The Sculptures of the ParthenonJ. Murray, 1903 - 173 pages |
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Page 11
... space for a sculptured composition with figures in the round - was the pediments of Aegina , particularly the west pediment , where the incidents of a battlefield are ingeniously adapted to the given triangular space . In the acute ...
... space for a sculptured composition with figures in the round - was the pediments of Aegina , particularly the west pediment , where the incidents of a battlefield are ingeniously adapted to the given triangular space . In the acute ...
Page 20
... space . It is now agreed that the figures B , C , D , E , F , in the left wing are Cecrops and his three daughters with the boy Erichthonios . We recognise Cecrops from the serpent , on whose coils his left hand rests . He was a being ...
... space . It is now agreed that the figures B , C , D , E , F , in the left wing are Cecrops and his three daughters with the boy Erichthonios . We recognise Cecrops from the serpent , on whose coils his left hand rests . He was a being ...
Page 40
... space of the pediment to be considered , and besides , we must remember that it was the left side of this figure which came most into view when the spectator stood midway beneath the pediment , looking up . In that aspect her left side ...
... space of the pediment to be considered , and besides , we must remember that it was the left side of this figure which came most into view when the spectator stood midway beneath the pediment , looking up . In that aspect her left side ...
Page 52
... spaces immediately the ve above the architrave which were called metopes . These square metopes might or might not be sculptured . On the Theseum at Athens , for instance , only the metopes on the two fronts are sculptured ; those along ...
... spaces immediately the ve above the architrave which were called metopes . These square metopes might or might not be sculptured . On the Theseum at Athens , for instance , only the metopes on the two fronts are sculptured ; those along ...
Page 66
... space . Since Carrey's time this metope has lost the two nearer legs of the Centaur . Among other instances of this same spirit of avoiding strong shadows within the general contour we may notice 8 , 9 , and 29 , in the British Museum ...
... space . Since Carrey's time this metope has lost the two nearer legs of the Centaur . Among other instances of this same spirit of avoiding strong shadows within the general contour we may notice 8 , 9 , and 29 , in the British Museum ...
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Common terms and phrases
Acropolis Acropolis of Athens action Alcamenes angle Aphroditè apobates appear artistic Athenè Athenians attitude beauty birth of Athenè body British Museum Carrey's drawing carry cast Cecrops Centaur Centaurs and Lapiths central group central metopes centre chariot chariot group chiton colossal composition cows deities drapery east frieze effect Elgin Room Ergastinae figure folds fore leg front girls goddess gods gold and ivory Greek head helmet Hephaestos Hera horses Ilissos Illustrations instances knee Lapith left arm left hand long sides Lord Elgin mantle marble Michaelis nearer north frieze north side nude form Olympia Olympos original in Athens Parthenon frieze Pausanias peplos Pheidias PLATE Poseidon possible procession raised recognise represent right arm right hand scene sculptured seated seen shield shoulders Slab south metopes south side spectator statuette temple Theseus turning round vase west frieze west pediment whole wings woman women xoanon youth Zeus Zeus at Olympia
Popular passages
Page 118 - I trust, from ever forgetting—what is meant by the virtue of handling in sculpture. The projection of the heads of the four horses, one behind the other, is certainly not more, altogether, than three-quarters of an inch from the flat ground, and the one in front does not in reality project more than the one behind it, yet, by mere drawing,* you see the sculptor has got them to appear to recede in due order, and by the soft rounding of the flesh surfaces, and modulation of the veins, he has taken...
Page 1 - WHEN the Parthenon stood forth complete on the Acropolis of Athens in or about the year 438 BC, there was no other building in the whole of Greece comparable even in the mere extent and variety of its sculptures.1 Imagine a frieze 522 feet in length sculptured all along with figures nearly half life size, in many parts densely crowded till the marble could carry no more, the whole in very low relief and executed with marvellous detail. Above the columns externally and round all the four sides of...
Page 2 - ... workmanship. Within each of the two pediments or gables was an immense group of statues, the smallest equal to life size, the central figures colossal. Lastly, inside the Parthenon was the stupendous statue of Athene herself in gold and ivory by Pheidias. It was he who directed the whole of the...
Page 1 - B. c., there was no other building in the whole of Greece comparable even in the mere extent and variety of its sculptures.1 Imagine a frieze 522 feet in length sculptured all along with figures nearly half life-size, in many parts densely crowded till the marble could carry no more, the whole in very low relief and executed with marvellous detail. Above the columns externally and round all the four sides of the temple were ninety-two metopes, each consisting of a group of two figures two-thirds...