English Verse: Voice and Movement from Wyatt to Yeats, Volume 2Cambridge U.P., 1967 - 324 pages Every poet has a characteristic tone of voice, and his own rhythm. The author's chief interest is this 'sound poems make in the head', and his particular gift is to help us to hear what is going on in the individual poem, and to catch the poet's individuality. We also hear how each poet develops the forms his predecessors have used. In this way, we move from a consideration of single voices to the development of particular forms (like the couplet or blank verse) and the characteristics of whole periods. This book, then, has several uses. While verse as sound is its main concern, it can be read as an introductory history of English verse from the sixteenth to the twentieth century. Since the author quotes generously, he also provides as he goes along an unhackneyed anthology in chronological order. In addition, he comments in detail on many of the poems, so that the book is a demonstration of the methods and uses of practical criticism. |
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Page 28
... speak patience To those that wring under a load of sorrow ; But no man's virtue or sufficiency To be so moral when he shall endure The like himself ... The next passage comes from one of the most popular of all Elizabethan plays , The ...
... speak patience To those that wring under a load of sorrow ; But no man's virtue or sufficiency To be so moral when he shall endure The like himself ... The next passage comes from one of the most popular of all Elizabethan plays , The ...
Page 64
T. R. Barnes. speak , infinitely ductile . The simile of the compasses is easy to follow . We speak of a pair of compasses , yet the pair is one thing , and so the two lovers are really one . The poet must travel , his beloved must stay ...
T. R. Barnes. speak , infinitely ductile . The simile of the compasses is easy to follow . We speak of a pair of compasses , yet the pair is one thing , and so the two lovers are really one . The poet must travel , his beloved must stay ...
Page 90
... speak directly to readers who no longer share his theological views , or regard him as a teacher . First , two short quotations from the famous L'Allegro and Il Penseroso . Thse are really ' exercise ' poems , demonstrations of skill ...
... speak directly to readers who no longer share his theological views , or regard him as a teacher . First , two short quotations from the famous L'Allegro and Il Penseroso . Thse are really ' exercise ' poems , demonstrations of skill ...
Contents
Blank Verse | 25 |
The Seventeenth Century | 58 |
The Eighteenth Century | 117 |
Copyright | |
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Common terms and phrases
A. E. Housman alliteration Balaam beauty Blake blank verse Boston Evening Transcript breath called Comus couplet dark dead death Donne Donne's doth dramatic dream Dryden earth eternal eyes fall feel flowers Gorboduc GUIDERIUS hath hear heart heaven Henry Purcell heroic couplet Hopkins human imagination inscape Keats kind King lady lines living look Lord lyric man's meaning melody Milton mind Muses nature nature's never night o'er passage play pleasure poem poet poet's poetic poetry Pre-Raphaelite Prufrock quotation reader rhetoric rhyme rhythm romantic Samian wine sense Shakespeare sing sleep smile song sonnet sort soul sound speech Spenser spirit spring sprung rhythm stanza stresses sweet syllables symbol T. S. Eliot taste thee theme thine things thou thought trees truth tune turn verb voice wind words Wordsworth writing Yeats