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Adam, Adolph, his opera of Falstaff,. .. viii. 167
American Siudents and Debutantes Abroad, vii. 13, 27,

36, 83, 119, 125, 142, 199.
American musical talent,.... Hartford Calendar, vii. 82
American National Song; question raised,...... viii. 12
Analogies between Music and Painting,.. Avison, vii. 26
Arditi, his opera La Spia, &c.,....

viii. 203
Auber : his Masaniello, vii. 75, 78; Jenny Bell, vii. 106 ;
list of his works.....

..vii. 132
Automaton Clarinet player,...

... viji. 205
Bach, J. S. : his life and works by Forkel, viii. 25, 33, 41,

49, 58, 66, 74, 82, 90, 106, 114, 122.
Beethoven: his Choral Fantasia, played by Clara Schu-

mann; his Mass in D, vii. 12 ; his instrumental music,
(Hoffmann.) 43, 50.57 ; his Symphonies, (by a “ Friend
of Art,") 73, 81, 89, 97; bis Choral Symphony, vii. 97,
viii. 171, 172, 179, 182, Seventh Symphony, viii. 69;
Pastoral do., 102; C minor do., 133; Leonora Over.
ture, viii. 86; Sonata, les Adieur, &c., viii. 118; Sep-
tuor. 133; Trio in E flat, op. 70, 174, Trio in G, op.
1, 175; Adagio in Sonata, op. 106, 190; B. and Goethe,
Lewes, 139.

Statue of, by Crawford; its completion cele-
brated in Munich, vii. 51, 61, 91, 93; described, 93;
its inauguration in Boston, viii. 164, 167, 173, 181.

Statuette of, by W. W. Story,. ... viii, 38
Bellini, V..

N. Y. Mus. Gazette, vii. 58, 91
Berlioz, Hector: his Te Deum, vii. 85; Harold, 140.
Birmingham Town Hall.....

.vii. 199
Bishop, Sir Henry, his death,

vii. 70
Blind, Music among the,.....

.vii, 111, 125
Bobolink, The,.....

Irving, vii. 58
Boott, Francis, A Te Deum by,.

.vii. 199
Boston Theatre, vii. 107; Music Hall, viii. 108.
Braham, John, his death,.... . London Times, viii, 187
Brahms, Johannes, Trio in B flat,...... viii. 102, 109, 110
Bristow, G. F., his “Rip Van Winkle," viii. 6; his

“Jullien " Symphony, 180.
Britton, Thomas, “ the musical small coal man." viïi. 75.
Brown. Mister, from the private papers of, vii. 179; viii.

10; Sig. Masoni, 106, 114, 121, 129.
Cadenzas in wrong places; Gluck's testimony,...viii. 54
Cantata at short notice, A,..

.viii. 59
Chappell, W., his Ancient Songs and Ballads of Eng-

....viij. 163
Charity Children's Anniversary at St. Paul's, vii. 146
Chopin, F., "an Opus II.," vii. 113; his posthumous

works, 188; George Sand's account of, vii. 194, 201
Church Music, “Counterpoint's" hints,....vii., 165, 174
Classical Music, Taste for, by W. Keyzer,.......vii. 59
Gustav Satter,..

vii. 5, 14, 21 ; viii 205
Musical Education Society,,

..vii. 6, viii. 71, 87
J. P. Groves, benefit,.

.vii. 18
Mendelssohn Choral Society,.

.vii. 21, viil. 86, 93
Musical Fund Society,..

.vii. 30
Mr. Bendelari and his pupils,.

..vii. 39
Mile. G. de Lamotte,..

vii. 55
Pyne and Harrison Troupe,

vii. 55, viii. 54
The Lagrange Troupe,.

vii. 85, 95
Miss Elise Hensler,

vii. 102
Musical Conventions,

vii 157, 166
Orchestral Concerts, ....viii. 5, 68, 85, 101, 117, 133. 149. 204
Miss Adelaide Phillipps,.

viii. 14, 46
Mlle. Parodi,..

viii. 22
Artisan's Recreative Union,..

viii. 54, 63
Handel and Haydn Society,.....viii. 62. 71, 78, 101, 109, 165
Mendelssohn Quintette Club, viii. 63, 78, 93, 110, 127, 143,

165, 175, 190
Mr and Mrs. Leach,..

viii. 71, 78
William Mason,

..viii. 102
The German Trio,.

......viii. 109, 126, 143, 190
Otto Dresel,..

.viii. 118, 174, 189
Beethoven Festival ; inauguration of Statue,..... viii. 181
Mrs. De Ribas,..

... viii. 198
Amateur Orchestra,..

viii. 198
Connecticut Fairy-land,.

.vii. 182
New York: vil. I1, 20. 27, 28, 29, 37, 44, 60. 68. 87, 92, 100,

126, 205 ; viii. 6, 13, 28, 36, 52, 60, 68, 76, 83, 92, 100, 108,
127, 141, 148, 165, 173, 180, 205. Philadelphia : viii. 36, 45,
52, 61, 76. 84, 119, 156 Germany, vii. 12, 118, 127 ; viii. 77,
85, 93, 148, Italy, vii. 3. Paris, vii. 10. Bethlehem, Pa.
vii. 108. Washington, D. O., vil. 3, 20, 100. Milwaukie,
Wis., vii. 27, 45. Taunton, Mass., vii. 87. Chicago, Ill.,

vii. 101.
Costa, his oratorio of Eli,.

