English Verse: Voice and Movement from Wyatt to Yeats, Volume 2Cambridge U.P., 1967 - 324 pages Every poet has a characteristic tone of voice, and his own rhythm. The author's chief interest is this 'sound poems make in the head', and his particular gift is to help us to hear what is going on in the individual poem, and to catch the poet's individuality. We also hear how each poet develops the forms his predecessors have used. In this way, we move from a consideration of single voices to the development of particular forms (like the couplet or blank verse) and the characteristics of whole periods. This book, then, has several uses. While verse as sound is its main concern, it can be read as an introductory history of English verse from the sixteenth to the twentieth century. Since the author quotes generously, he also provides as he goes along an unhackneyed anthology in chronological order. In addition, he comments in detail on many of the poems, so that the book is a demonstration of the methods and uses of practical criticism. |
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Page 49
... meaning , already remarked on and particularly noteworthy in this passage , is achieved . Perhaps it will be a useful guide if we examine four points : the words puff'd , crisp , and marbled , and the image chain unctuous - greases ...
... meaning , already remarked on and particularly noteworthy in this passage , is achieved . Perhaps it will be a useful guide if we examine four points : the words puff'd , crisp , and marbled , and the image chain unctuous - greases ...
Page 74
... meaning varies with emphasis or intonation . For example , such a sentence as I saw him ' can imply three different shades of meaning according to which word we stress . So Lord , how can man preach thy eternall word ... can carry three ...
... meaning varies with emphasis or intonation . For example , such a sentence as I saw him ' can imply three different shades of meaning according to which word we stress . So Lord , how can man preach thy eternall word ... can carry three ...
Page 255
... meaning of each in itself simple word , and alliteration and repetition hammer that meaning home . Note especially the whole down - moving image of destruction in the last three lines of the octet . There are indeed ' excel- lencies ...
... meaning of each in itself simple word , and alliteration and repetition hammer that meaning home . Note especially the whole down - moving image of destruction in the last three lines of the octet . There are indeed ' excel- lencies ...
Contents
Blank Verse | 25 |
The Seventeenth Century | 58 |
The Eighteenth Century | 117 |
Copyright | |
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Common terms and phrases
A. E. Housman alliteration Balaam beauty Blake blank verse Boston Evening Transcript breath called Comus couplet dark dead death Donne Donne's doth dramatic dream Dryden earth eternal eyes fall feel flowers Gorboduc GUIDERIUS hath hear heart heaven Henry Purcell heroic couplet Hopkins human imagination inscape Keats kind King lady lines living look Lord lyric man's meaning melody Milton mind Muses nature nature's never night o'er passage play pleasure poem poet poet's poetic poetry Pre-Raphaelite Prufrock quotation reader rhetoric rhyme rhythm romantic Samian wine sense Shakespeare sing sleep smile song sonnet sort soul sound speech Spenser spirit spring sprung rhythm stanza stresses sweet syllables symbol T. S. Eliot taste thee theme thine things thou thought trees truth tune turn verb voice wind words Wordsworth writing Yeats