The Sculptures of the Parthenon |
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Page 4
There remained the two long sides of the temple , north and south , for the display
of horsemen , chariots , musicians , and sacrificial animals as they passed
through the streets . For this purpose the sculptor required only one long side ,
but ...
There remained the two long sides of the temple , north and south , for the display
of horsemen , chariots , musicians , and sacrificial animals as they passed
through the streets . For this purpose the sculptor required only one long side ,
but ...
Page 9
... involving the destruction of the centre metopes and much of the frieze . To add
to this calamity , the Venetian general , Morosini , attempted to Bruno Keil ,
Anonymus Argentinensis , p . 75 . lower and carry off the chariot group of Athenè
in ...
... involving the destruction of the centre metopes and much of the frieze . To add
to this calamity , the Venetian general , Morosini , attempted to Bruno Keil ,
Anonymus Argentinensis , p . 75 . lower and carry off the chariot group of Athenè
in ...
Page 10
lower and carry off the chariot group of Athenè in the west pediment . But his
tackle gave way , and the group was broken into fragments . Some years
previous to the Venetian bombardment it happened , fortunately , that a French
Ambassador ...
lower and carry off the chariot group of Athenè in the west pediment . But his
tackle gave way , and the group was broken into fragments . Some years
previous to the Venetian bombardment it happened , fortunately , that a French
Ambassador ...
Page 11
The goddess had arrived in a chariot ( biga ) , and , as we shall see presently ,
Poseidon must have come on the scene in the same manner , though his chariot
was destroyed before Carrey ' s time . Each chariot had a driver , with an
attendant ...
The goddess had arrived in a chariot ( biga ) , and , as we shall see presently ,
Poseidon must have come on the scene in the same manner , though his chariot
was destroyed before Carrey ' s time . Each chariot had a driver , with an
attendant ...
Page 15
the whole centre of the pediment was occupied by one great group , closed in on
each side by the two chariots . Within this group there was a further division ,
consisting of the two deities themselves , represented at that stage of the
contention ...
the whole centre of the pediment was occupied by one great group , closed in on
each side by the two chariots . Within this group there was a further division ,
consisting of the two deities themselves , represented at that stage of the
contention ...
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Common terms and phrases
Acropolis action already angle appear artistic Athens attitude beauty birth body British Museum called Carrey's drawing carry cast Centaur central centre chariot close compared composition cows deities detail drapery east effect equally existing extreme face fact feet figure folds foot fragment frieze front girls give gods gold Greek hand head holding horses Illustrations indicate instances interested ivory Lapith left arm left hand legs less look manner mantle marble metopes natural nearer north frieze notice nude Olympia original Parthenon pass Pheidias PLATE Poseidon possible present procession question raised recognise regards relief remains represent right hand round scene sculptured seated seems seen separate shield shoulders side Slab space standing statue suggested supposed temple turning vase west pediment whole wings woman women young youth Zeus
Popular passages
Page 118 - I trust, from ever forgetting—what is meant by the virtue of handling in sculpture. The projection of the heads of the four horses, one behind the other, is certainly not more, altogether, than three-quarters of an inch from the flat ground, and the one in front does not in reality project more than the one behind it, yet, by mere drawing,* you see the sculptor has got them to appear to recede in due order, and by the soft rounding of the flesh surfaces, and modulation of the veins, he has taken...
Page 1 - WHEN the Parthenon stood forth complete on the Acropolis of Athens in or about the year 438 BC, there was no other building in the whole of Greece comparable even in the mere extent and variety of its sculptures.1 Imagine a frieze 522 feet in length sculptured all along with figures nearly half life size, in many parts densely crowded till the marble could carry no more, the whole in very low relief and executed with marvellous detail. Above the columns externally and round all the four sides of...
Page 2 - ... workmanship. Within each of the two pediments or gables was an immense group of statues, the smallest equal to life size, the central figures colossal. Lastly, inside the Parthenon was the stupendous statue of Athene herself in gold and ivory by Pheidias. It was he who directed the whole of the...
Page 1 - B. c., there was no other building in the whole of Greece comparable even in the mere extent and variety of its sculptures.1 Imagine a frieze 522 feet in length sculptured all along with figures nearly half life-size, in many parts densely crowded till the marble could carry no more, the whole in very low relief and executed with marvellous detail. Above the columns externally and round all the four sides of the temple were ninety-two metopes, each consisting of a group of two figures two-thirds...
Bibliographic information
| Title | The Sculptures of the Parthenon |
| Author | Alexander Stuart Murray |
| Publisher | J. Murray, 1903 |
| Original from | the University of Michigan |
| Digitized | 6 Jul 2006 |
| Length | 173 pages |
| Export Citation | BiBTeX EndNote RefMan |