..vii. 196, 203
Country Singer Teacher, Letters,viii. 18, 27, 34, 42, 50,139
Country Singing School, The,....

.viii. 202
Covent Garden Theatre, Burning of,.

.viji. 203
Cruvelli in Paris,..

.vii. 19
Darley, F.T.S., his “ Cities of the Plain,". ... viii. 84
Rubinstein's Symphony, vii. 2; Don Juan ; Music in Paris,

10; Graun's Tod Jesu ; Breslau ; amateur club; the mass,
60; opera in Berlin; Gluck, Meyerbeer, Mozart, Beethoven,
Wagner; Schneider's Last Judgment, 116; Reminis
cences ; young Meyerbeer, 150; Liebig's Concerts, &c.,
159; Prof. Dehn; Rossini; his respect for Germans, &c.
viii. 4 ; Berlin, the Dom Choir; Mozart'e sacred music, 18;
notes on Don Juan; Rossini's Tancredi, 20; Des Adler's
Horst; the Messiah, 35; Mendelssohn as a creative gen-
jus, 44; alleged discoveries of works by Weber and Handel,
51 ; Italian opera ; strictures on the Tribune, 59; Lenz on
Beethoven; the spider story, 83, 91; Chorley's “ Music
in Germany;" Haydn's "Farewell Symphony;” Mo-

zart's father, 132.
Didiée, Nantier, viii. 76; in opera, ........134, 142, 151
Eisfeld, Theodore....

.Mus. World, vii, 42
Emidée, the negro musician,

..vii. 66
Erard, Pierre, Death of,... Galignani, vii. 187
Everything in a great name..... .F. Liszt, vii. 140
Festivals at Hereford and Birmingham,..... vii. 190, 196

Field, John, Memoirs of, vii. 139; and Hummel,....148 Paradies, Mme., the female composer,.....

Fetis, vii. 66
Fine Arts , vii. 22; new museum in Berlin, 43, 51; Phillipps, Adelaide, vii. 142, 188, 206 ; viii. 6, 14, 87, 101,

Gothic architecture, 140; Chandler and Clapp's new 117.
rooms, 143; " Mister Brown's" views, 179; T. Ball, Piano Forte, The, Fireside Journal, vii. 34; improve-
the sculptor, viii. 191.

ments in, 125, 159, 199, ; letter about, by

Garcia, Manuel, the elder, Sketch of,.
vii. 204 Piccolomini, Signora Maria,.

viii. 91
George IV., his band.....
... viii. 26 Playing people out,...

Punch, vii. 155
German musical festival in New York,..vii. 99, 100, 117 Pleyel, Camille, death of,.

..vii. 76
German Theatre. Statistics of,....

vii. 174 POETRY :
Glees, English, Hogarth, vii. 35; a rosary of......viii. 43 The Bells of Venice,.

E. J., vii. 12
Gluck, Life of, reviewed, Athenæum...

.......vii. 178, 186
Fishermen's Glee,..

Dr C. Markay, 19
“God save the King," Origin of,.... .......vii. 203

Oliver Basselin,..

Putnam's Mag 37
Goldschmidt, Mme. Jenny Lind, her advice to one

The Days of June,.

...J. R. Lowell, 67
learning to sing, viii. 5, 117, 143; her reappearance in

The Consecration of the Infant, from A. Grin, C. T. B , 75
Invita Minerva,...

J. R. Lowell, 83
London, 108, 123, 124, 148 ; anecdote of, 111.

Robert of Lincoln,,

W. C. Bryant, 115
Gouvy, Theo., his Trio in E, viii. 94; short notice of Sonnets to Night, From the Una,

him, 110; his Symphony in F, 117.

The Three Fishermen ; Song,.. Charles Kingsley, 132, 133

“ Harp of a thousand strings ;" queer sermon, viii. 28

Household Words, 133

A Dead Rose,
Handel: his "Solomon" described, viii. 53, 61; his

........ Mrs. Browning, 140
Songs from "Maud,"

Tennyson, 149
Messiah performed in Boston, viii, 86, 93, 101, 109, The Letters,...

... Do. 156
126 ; his own publisher, viii. 147.

To the Cicada, From the Greek,

Allingham, 188
Harvard College, Music at,...

.vii. 126
Wishing a nursery song,...

Do 188
Hauser, Miska, in the Sandwich Islands, &c., vii. 52, 182


Hensel, Fanny, her Trio in D minor... viii. 17+

The Ancient Gondolier, From the German,.. W., viii 20
The Bridge, From Count Auersp tg,...

W. 27
Hensler, Elise,..vii. 27, 55, 79, 91, 92, 102; viii. 142, 151

Elegy, (Cento verses).

.viii. 78
Hiller, Ferdinand,..

An Old Ballad,..

