The Sculptures of the Parthenon |
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Page 8
Pheidias , on the other hand , was renowned for the wealth and splendour of his
imagination . The combination of such a master and such a pupil was everything
that could be desired , and , indeed , we are not surprised that comparisons ...
Pheidias , on the other hand , was renowned for the wealth and splendour of his
imagination . The combination of such a master and such a pupil was everything
that could be desired , and , indeed , we are not surprised that comparisons ...
Page 20
But it may mean also a separation in space . It is now agreed that the figures B , C
, D , E , F , in the left wing are Cecrops and his three daughters with the boy
Erichthonios . We recognise Cecrops from the serpent , on whose coils his left
hand ...
But it may mean also a separation in space . It is now agreed that the figures B , C
, D , E , F , in the left wing are Cecrops and his three daughters with the boy
Erichthonios . We recognise Cecrops from the serpent , on whose coils his left
hand ...
Page 22
She herself does not appear to share the same excitement as the corresponding
figure F on Athene ' s side , but the boy on her right side , P , has rushed
impetuously to her , his right hand clasping her knee , and his mantle stretched
between ...
She herself does not appear to share the same excitement as the corresponding
figure F on Athene ' s side , but the boy on her right side , P , has rushed
impetuously to her , his right hand clasping her knee , and his mantle stretched
between ...
Page 22
That would be on the Acropolis ; but in his picture the Acropolis of those days
extended to Mount Lycabettos on the one hand and to the Pnyx on the other . In
any case the beings who are first surprised by the divine contest are women and
...
That would be on the Acropolis ; but in his picture the Acropolis of those days
extended to Mount Lycabettos on the one hand and to the Pnyx on the other . In
any case the beings who are first surprised by the divine contest are women and
...
Page 26
... stretches behind him , is characterised by long lines and folds which may be
described as wet . It spreads itself on the rock behind his left hand in a thin sheet
of m CSN flat folds , which , though only sketched in 26 THE WEST PEDIMENT.
... stretches behind him , is characterised by long lines and folds which may be
described as wet . It spreads itself on the rock behind his left hand in a thin sheet
of m CSN flat folds , which , though only sketched in 26 THE WEST PEDIMENT.
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Common terms and phrases
Acropolis action already angle appear artistic Athens attitude beauty birth body British Museum called Carrey's drawing carry cast Centaur central centre chariot close compared composition cows deities detail drapery east effect equally existing extreme face fact feet figure folds foot fragment frieze front girls give gods gold Greek hand head holding horses Illustrations indicate instances interested ivory Lapith left arm left hand legs less look manner mantle marble metopes natural nearer north frieze notice nude Olympia original Parthenon pass Pheidias PLATE Poseidon possible present procession question raised recognise regards relief remains represent right hand round scene sculptured seated seems seen separate shield shoulders side Slab space standing statue suggested supposed temple turning vase west pediment whole wings woman women young youth Zeus
Popular passages
Page 118 - I trust, from ever forgetting—what is meant by the virtue of handling in sculpture. The projection of the heads of the four horses, one behind the other, is certainly not more, altogether, than three-quarters of an inch from the flat ground, and the one in front does not in reality project more than the one behind it, yet, by mere drawing,* you see the sculptor has got them to appear to recede in due order, and by the soft rounding of the flesh surfaces, and modulation of the veins, he has taken...
Page 1 - WHEN the Parthenon stood forth complete on the Acropolis of Athens in or about the year 438 BC, there was no other building in the whole of Greece comparable even in the mere extent and variety of its sculptures.1 Imagine a frieze 522 feet in length sculptured all along with figures nearly half life size, in many parts densely crowded till the marble could carry no more, the whole in very low relief and executed with marvellous detail. Above the columns externally and round all the four sides of...
Page 2 - ... workmanship. Within each of the two pediments or gables was an immense group of statues, the smallest equal to life size, the central figures colossal. Lastly, inside the Parthenon was the stupendous statue of Athene herself in gold and ivory by Pheidias. It was he who directed the whole of the...
Page 1 - B. c., there was no other building in the whole of Greece comparable even in the mere extent and variety of its sculptures.1 Imagine a frieze 522 feet in length sculptured all along with figures nearly half life-size, in many parts densely crowded till the marble could carry no more, the whole in very low relief and executed with marvellous detail. Above the columns externally and round all the four sides of the temple were ninety-two metopes, each consisting of a group of two figures two-thirds...
Bibliographic information
| Title | The Sculptures of the Parthenon |
| Author | Alexander Stuart Murray |
| Publisher | J. Murray, 1903 |
| Original from | the University of Michigan |
| Digitized | 6 Jul 2006 |
| Length | 173 pages |
| Export Citation | BiBTeX EndNote RefMan |