The Sculptures of the ParthenonJ. Murray, 1903 - 173 pages |
From inside the book
Results 1-5 of 15
Page 34
... holding a palm branch ; on her right , Artemis , Hades , and Persephonè ; on her left , Poseidon . This relief was found in 1861 , at Kastell Osterburken , and is published in the Obergermanisch . Rhae- tisch . Limes , pt . ii . p . 23 ...
... holding a palm branch ; on her right , Artemis , Hades , and Persephonè ; on her left , Poseidon . This relief was found in 1861 , at Kastell Osterburken , and is published in the Obergermanisch . Rhae- tisch . Limes , pt . ii . p . 23 ...
Page 49
... holding high one end of a bronze- gilt ribbon , the other end fastened by the slight iron plug which still remains on her left thigh . Her right arm would then be stretched forward to welcome Athene's arrival . For the rest we cannot ...
... holding high one end of a bronze- gilt ribbon , the other end fastened by the slight iron plug which still remains on her left thigh . Her right arm would then be stretched forward to welcome Athene's arrival . For the rest we cannot ...
Page 56
... holding a lyre in her hands , which perhaps she has ceased to play . Carrey's drawing does 1 M. Perrot thinks that these central metopes were occupied with the birth of Erichthonios and legends of the foundation of the cult of Athenè ...
... holding a lyre in her hands , which perhaps she has ceased to play . Carrey's drawing does 1 M. Perrot thinks that these central metopes were occupied with the birth of Erichthonios and legends of the foundation of the cult of Athenè ...
Page 58
... holding out a scroll over a table may be consistent with a marriage ceremony . But he has drawn the other woman turning her back to her companion , and holding in her hand what appears to be a knife , as if she were preparing for an ...
... holding out a scroll over a table may be consistent with a marriage ceremony . But he has drawn the other woman turning her back to her companion , and holding in her hand what appears to be a knife , as if she were preparing for an ...
Page 90
... holding up a parasol , and this may appear contradictory to the theory of invisibility . But we must remember that certain accessories were necessary for the identification of certain deities , and that in the case of Aphrodite the ...
... holding up a parasol , and this may appear contradictory to the theory of invisibility . But we must remember that certain accessories were necessary for the identification of certain deities , and that in the case of Aphrodite the ...
Other editions - View all
Common terms and phrases
Acropolis Acropolis of Athens action Alcamenes Aphroditè apobates appear artistic Athenè Athenians attitude beauty birth of Athenè body British Museum Carrey's drawing carry cast Cecrops Centaur Centaurs and Lapiths central group central metopes centre chariot chariot group chiton colossal composition cows deities drapery east frieze effect Elgin Room Ergastinae figure folds fore leg front girls goddess gods gold and ivory Greek head helmet Hephaestos Hera horses Ilissos Illustrations instances knee Lapith left arm left hand long sides Lord Elgin mantle marble Michaelis nearer north frieze north side nude form Olympia Olympos original in Athens Parthenon frieze Pausanias peplos Pheidias PLATE Poseidon possible present procession raised recognise represent right arm right hand scene sculptured seated seen shield shoulders Slab south metopes south side spectator statuette temple Theseus turning round vase west frieze west pediment whole wings woman women xoanon youth Zeus Zeus at Olympia
Popular passages
Page 118 - I trust, from ever forgetting—what is meant by the virtue of handling in sculpture. The projection of the heads of the four horses, one behind the other, is certainly not more, altogether, than three-quarters of an inch from the flat ground, and the one in front does not in reality project more than the one behind it, yet, by mere drawing,* you see the sculptor has got them to appear to recede in due order, and by the soft rounding of the flesh surfaces, and modulation of the veins, he has taken...
Page 1 - WHEN the Parthenon stood forth complete on the Acropolis of Athens in or about the year 438 BC, there was no other building in the whole of Greece comparable even in the mere extent and variety of its sculptures.1 Imagine a frieze 522 feet in length sculptured all along with figures nearly half life size, in many parts densely crowded till the marble could carry no more, the whole in very low relief and executed with marvellous detail. Above the columns externally and round all the four sides of...
Page 2 - ... workmanship. Within each of the two pediments or gables was an immense group of statues, the smallest equal to life size, the central figures colossal. Lastly, inside the Parthenon was the stupendous statue of Athene herself in gold and ivory by Pheidias. It was he who directed the whole of the...
Page 1 - B. c., there was no other building in the whole of Greece comparable even in the mere extent and variety of its sculptures.1 Imagine a frieze 522 feet in length sculptured all along with figures nearly half life-size, in many parts densely crowded till the marble could carry no more, the whole in very low relief and executed with marvellous detail. Above the columns externally and round all the four sides of the temple were ninety-two metopes, each consisting of a group of two figures two-thirds...