. Phila. Bulletin, 34
How shall the Orchestra be placed ? A. W. T.. viii. 67 The Autumunal Equinox.... Rev. N. L Frothingham, 35
Instrumentation, Modern, from A. B. Marx,......vii. 66

Signs of Fall,. .

.B. P. Shilaber, 36

Echo and Silence, a Sonnet,
Italian Opera, its structure,.... Brown's Letters, viii, 162

Brydgrs, 59
The Painter and his Sitter,

C. P. Cranch, 124
Italian Song and German music; letters of Jenny Lind

Masterllugues of Saxe-Gotha,.

Browning, 155
and Clara Wieck,..

.... viii, 5
Jenny Lind, From Punch,.

Jaell, Alfred,.....
.vii. 13 Hymn to Joy, from Schiller,.

Joachim, the violinist,...

viii. 77, 85

The Lot Church, translated from Uhland,....C.T. B., 180

Prologie, recited at the Beethoven Festival, W. W. Story, 182
Kreutzer, Conradin, from the German of Riehl, vii, 161 Il Tror tore, a burlesque,.

Phila. Bulletin, 188
Lablache, Louis,.
..viii, 195 Popular Amusements,..

.... vii, 117, 205
Lagrange, Mme. De, vii. 47. (see Opera.)

Pratt, G. W., his return from Germany, vii, 207; his
League for Truth, proposed to musical critics,... viii. 38 death. viii, 183.
Lehmann, Caroline, in Amsterdam,...

.. viii. 103
Prize Songs,....

..viii. 204
Lortzing, Albert, from the German of Riebl,....vii. 169 Quaker aversion to music,.

Tribune, vii. 76
Lyrical Dramatic performance, Weber's remarks, viii.156

Rachelin Boston......

.. viji, 31
Malibran and Mendelssohn,..... Novello's T'imes, vii. 90 Reminscences of a Summer Tour: vii. 17, 25, 33, 41,
Manners in the Concert Room,........ Courier, viii. 102 49, 15 ; viii. 1, 9.
Maretzek. Max, Sketch of, vii. 91 ; his book,viii. 70, 147
Marseillaise, The, vii. 195; Rachel in,.... . viii. 12


Ditson's Publications : Songs of Mozart; Harp of Italy, vii.
Marx, A. B., Translations from, vii. 121, 129, 137, 145, 153

54,134, viii. 199; Thalberg's L'Art du Chant, vii. 54, viii.
Mendelssohn: Conversations with, by Prof. Lobe, vii. 87,199; Overture to Tannhauser ; Zeuner's Church' Mu-

162, 171, 177; his Symphony in A minor, viii. 85; his sig vii. 134 ; Oliver's Vocalist's Companion, 142; Judith;

Birth-day observed, 141, 149; his Christus, by Mac- Schulboff ; Osborne, 159; Moses in Egypt, 182 ; Organ
farren, 195; his Four-part Songs, 197.

music, viii. 94 ; Mendelssohn's Four-part Songs, 197 ;
Metronome, the Electric,..

.vii. 36

Sags, &c. of Mozart ; Satter's compositions; Henselt's

Eudes; Concone's Exercises, 199.
Meyerbeer, estimated by Wagner, vii. 147, 154; his
youth, 151 ; his Prophéte in Boston,.....viii. 156, 166

Richurdson's do : Songs of Schubert, Franz, &c. vii. 55,

vii. 87; Field's Notturnes, vii. 141 ; Song from Comus"
Military Bands, Our ..... vii. 102, 119, 125, 134; viii. 15 by 0. Dresel, 158; Parker's Manual of Harmony, viii. 94;
Minor Music,.....

.B., viii. 188 Clementi's Sonatas, viii. 199.
Mozart, A. W., Wagner's view of, vii. 130; his grave Notello's do.; Organ melodies, vii. 63; Rinck's Organ

discovered, viii. 93; his air, O cara immagine. 94; his Shool, vii. 182; Carols for Christmas Tide, vili. 87;
hundredth birth-day, viii. 135, 141, 149, 167, 187;

Novello's Musical Library ; Seidel on the organ, vil. 22.

Reed & Co.'s publications: Troratore; Czerny ; Satter ;
his Mission (by Oulibicheff;) viii. 137, 145, 153, 161,

Taubert ; vii. 135 ; Stephen Heller; Czerny; Spindler,
170, 178, 186, 193, 201 ; his Nozze di Figaro, 141;

Brunner, 142; Operatic arrangements for piano, vii. 150;
Don Giovanni played in Boston, 150; his manner of Rossini's Soirées Musicales, viii. 94, 199; Songs and Trios
composing, 154, 175; his MSS. remains, 187.

from Italian Operas ; Beauties of Mozart and Beethoven;
Mozart, Leopold,...

.. viii. 133 Czerny ; minor pieces, 199.
Musical Apologist, The, from Punch,.. .. vii. 123

Herace Waters's publications : Songs, polkas, &c., vii. 142.

Schuberth & Co.'s do.: viii. 159.
Musical Chit-Chat: vii. 4, 12, 36, 51, 61, 68, 76, 93,
101, 109, 117, 125, 133, 141, 156, 173, 181, 197, 206 ;

Ries, Ferdinand,

H. F. Chorley, vii. 19
viji. 6, 14, 22, 28, 38, 47, 55, 79, 94, 103, 111, 118, 127,

Ristori, the actress,..

