The Sculptures of the ParthenonJ. Murray, 1903 - 173 pages |
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Page 11
... interested in the result . Next , in order of time , came the Parthenon pediments . There also we find the new principle of composition - a great central group flanked on each side by secondary beings . But there is this momentous ...
... interested in the result . Next , in order of time , came the Parthenon pediments . There also we find the new principle of composition - a great central group flanked on each side by secondary beings . But there is this momentous ...
Page 15
... interested spectators . That , as we have already remarked , was a striking advance on the older methods of composition . It introduced a new touch of nature , which must have appealed to the poetic instincts of a great sculptor coming ...
... interested spectators . That , as we have already remarked , was a striking advance on the older methods of composition . It introduced a new touch of nature , which must have appealed to the poetic instincts of a great sculptor coming ...
Page 20
... interested spectators in the form of local heroes or local personifications , were not necessarily there also . To assume that they were present on the Acropolis seems a far too narrow and literal inter- pretation of a divine incident ...
... interested spectators in the form of local heroes or local personifications , were not necessarily there also . To assume that they were present on the Acropolis seems a far too narrow and literal inter- pretation of a divine incident ...
Page 28
... invisible , but the shock of their contention reached by some divine sound or sight the beings in Attica who were at the moment most interested in the result . ITE N. TI ! } IN CHAPTER III THE EAST 28 THE WEST PEDIMENT.
... invisible , but the shock of their contention reached by some divine sound or sight the beings in Attica who were at the moment most interested in the result . ITE N. TI ! } IN CHAPTER III THE EAST 28 THE WEST PEDIMENT.
Page 30
... west ; that is to say , a great central group of deities who were visible only to the inner eye , and two angle groups of secondary beings , whom TIL for the moment we may call merely interested spectators . 30 THE EAST PEDIMENT.
... west ; that is to say , a great central group of deities who were visible only to the inner eye , and two angle groups of secondary beings , whom TIL for the moment we may call merely interested spectators . 30 THE EAST PEDIMENT.
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Common terms and phrases
Acropolis Acropolis of Athens action Alcamenes angle Aphroditè apobates appear artistic Athenè Athenians attitude beauty birth of Athenè body British Museum Carrey's drawing carry cast Cecrops Centaur Centaurs and Lapiths central group central metopes centre chariot chariot group chiton colossal composition cows deities drapery east frieze effect Elgin Room Ergastinae figure folds fore leg front girls goddess gods gold and ivory Greek head helmet Hephaestos Hera horses Ilissos Illustrations instances knee Lapith left arm left hand long sides Lord Elgin mantle marble Michaelis nearer north frieze north side nude form Olympia Olympos original in Athens Parthenon frieze Pausanias peplos Pheidias PLATE Poseidon possible procession raised recognise represent right arm right hand scene sculptured seated seen shield shoulders Slab south metopes south side spectator statuette temple Theseus turning round vase west frieze west pediment whole wings woman women xoanon youth Zeus Zeus at Olympia
Popular passages
Page 118 - I trust, from ever forgetting—what is meant by the virtue of handling in sculpture. The projection of the heads of the four horses, one behind the other, is certainly not more, altogether, than three-quarters of an inch from the flat ground, and the one in front does not in reality project more than the one behind it, yet, by mere drawing,* you see the sculptor has got them to appear to recede in due order, and by the soft rounding of the flesh surfaces, and modulation of the veins, he has taken...
Page 1 - WHEN the Parthenon stood forth complete on the Acropolis of Athens in or about the year 438 BC, there was no other building in the whole of Greece comparable even in the mere extent and variety of its sculptures.1 Imagine a frieze 522 feet in length sculptured all along with figures nearly half life size, in many parts densely crowded till the marble could carry no more, the whole in very low relief and executed with marvellous detail. Above the columns externally and round all the four sides of...
Page 2 - ... workmanship. Within each of the two pediments or gables was an immense group of statues, the smallest equal to life size, the central figures colossal. Lastly, inside the Parthenon was the stupendous statue of Athene herself in gold and ivory by Pheidias. It was he who directed the whole of the...
Page 1 - B. c., there was no other building in the whole of Greece comparable even in the mere extent and variety of its sculptures.1 Imagine a frieze 522 feet in length sculptured all along with figures nearly half life-size, in many parts densely crowded till the marble could carry no more, the whole in very low relief and executed with marvellous detail. Above the columns externally and round all the four sides of the temple were ninety-two metopes, each consisting of a group of two figures two-thirds...