Elements of CriticismHuntington and Savage, 1845 - 504 pages |
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Page 13
... objects without being sensible of the organic impression , is prepared for enjoying internal objects where there cannot be ... object as well as of the percipient , has accurately suited them to each other . But of a poem , a cantata , a ...
... objects without being sensible of the organic impression , is prepared for enjoying internal objects where there cannot be ... object as well as of the percipient , has accurately suited them to each other . But of a poem , a cantata , a ...
Page 25
... objects connected by contiguity solely ; which is not unpleasant , because objects of sight make an impression so lively ... object metaphorically or figuratively , will not justify the introduction of it in its natural appearance : a ...
... objects connected by contiguity solely ; which is not unpleasant , because objects of sight make an impression so lively ... object metaphorically or figuratively , will not justify the introduction of it in its natural appearance : a ...
Page 27
... objects of our passions are general , and particular - Passions directed to general objects , called appetites ; and those retain their name - An appetite precedes the object ; a passion follows it - Actions are instinctive and ...
... objects of our passions are general , and particular - Passions directed to general objects , called appetites ; and those retain their name - An appetite precedes the object ; a passion follows it - Actions are instinctive and ...
Page 28
... object either of love or of hatred . This short hint about the causes of passion and emotion , leads to a more extensive view of the subject . Such is our nature , that upon perceiving certain external objects , we are instantaneously ...
... object either of love or of hatred . This short hint about the causes of passion and emotion , leads to a more extensive view of the subject . Such is our nature , that upon perceiving certain external objects , we are instantaneously ...
Page 29
... object recalled to the mind in idea , is the occasion of a pleasant or painful emotion , of the same kind with that produced when the object was present : the only difference is , that an idea being fainter than an original per- ception ...
... object recalled to the mind in idea , is the occasion of a pleasant or painful emotion , of the same kind with that produced when the object was present : the only difference is , that an idea being fainter than an original per- ception ...
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Common terms and phrases
accent action admit Æneid agreeable appear beauty blank verse burlesque Cæsar Chap circumstance color confined congruity connected degree Demetrius Phalereus dignity disagreeable distinguished effect elevation Eneid epic epic poem epic poetry equally Euripides example expression external signs Falstaff feeling figure Fingal foregoing garden give grandeur habit Hence Henry IV Hexameter Hudibras human ideas Iliad imagination imitation impression Julius Cæsar kind language less manner means melody metaphor mind motion nature never object observation occasion ornaments Othello pain Paradise Lost particular passion pause peculiar perceive perceptions person pleasure poem produce pronounced proper proportion propriety raised reader reason regularity relation relish resemblance respect rhyme Richard II ridicule rule scarcely scene sense sensible sentiment Shakspeare short syllables sight simile sion sound spectator Spondees taste termed thee things thou thought tion tone tragedy uniformity variety verse words writer