. Tribune, vii. 133
134, 159, 167, 175, 183, 191, 199, 205.

Rosini, his William Tell, vii. 29, 62 ; his Conte Ory,
Musical Clubs and Parties,

.vij. 53, 68

5!; anecdotes, vii. 93, 99, 107, 159; Richard Wag-
Musical Conventions, The,..

.vii. 150 ,157

ner's view of, vii. 131 ; his respect for Germans, viii,

4; his Tancredi, viii. 20; Ferd. Hiller's chat with, viji.

51, 65, 73, 81, 89, 97, 105, 113, 131, 138.
Loral (Boston and New England): vii. 7, 15, 23. 39, 55, 175,
190, 197 ; viii. 55, 63, 71, 95, 118, 127. New York: vii. 7,

Rubinstein, A.,....

.vii. 6, 143; viii, 141, 143
23, 31,
39, 149; viii. 15, 47, 118. Philadelphia: vii. 23, Satter. Gustav,..

...vii. 5
207. Paris : vil. 10, 28, 69, 85, 140, 156, 183, 197 ; viii. 15, Saxe-Coburg, the Duke of, his opera, Santa Chiara, vii.
47, 52, 95, 108, 124, 135, 149, 167. London: vii. 27, 52. 84,

183, viii. 51, 52.
103; 140, 149, 190, 196 ; viii. 52, 108, 118, 124, 148. Ger-
many: vii. 95, 98, 103, 156, 191, 197, viii. 15, 46, 109, 125,

Schubert, Franz, his E fat Trio, vii. 5; Quartet, viii. 94;
149. Italy : vii. 103, 149, 181. St. Petersburg : vii. 197 ;

S. compared with Robert Franz,...

viii. 169
viii. 29, 125.

Schumann, Clara, by Franz Liszt, vii. 1, 9; and Robert,
Musical Libraries, vii, 109; Boston Public L..... viii. 21

viji. 17; her concerts with Joachim........viii. 77, 85.
Musical One-ideaism, “Counterpoint,"..... vii, 165, 174

Schumann, Robert : his Carnival, vii. 5 ; estimate of by
Musical Taste; has it improved among us ?......vii. 78

Sobolewski, 18; S. and Rubinstein, 143; Robert and
Music in Boston,..

.vii. 198
Clara S.,...

viii. 17
Music in England in the olden time,.. Chappell, viii. 155

Signor Masoni, (a Fantasy Piece, )viji. 106, 114, 121, 129
Music, The Life of, by Marx, vii. 121, 129, 137, 145,

Something for Chorus Singers,. ........B., viii. 110
153, the exponent of emotion, J. H., vii. 123, 133,

Southard, L. H., vii. 61 ; his music performed, 166, 173
163, 172; its uses, vii. 186; by steam,. .. vii. 195.

St Cecilia,..

.viii. 197
New York Philharmonic Society,..

Sunday Evening Concerts, stir in Providence, viii. 30
.viii. 37

Symphony at Rome,................... . Berlioz, vii. 36
Ney, Jenny,......

vii. 107
Symphouy Programmes,..

.. viii. 125
Onslow, G., Halevy's Eulogy on...... ... viii. 51
Opera by a Spirit....... . Spiritual Telegraph, viii. 189

Touch, as to instrument and finger,.... Salamun, vii. 155

Truth before Effect, or “Lind versus Italy,"....viii. 117
Opera, English, Sir H. R. Bishop,..

..vii. 35
Opera Houses in Paris.......

viii. 100

Verdi, his Trovatore, vii. 45, 70, 83, viii. 134, 146; Rig-

oletto, vii. 74, 87; Sicilian Vespers, vii. 115, 112.
OPERA IN Boston:

Very Classical,...

. Mus. Gazette, vii. 2
English Opera, Pype and Harrison, vil. 21, 31. 39.
Steffanone and Maretzek Troupe, vii. 62, 69, 77, 87.

Virtuosos and Virtuosity, from the German of "Well-
Lagrange Troupe, vii. 95.


.. vii. 193
Mr. Paine's Troupe ; Lagrange, Hensler, Didjée, &c., vili.

Vivier at Baden, viii. 27; and his French Horn, 187
184, 142, 150, 156, 166.

Vocal Teaching in Italy,.......

..viii. 5
Opera in New York, (see Mus. Intelligence,) vii. 29, 37, Wagner, Richard, in London, vii. 14, 67, 125; letter

45, 68, 149, 173, 205; viii. 6, 19, 83, 116, 123, 131 from, 178; his Tannhäuser overture, vii. 84, 106;
Opera, Wagner's views of, vii. 108, 113, 130, 138, 147, 154 Tannhäuser in Berlin, viii. 149, 159; extracts from his
Opera, the question of prices....... viii. 19, 116, 123, 131 “Opera and Drama," vii. 108, 113, 130, 138, 147, 154;
Organ-playing of Mr. Morgan,.

