The Sculptures of the ParthenonJ. Murray, 1903 - 173 pages |
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Page 22
... women and boys , P - U . One would have expected even more excitement among them since they were on the losing side . But it is hardly so . The woman Q next to Poseidon's charioteer is seated high to the front . She herself does not ...
... women and boys , P - U . One would have expected even more excitement among them since they were on the losing side . But it is hardly so . The woman Q next to Poseidon's charioteer is seated high to the front . She herself does not ...
Page 22
... woman . Woman or not , being on the side of Poseidon she must be explained in some relation to the sea . If a woman , and intended in this connection , we have no difficulty in finding analogies for her among sea - nymphs . For that ...
... woman . Woman or not , being on the side of Poseidon she must be explained in some relation to the sea . If a woman , and intended in this connection , we have no difficulty in finding analogies for her among sea - nymphs . For that ...
Page 22
... women and children whom we are tempted to suppose sitting in the sun at the moment of the divine contest in a garden beside the sanctuary of Athenè and Hephaestos , where Plato imagines the ruling families to have dwelt in the legendary ...
... women and children whom we are tempted to suppose sitting in the sun at the moment of the divine contest in a garden beside the sanctuary of Athenè and Hephaestos , where Plato imagines the ruling families to have dwelt in the legendary ...
Page 22
... woman . Woman or not , being on the side of Poseidon she must be explained in some relation to the sea . If a woman , and intended in this connection , we have no difficulty in finding analogies for her among sea - nymphs . For that ...
... woman . Woman or not , being on the side of Poseidon she must be explained in some relation to the sea . If a woman , and intended in this connection , we have no difficulty in finding analogies for her among sea - nymphs . For that ...
Page 27
... Cephisos we are content to believe . The other figure , W , is a woman , thickly draped , reclining at full length , and grasping with her right hand the rock beneath her . Enough remains to show that she had THE RIVER GODS 27.
... Cephisos we are content to believe . The other figure , W , is a woman , thickly draped , reclining at full length , and grasping with her right hand the rock beneath her . Enough remains to show that she had THE RIVER GODS 27.
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Common terms and phrases
Acropolis Acropolis of Athens action Alcamenes angle Aphroditè apobates appear artistic Athenè Athenians attitude beauty birth of Athenè body British Museum Carrey's drawing carry cast Cecrops Centaur Centaurs and Lapiths central group central metopes centre chariot chariot group chiton colossal composition cows deities drapery east frieze effect Elgin Room Ergastinae figure folds fore leg front girls goddess gods gold and ivory Greek head helmet Hephaestos Hera horses Ilissos Illustrations instances knee Lapith left arm left hand long sides Lord Elgin mantle marble Michaelis nearer north frieze north side nude form Olympia Olympos original in Athens Parthenon frieze Pausanias peplos Pheidias PLATE Poseidon possible procession raised recognise represent right arm right hand scene sculptured seated seen shield shoulders Slab south metopes south side spectator statuette temple Theseus turning round vase west frieze west pediment whole wings woman women xoanon youth Zeus Zeus at Olympia
Popular passages
Page 118 - I trust, from ever forgetting—what is meant by the virtue of handling in sculpture. The projection of the heads of the four horses, one behind the other, is certainly not more, altogether, than three-quarters of an inch from the flat ground, and the one in front does not in reality project more than the one behind it, yet, by mere drawing,* you see the sculptor has got them to appear to recede in due order, and by the soft rounding of the flesh surfaces, and modulation of the veins, he has taken...
Page 1 - WHEN the Parthenon stood forth complete on the Acropolis of Athens in or about the year 438 BC, there was no other building in the whole of Greece comparable even in the mere extent and variety of its sculptures.1 Imagine a frieze 522 feet in length sculptured all along with figures nearly half life size, in many parts densely crowded till the marble could carry no more, the whole in very low relief and executed with marvellous detail. Above the columns externally and round all the four sides of...
Page 2 - ... workmanship. Within each of the two pediments or gables was an immense group of statues, the smallest equal to life size, the central figures colossal. Lastly, inside the Parthenon was the stupendous statue of Athene herself in gold and ivory by Pheidias. It was he who directed the whole of the...
Page 1 - B. c., there was no other building in the whole of Greece comparable even in the mere extent and variety of its sculptures.1 Imagine a frieze 522 feet in length sculptured all along with figures nearly half life-size, in many parts densely crowded till the marble could carry no more, the whole in very low relief and executed with marvellous detail. Above the columns externally and round all the four sides of the temple were ninety-two metopes, each consisting of a group of two figures two-thirds...