, considering that
he died at the age of forty-two!

Miss K. Here are some lines by
Waller, addressed to Vandyke:
Rare artisan, whose pencil moves,
Not our delight alone, but loves,
From thy shop of beauty we
Slaves retreat that enter'd free.
The heedless lover does not know
Whose eyes they are that wound him so,
But, confounded with thy art,.
Enquires her name that has his heart:
Another, who did long refrain,
Feels his old wound bleed fresh again,
With dear remembrance of that face,
Where now he reads new hope of grace;
Nor scorn, nor cruelty does find,
But gladly suffers a false wind
To blow the ashes of despair
From the reviving brand of care.
Fool, that forgets her stubborn look,
This softness from thy finger took !
Strange, that the hand should not inspire
The beauty only, but the fire;
Not the form alone, and grace,
But act and power of a face.
Mayst thou yet thyselfas well
As all the world besides excel;

Than did Prometheus for his fire.

Miss Eve. It is said that Vandyke married a very beautiful wo

man.

Miss K. Yes; she was daughter to Lord Ruthven, Earl of Gowry. Rubens and his pupil Vandyke both. died of the gout.

Miss Eve. What is the best recipe for the gout?

Miss K. Patience and flanne}; I believe.

Miss Eve. I suppose many of the best Venetian pictures are at Venice?

Miss K. It is but reasonable to imagine so. In the lives of painters it is sometimes said-This painter failed in colouring, because he did not stay long at Venice of another-It is astonishing that he adopted the grand style of Michael Angelo and Raphael d'Urbino, considering that he was never out of Germany-as if the air of Venice could teach colouring, and Germany were the land of stupidity.

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