.. vii. 157 Diarist's impressions of, vii. 117; letters about, by
Organs; Seidel's book, vii. 22; new organ by Simmons Prof. Lobe,..

vii. 170
& Co., 38; organs at Dublin, London, Freyburgh, Weber, C. M., von, his Derniere Pensee,

.......viii. 4
Stuttgart, Ludwigsburg, &c., vii. 17, 33, 49, 105, viii. 9 Whitsuntide Music on the Rhine, H. F. Chorley, vii. 98


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Dwight's Journal of Illusic,

At the OFFICE OF PUBLICATION,....21 School St. Boston.

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Translated for this Journal.


before whom both bowed down in the same fer- scathed from a training almost wholly absorbed

vent adoration. In the traditions of Art ROBERT in the practical learning of an instrument. She PUBLISHED EVERY SATURDAY. and CLARA SCHUMANN will remain a shining practised from her earliest childhood as long and TERMS: By Mail, $2 per annum, in advance. example of one of the finest bounties of nature, often longer than her physical strength held out; When left by Carrier, $2,50

that did not separate by time and space these two but since she was one chosen among the many

artists and lovers, who only in and through each called, her sensibility did not become blunted in J. S. DWIGHT, EDITOR AND PROPRIETOR.

other could be happy upon earth, but gave them dry toiling after the necessary manual dexterity, EDWARD L. BALCH, PRINTER.

their being at a favorable moment in a common or extinguished by too long dwelling in the rare OFFICE, No. 21 School Street, Boston.

country, so that they might meet, unite their des- atmosphere of Art, as flowers wilt in the eams SUBSCRIPTIONS RECEIVED

tinies in one stream, and merge their hearts in of a too Southern sun before their opening; in

one sea of deep intuitions. In no relation will spite of all this danger it acquired an early By NATHAN RICHARDSON, 282 Washington St. the annals of Art separate the memory of both, strength, and unfolded harmoniously, which in a « GEORGE P. REED & Co...18 Tremont Row, " A. M. LELAND,

. Providence, R. I. posterity cannot name them singly, the future feminine organization is to be deemed doubly for4 C. BREUSING,

.701 Broadway, New York. “ SCHARFENBERG & LUIS, 769 Broadway,

will surround both heads with one golden halo, tunate. In the beginning it cost her painful “ GEORGE DUTTON, JR..

Rochester, N.Y.

and over both brows cause one star to shine, as efforts to compel herself to a persistent toil, re"G. ANDRE & CO.... 19 South Ninth St. Philadelphia. « JOHN H. MELLOR,

..Pittsburg, Pa. already in our day the profiles of the immortal pugnant to her as to all artist natures, which are “ MILLER & BEACHAM,. .181 Baltimore St. Baltimore.

Cincinnati, O.

pair have been united in one medallion by a cele- afflicted with a roving imagination, an indolent " HOLBROOK & LONG,

..Cleveland, O.

brated sculptor, (RIETSCHEL.) But alas! only and dreamy spirit, slow to digest its lessons. For the excellencies of the one will after-times enjoy ; a long time she had to battle courageously to

those of the other they will only be able to estiCLARA SCHUMANN.

avoid harsh reproaches, to which such tender, mate from the testimony of contemporaries. The excitable, proud and introverted natures, which

works of Robert will remain, while Clara Schu- bear within them the mysterious birth-throes of [Probably no other woman ever reached so high a

mann's talent only blooms for us! Have we not a fair future, are doubly sensitive. We have place as an artist, in the sphere of rure, or instrumental

then all the more urgent occasion to pay the been told that the young artist, to whom tey left music, (if we except, perhaps, the sister of MENDELSSOHN, whose death was the precursor of his own, and

tribute of our homage, our admiration and our so little leisure in those years for the pleasant whose art was only exercised in private,) as the wife of sympathy to the great artist, to the noble lady, round of games and sports, which are the forethe composer, RoBERT SCHUMANN, formerly celebrated who is consecrated by the fire-baptism of the most charm of childhood's life, felt a partiality as a pianist by her maiden name of CLARA WIECK.

holiest glow? the glow of Art and Poesy, whose for kittens, and knew no greater joy than to posSince the melancholy illness of her husband (from which

flames played around her from her early youth, sess several of these at a time, and devote every recent accounts encourage us to hope that he has recov

of love, whose noblest feelings lived in her, of free moment to them; in short, so infatuated was ered) she has again been making a concert tour through Germany. Our “Diarist” has already reported of her quickening, efficacious virtue, and lastly of mis- she with these pets, that obliging friends frein Berlin, in company with JOACHIM. She also played fortune, sorrow? To characterize this singularly quently found themselves moved to help her to a few months since in Weimar, where Liszt was in- high individuality, it would be hard to find better elude the watchfulness of the school tyrant, so spired to write about her a very long and glowing article

words, than those with which her future husband, that she gained a few free moments, when his in the Leipzig Neue Zeitschrift für Musik, for Dec. 1,

as editor of this very paper, noticed her first back was turned, to take the little purring favor1854. We propose in two instalments to translate the latter half of it, the first half being altogether general

appearance in Leipzig : “ Others make poetry- ites into her lap and stroke them. When she and speculative.-ED.

