The Sculptures of the Parthenon |
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FRAGMENT OF T ( WEST PEDIMENT ) , BRONZE GROUP , FRAGMENT OF
METOPE 16 , South SIDE , „ 22 V . Ilissos , HORSES ' HEADS , AMPHITRITÈ
AND LEUCOTHEA . 25 VI . EAST PEDIMENT ( CARREY ) VII . THESEUS AND
THREE ...
FRAGMENT OF T ( WEST PEDIMENT ) , BRONZE GROUP , FRAGMENT OF
METOPE 16 , South SIDE , „ 22 V . Ilissos , HORSES ' HEADS , AMPHITRITÈ
AND LEUCOTHEA . 25 VI . EAST PEDIMENT ( CARREY ) VII . THESEUS AND
THREE ...
Page 6
The inner modelling of horse and man is indeed kept so low as to be invisible at
a comparatively short distance . But it is there , all the same , in inexpressible
beauty . The metopes presented a complicated problem . For the sake of the light
the ...
The inner modelling of horse and man is indeed kept so low as to be invisible at
a comparatively short distance . But it is there , all the same , in inexpressible
beauty . The metopes presented a complicated problem . For the sake of the light
the ...
Page 13
15 by one hariots . nsisting it stage ad prolon had nent of s amply ities , to That a ;
horses trioteer , e heads hat the at older closed isolate pia the bviously : ctators .
advance I a new : poetic r . But see at of the arkedly terested ures so the whole ...
15 by one hariots . nsisting it stage ad prolon had nent of s amply ities , to That a ;
horses trioteer , e heads hat the at older closed isolate pia the bviously : ctators .
advance I a new : poetic r . But see at of the arkedly terested ures so the whole ...
Page 15
Thus the moment of greatest intensity had just been reached ; and this is amply
reflected in the action of the two contending deities , to say nothing of the rearing
horses of Athenė . That a similar degree of excitement had been shown by the ...
Thus the moment of greatest intensity had just been reached ; and this is amply
reflected in the action of the two contending deities , to say nothing of the rearing
horses of Athenė . That a similar degree of excitement had been shown by the ...
Page 16
On the right Poseidon seizes by the bridle a horse , below which are the brackish
pool of water and the dolphins . ... far as it goes , with the west pediment , we
must conclude that the one horse in effect represents the two horses of his chariot
.
On the right Poseidon seizes by the bridle a horse , below which are the brackish
pool of water and the dolphins . ... far as it goes , with the west pediment , we
must conclude that the one horse in effect represents the two horses of his chariot
.
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Common terms and phrases
Acropolis action already angle appear artistic Athens attitude beauty birth body British Museum called Carrey's drawing carry cast Centaur central centre chariot close compared composition cows deities detail drapery east effect equally existing extreme face fact feet figure folds foot fragment frieze front girls give gods gold Greek hand head holding horses Illustrations indicate instances interested ivory Lapith left arm left hand legs less look manner mantle marble metopes natural nearer north frieze notice nude Olympia original Parthenon pass Pheidias PLATE Poseidon possible present procession question raised recognise regards relief remains represent right hand round scene sculptured seated seems seen separate shield shoulders side Slab space standing statue suggested supposed temple turning vase west pediment whole wings woman women young youth Zeus
Popular passages
Page 118 - I trust, from ever forgetting—what is meant by the virtue of handling in sculpture. The projection of the heads of the four horses, one behind the other, is certainly not more, altogether, than three-quarters of an inch from the flat ground, and the one in front does not in reality project more than the one behind it, yet, by mere drawing,* you see the sculptor has got them to appear to recede in due order, and by the soft rounding of the flesh surfaces, and modulation of the veins, he has taken...
Page 1 - WHEN the Parthenon stood forth complete on the Acropolis of Athens in or about the year 438 BC, there was no other building in the whole of Greece comparable even in the mere extent and variety of its sculptures.1 Imagine a frieze 522 feet in length sculptured all along with figures nearly half life size, in many parts densely crowded till the marble could carry no more, the whole in very low relief and executed with marvellous detail. Above the columns externally and round all the four sides of...
Page 2 - ... workmanship. Within each of the two pediments or gables was an immense group of statues, the smallest equal to life size, the central figures colossal. Lastly, inside the Parthenon was the stupendous statue of Athene herself in gold and ivory by Pheidias. It was he who directed the whole of the...
Page 1 - B. c., there was no other building in the whole of Greece comparable even in the mere extent and variety of its sculptures.1 Imagine a frieze 522 feet in length sculptured all along with figures nearly half life-size, in many parts densely crowded till the marble could carry no more, the whole in very low relief and executed with marvellous detail. Above the columns externally and round all the four sides of the temple were ninety-two metopes, each consisting of a group of two figures two-thirds...