The Sculptures of the Parthenon |
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Page 4
exhibit in full the Panathenaic procession , with its preparations and start , its
progress through the streets of Athens , and its climax on the Acropolis , where
the gods were seated to receive the new robe and the sacrifice of cows and
sheep .
exhibit in full the Panathenaic procession , with its preparations and start , its
progress through the streets of Athens , and its climax on the Acropolis , where
the gods were seated to receive the new robe and the sacrifice of cows and
sheep .
Page 22
Next comes an almost nude figure , S , sitting on the knees of a draped woman , T
, who appears to be seated low on the ground , and in the act of raising her knees
as if in some astonishment . Lastly , a woman , U , 3 FRAGMENT OF T ...
Next comes an almost nude figure , S , sitting on the knees of a draped woman , T
, who appears to be seated low on the ground , and in the act of raising her knees
as if in some astonishment . Lastly , a woman , U , 3 FRAGMENT OF T ...
Page 22
3 FRAGMENT OF T . FRAGMENT OF METOPE ( 16 ) , SOUTH SIDE , IN BRITISH
MUSEUM . BRONZE RELIEF IN BRITISH MUSEUM . POSEIDON AND NYMPHS
. WEST PEDIMENT OF PARTHENON . PLATE IV . Face p . 22 . seated , moving ...
3 FRAGMENT OF T . FRAGMENT OF METOPE ( 16 ) , SOUTH SIDE , IN BRITISH
MUSEUM . BRONZE RELIEF IN BRITISH MUSEUM . POSEIDON AND NYMPHS
. WEST PEDIMENT OF PARTHENON . PLATE IV . Face p . 22 . seated , moving ...
Page 22
seated , moving uneasily , to the front . In Carrey ' s drawing she appears to be
like the corresponding figure D in the left wing , but in both cases that
appearance of moving uneasily may be due solely to the point of view at which
Carrey made ...
seated , moving uneasily , to the front . In Carrey ' s drawing she appears to be
like the corresponding figure D in the left wing , but in both cases that
appearance of moving uneasily may be due solely to the point of view at which
Carrey made ...
Page 22
on the rock on which she is seated . Next we have a figure almost entirely nude ,
S , seated on the knees of a draped figure , T . To regard this nude figure , S , as a
third boy is to ignore Carrey ' s obvious intention in drawing it as a woman .
on the rock on which she is seated . Next we have a figure almost entirely nude ,
S , seated on the knees of a draped figure , T . To regard this nude figure , S , as a
third boy is to ignore Carrey ' s obvious intention in drawing it as a woman .
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Common terms and phrases
Acropolis action already angle appear artistic Athens attitude beauty birth body British Museum called Carrey's drawing carry cast Centaur central centre chariot close compared composition cows deities detail drapery east effect equally existing extreme face fact feet figure folds foot fragment frieze front girls give gods gold Greek hand head holding horses Illustrations indicate instances interested ivory Lapith left arm left hand legs less look manner mantle marble metopes natural nearer north frieze notice nude Olympia original Parthenon pass Pheidias PLATE Poseidon possible present procession question raised recognise regards relief remains represent right hand round scene sculptured seated seems seen separate shield shoulders side Slab space standing statue suggested supposed temple turning vase west pediment whole wings woman women young youth Zeus
Popular passages
Page 118 - I trust, from ever forgetting—what is meant by the virtue of handling in sculpture. The projection of the heads of the four horses, one behind the other, is certainly not more, altogether, than three-quarters of an inch from the flat ground, and the one in front does not in reality project more than the one behind it, yet, by mere drawing,* you see the sculptor has got them to appear to recede in due order, and by the soft rounding of the flesh surfaces, and modulation of the veins, he has taken...
Page 1 - WHEN the Parthenon stood forth complete on the Acropolis of Athens in or about the year 438 BC, there was no other building in the whole of Greece comparable even in the mere extent and variety of its sculptures.1 Imagine a frieze 522 feet in length sculptured all along with figures nearly half life size, in many parts densely crowded till the marble could carry no more, the whole in very low relief and executed with marvellous detail. Above the columns externally and round all the four sides of...
Page 2 - ... workmanship. Within each of the two pediments or gables was an immense group of statues, the smallest equal to life size, the central figures colossal. Lastly, inside the Parthenon was the stupendous statue of Athene herself in gold and ivory by Pheidias. It was he who directed the whole of the...
Page 1 - B. c., there was no other building in the whole of Greece comparable even in the mere extent and variety of its sculptures.1 Imagine a frieze 522 feet in length sculptured all along with figures nearly half life-size, in many parts densely crowded till the marble could carry no more, the whole in very low relief and executed with marvellous detail. Above the columns externally and round all the four sides of the temple were ninety-two metopes, each consisting of a group of two figures two-thirds...
Bibliographic information
| Title | The Sculptures of the Parthenon |
| Author | Alexander Stuart Murray |
| Publisher | J. Murray, 1903 |
| Original from | the University of Michigan |
| Digitized | 6 Jul 2006 |
| Length | 173 pages |
| Export Citation | BiBTeX EndNote RefMan |