she is a poem.” If one were to undertake to add came back, she would resume her scales with I

anything to these words now, he might say: “If fresh indifference, without wasting a complaint There can be no more happy, more harmoni- many make more noise, few give so much music.” over her fingers often bleeding from the caresses ous union in the world of Art conceivable, than We see too often in our day, unfortunately, of her little play-fellows. that of the inventing husband with the executing parents, who, relying upon certain brilliant ex- Through much playing, or rather in spite of wife ; of the composer, representing the idea, amples, and actuated by motives, which have much playing, there grew in her at last, instead with the fair virtuoso, realizing it; both standing actually nothing in common with the love of the of ennui and satiety, as one might well believe, on the highest steps of the Art, altar in re- Beautiful, wear out and exhaust their children, an inward understanding of what she played. gions to which the mists of commonness can never when they show a spark of talent, by merely Without doubt she understood music very differrise. Poets, both, by feeling; zealous cherishers mechanical studies, if the slightest prospect of ently from the way in which they sought to teach of their faith, severe guardians of its purity, sub- their acquiring some facility affords them the least it to her, and that saved her! Thenceforth her tile expounders of its mystic rites ; with loftily hope of gain. They waste all upon the attain- spirit strove to mount up ever higher into the aspiring hearts; their souls glowing with the divine ment of a fruitless virtuosity, a for the most part mystic realm of poesy. Soon it required no more afflatus ; with spotless nobility and a pride proper soul-less, often senseless delivery of masterworks, the presence of a master to keep her to her study; to their rank, and armed with personal character which for sheer thumping and thrashing cannot she had found the golden gate of everlasting corresponding to this nobility and pride, they be comprehended, or else of mediocre produc- dreams and plunged with ever growing rapture both, in the most shining moment of their youth- tions, which do not gain value by a momentary into the element, whose high attrrction she had ful development, in the first bloom of endeavor,

The fledgings remain strangers to all felt and known. She pressed more and more tofull of ecstatic ardor and enthusiastic dreams, other intellectual development, and are in danger, ward the equator, to breathe amid the flames of felt themselves drawn to one another, and each if they be not prominently gifted, of running Art, at an age, which otherwise is little fitted to saw in the other the most sympathetic, most be- wild into a purely material sleight of hand. Clara approach these flames without danger of being loved, most exalted image of the god of Art, Wieck is one of those who have come out un- consumed by them. The singular energy of her


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constitution, which has held out since, in spite of

Madame Sontag.

concerts in Vienna. The "pianism,” to use a word of such manifold trials, exertions and sacrifices, in

New York coinage, I believe, was of that immensely

[The following letter, addressed by the Count de spite of uninterrupted cares, allowed her even

powerful, passionate character, which despising all the Rossi, husband of the late celebrated vocalist, to a

mere finenesses and niceties of the schools and salons, then, without injury to her health, to live con- friend in Paris, is translated, by the London Musical

exerts its perfect command of the instrument, only for tinually and ever longer in the glowing tropics of World from Le Ménéstrel.)

the purpose of expressing feelings and musical ideas. the soul. Thus she grew up in the land of the

It is now nearly five months since I left her

As with JOACHIM and his violin, so Rubinstein has no Ideal, to which youthful spirits undertake dreamy tomb, and I am still as broken-hearted and mise

more difficulties to conquer. One of our musicians of rable as on the day of her death. The generous excursions, unsuspected by the world around her,

some note here found this, that and the other fault with but useless endeavors of my relations to alleviate which is unacquainted with those spheres and

Rubinstein's playing. It came to the ears of one of the my loss, and even the presence of my beloved does not know the imperceptible but sure signs, children, sadden rather than console me, particu- said he," he may think himself happy when he begins

oldest and most distinguished professors. “Tell him," with which the travellers in that wonder-land are larly when I think of the happiness their dear mother would have felt in witnessing the great

to play like him!" quite familiar. There in the silence of her success of her favorite daughter, whom all find so

As to the first part of the concert all agree. The earnest meditation was that highest wisdom hers, charming in those qualities of education, heart,

greatness of Rubinstein's playing, the originality and which suddenly discloses to the artist, what it and musical feeling, which my lamented Henriette

depth of his musical thoughts, and the extreme skill

with which upon the piano, he expresses them, admit is sought in vain to teach him after the prescrip- made such efforts to develope under her own

direction. All now is lost forever, to me, to my of no dispute. For the first time in my life have I heard tions of the schools.

cbildren, and to the world, which she knew how a pianist play his own compositions, without wishing he When we heard Clara Wieck in Vienna fifteen

to charm as much as she did her own domestic would leave this finger trash and give something from years ago, she drew her hearers after her into circle, by a talent which was never more perfect Chopin, MENDELSSOHN, or older composers. Because her poetic world, to which she floated upward in

than when the decree of Providence arrested it I speak of the immense power of his playing, do not

in its career. a magical car drawn by electric sparks and

It is impossible for me to tell you imagine that he cannot be delicate—the softest zephyrs

what myself and my poor children suffer from a lifted by delicately prismatic but nervously throb

breathe after the terrific thunderstorm-1 am generally wound that time will scarcely heal; more espe- more impressed with the little beauties than with the bing winglets. The poets in this graceful appa- cially my little Marie, who is only beginning to

giant sublimity of Niagara. rition recognized a daughter of their Fatherland, recover somewhat from the terrible blow given to

