From Harlem to Paris: Black American Writers in France, 1840-1980University of Illinois Press, 1991 - 358 pages This plodding, academic study uses accounts from more than 60 African American writers--Countee Cullen, James Baldwin, Chester Himes et al.--to explain why they were more readily accepted socially in Paris than in America. Fabre ( The Unfinished Quest of Richard Wright ) shows that French/black American affinity started in pre-Civil War New Orleans (and not, as the title suggests, in Harlem), when illegitimate mulattos with inheritances from French slave-owners sent their children to Paris to be educated. The book concludes that acceptance and appreciation of black Americans were based largely of French distaste both for white Americans, whom the French found egotistical, and for black Africans, with whom the French had a bitter "mutual colonial history." |
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Page 76
Black American Writers in France, 1840-1980 Michel Fabre. 6 Countee Cullen : " The Greatest Francophile " Countee Cullen was the greatest francophile of us all . He had won a French medal at Dewitt - Clinton High School and he early ...
Black American Writers in France, 1840-1980 Michel Fabre. 6 Countee Cullen : " The Greatest Francophile " Countee Cullen was the greatest francophile of us all . He had won a French medal at Dewitt - Clinton High School and he early ...
Page 90
... Cullens ' in 1928 and was later asked to do the illustrations for Countee's " The Adventures of Monkey Baboon , " which was never published . The Nardal group , an important first step toward the negritude movement , liked Cullen's ...
... Cullens ' in 1928 and was later asked to do the illustrations for Countee's " The Adventures of Monkey Baboon , " which was never published . The Nardal group , an important first step toward the negritude movement , liked Cullen's ...
Page 91
... Cullen , notebook , 1928 , 109–10 . 11. " I have seen the skies burst into lightning and waterspouts / and the surge of the sea , and the currents / I have known evenings . . . " ( Rimbaud ... Countee Cullen : " The Greatest Francophile " 91.
... Cullen , notebook , 1928 , 109–10 . 11. " I have seen the skies burst into lightning and waterspouts / and the surge of the sea , and the currents / I have known evenings . . . " ( Rimbaud ... Countee Cullen : " The Greatest Francophile " 91.
Contents
Introduction | 1 |
The New Orleans Connection | 9 |
Preachers and Abolitionists | 22 |
Copyright | |
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acquaintances African Afro-American Alain Locke Algerian Ameri American Negro artists attended autobiography Banjo beautiful become black American black American writers Bois Boulevard café Césaire Chester Himes civil Claude McKay colonial colored Countee Cullen culture Dixon Emanuel enjoyed Europe European exile expatriates Fauset feel felt France French French-speaking friends girl Harlem hereafter cited Hotel inspired intellectual James Baldwin jazz Jean July Langston Hughes later Latin Quarter Léopold Senghor literary live magazine Maran Marseilles McKay's Melvin musicians negritude never Noir novel novelist painter Paris Parisian play poems poet poetry political Press published race racial racism Richard Wright Riviera Séjour Senghor Smith soldiers stay story streets summer surrealist Ted Joans tion took Toomer tourists translated trip United University W. E. B. Du Bois wanted white American William William Gardner Smith wrote Yale York