As to the Symphony, it is hard to speak of it, after educated on the same shores, and nourished on

her dearest and best affections. Pious as she is, the same flower pollen; they strewed pearls and appreciated in the highest degree the proof of

once hearing. There are those, and indeed of the first (and permit me to add as I am myself,) we have

class, which are as well understood on the first hearing songs before her and fêted this Benjamin of their affection shown by Mlle. Alphonsine Lemit (in

as on the hundredth; there are those which are beneath tribe, who gazing round with wandering and the services at La Madeleine) in favor of one

all rank, which are never understood. It is equally imwbo bad vowed to bestow upon her a mother's

possible to see the bottom of Lake Superior and of Lake inspired look, strangely smiling, seemed like a interest, and would have kept the vow if the

Erie-the former is deep, the latter muddy. My comsilent Naiad, ill at home here in the land of Almighty had permitted her to realize the project panion was exceedingly pleased-he felt is to be entirely prose. At her performance of the F minor So

of fixing her residence in Paris, as we bad de- original--and indeed its power and originality seemed to nata of BEETHOVEN all the listeners believed cided. Alas! it only remains for us now to honor be its grand characteristics. I agree with him in a what Grillparzer related :

her memory in our prayers, and to endeavor to great measure; he was perhaps most pleased with the

stifle the bitter feelings which all of us experience Andante; I thought the most striking and original moveA weird magician, weary of the world,

in thinking of the fate of that unhappy mother ment to be the Scherzo. RELLSTAB's article upon the In sullen humor locked his charms all up

who, as the price of her noble and indefatigable first concert contains much with which I must sympaWithin a diamond casket, firmly clasped,

devotion, died, and died even at the moment thize. It does seem as if Joachim was pursuing And threw the key into the sea, and died. when she was counting the days and the hours

the wiser course in devoting himself to a most thorough The mannikins here tried with all their might; that would bring her back to her beloved chil

study of the Orchestra, and gaining a wide experience In vain! no tool can pick the flinty lock, dren, and recompense her for all her troubles and

in the art of expressing his ideas before coming before His magic arts still slumber, like their master. anxieties. Let us hope, my dear and good friend,


the public as composer on so grand a scale. A shepherd's child, along the sea-shore playing,

that Heaven, in its just mercy, has reserved for Watches the waves, in hurrying, idle chase.

her the reward of her good works, in the enjoy- times I thought it not difficult to see, that Rubinstein Dreaming and thoughtless, as young maidens are, ment of a happiness of which we cannot measure

had not fully succeeded in making his idea clear, while the extent; and in truth it is not she, but our

the grandeur of the thought was evident. Beethoven at She dippeth her white fingers in the flood, selves, who are the most to be pitied.

his age was again going through a thorough course of And grasps and lifts and holds it! 'Tis the key.

I am waiting for the arrival at Hamburg of harmony and counterpoint with AlbRECHTSBERGER, Up springs she, up, her heart still beating higher,

her dear mortal remains, in order to go there and and was three years older before he produced an orchesThe casket glances as with eyes before her.

meet them; I shall then accompany them to their tral work in public. The key fits well, up flies the lid. The spirits last resting place, in the Convent of Maria Jbal, I have heard this winter many orchestral works of All mount aloft, then bow themselves submissive near Dresden, where her sister is a nun, and young, or at least not much known, composers; but To this their gracious, innocent sweet mistress, where, in consequence, the holy prayers of those nothing has approached in importance what was last Who with white fingers guides them in her play. who loved her most will not be wanting. I am night produced in the theatre hall. If he should not What other passion besides love could bring and, after satisfying this wish of my heart, I re

having a small chapel built there, with two tombs, split upon the rock on which so many have been lostback to this earth a genius so naturalized and

want of thorough, severe study in the grammar and turn to my family.

rhetoric, so to speak, of music-in the technicalities of made at home upon the heights of musical thought I shall meet you, no doubt, in the spring, but

the Art, why may we not expect great things of him? and feeling? And for whom could she feel a love will not promise you that the pleasure of seeing

I never think of him but as a young Beethoven-can worthy of herself, her dreams and longings, you will be exempt from all sadness. It will be

there be a higher compliment? impossible for me to separate your presence from except for an artist like herself, who silent, intro

the remembrance of my dear Henriette; the idea Feb. 11 – One thing occurs to me, worthy of a place verted, musing as she mused, was wont to wander of being able to talk of the angel whom I have

in my jottings, in connection with Rubinstein's concert. through the balsam groves of the Ideal, to relate lost with those who feel as you do, has, however,

And that is the conduct of the audience. A large proin the language of tones the wonders there reits consolation. Besides, it will be delightful to

portion of those present came with free tickets, and vealed ? Two souls in their essence so entirely dear Marie, by bringing them together again for renew the friendship of Mlle. Alphonsine and my

showed their appreciation(!) of the concert giver by kindred must have kneeled before each other on a short time.

talking, laughing, going out before the close, and all that

sort of thing, in a manner I had not dreamed of here. first meeting, as the chronicle relates of the first

I had to leave the main floor and seek a place in the interview of Maria of Burgundy with Maximilian

Diary Abroad.-No. 14.

gallery, to hear at all. The worst behaved audience, by of Austria, which adds; tant emerveillés furent BERLIN, Feb. 9—RUBINSTEIN again! Last evening in all odds, at the performance of good music, which I ever ils de leur moult grande beauté et gentillesse the concert hall of the theatre he gave his second con

saw was that-mostly young women—which last winter mutuelle. Did not our artists also, like that cert with the following programme:

and winter before I used to see (and bear) at the Phil.

harmonic rehearsals in New York. But these were royal pair of lovers, inwardly exclaim after the

Part I. first shock of wonder and amazement: “Oh, 1. Third Concerto for piano-forte with Orchestra, by.

only rehearsals. Rubinstein's audience bore the palm at

Řubinstein. regular concerts. how beautiful!" And must they not, merging 2. Aria from Euryanthe, by Fraulein Valerius.

Ah, how the Germans love and appreciate music! 3. First and Second Preludes, by Rubinstein. themselves in the concord of their two natures,

4. Songs sung by Fraulein Valerius.
5. Nocturna and Caprice, both by Rubinstein.

VERY CLASSICAL."- A recent number of the have mutually dedicated and yielded themselves

Musical Gazette has the following clever jeu up to one another? Their destinies were ful

6. Second Symphony in B flat, by Rubinstein. filled in this mutual love blossoming under the

d'esprit :

What to record of my impression I do not know. It benign beams of Art, and thenceforth “his life seemed to me during the whole evening that I was car. Not long since, as a gentleman who is well was all for poetry, her poetry was in her life.” ried back sixty years to one of BEETHOVEN's annual known in this city as a thorough musician and an


" " Mar



accomplished artist, was contemplating from his would be very nice. But the lady wished Mr. through and through, only enlist my admiration of parlor window the antics of a monkey, belonging Symphony “to open the whole affair,” and to his skill. to an organ grinder in the street, who was tor- commence the performances with something very But of Heller's “Drum of the Spirite,' turing his organ and our friend with a vindictive classical. She had made a selection for him : the pertinacity, of which only organ grinders are ca- opening chorus of Ernani. Next, she would have

vellous Orange Tree,” “Second-Sight Mystery,” pable, be—the tortured friend and musician—was played the sextet from Lucia; next, Jullien's

I have no words to express my admiration. The surprised at the appearance of a dashing equi- Firemen's Quadrille ; next-but here, to the as

Second-Sight produces the greatest excitement page threading the humble street in which he re- tonishment of the lady, Mr. Symphony executed here, and convinces many that Robert Heller is sided. So seldom was anything vehicular of a fugue across the parlor, through the hall, out at certainly a near friend of Robert le Diable. more recherché and pretentious quality than the the door, and down the avenue; and she has I was better pleased with the first Song without butcher's, baker's, or milkman's cart, seen in the never been able to set eyes on him since.

Words, as I heard it two evenings afterward at Mr. street, that the appearance of the equipage caused much commotion among the simple-minded

Li's, than as Heller performed it. Before the quar. inhabitants, and completely eclipsed the organ Musiqal Correspondence.

tet assembled, it was performed on the piano and grinder and his monkey, who indignantly retired;

violoncello. I wish those beautiful arrangements the latter taking its revenge in making hideous

of Czerny's were more common. We also had faces at the footman, who formed a portion of the


on this occasion Mendelssohn's first and second new arrival. Our musical friend observed that March 29,-For about a week past our city has

Quartets. The first of these I have heard several the approaching establishment consisted of two been a wind-instrument, whose only music how

times now.

It has always struck me as more conspanking bay horses, arrayed in resplendent sil- ever has been a prevalent pneumonic coughing. ver-plated harness; a fashionable and costly car

strained than Mendelssohn's usual style; somewhat Whether it is the President's vetoes, or the Soulé riage; a sumptuously dressed and beautiful lady, correspondence, or the Czar's death that have

as the first Symphony of Beethoven has, as being not half reclining on the cushions; a burly coach

exactly individual and natural. We had, as a conman on the box, and two footmen behind, adorned been sowing the wind, we have certainly been

clusion, the Eroica, which I listened to in the with dashing livery. Where, soliloquized our reaping the whirlwind. Under such circumstances,

light of Wagner's analysis; which, however, like musical friend, where can this beautiful creature though I had heard some good music, and had

every other analysis I ever read of Beethoven's be going? He was answered by the carriage read the Journal, it was impossible to have writ.

music, did me no good, and was soon forgotten. stopping before his own door; and before he

ten a good-natured letter, as I wanted to,-even could overcome the astonishment consequent there had been a possibility of getting it to the thereupon, his servant-girl brought him a card, on which was inscribed the name of one of the post office without being blown away.

From ITALY. richest ladies in New York. The lady sought

Since I last wrote we have had two or three

LEGHORN, FEB. 12.-I promised to tell you some. him most unequivocally; and with mingled feel

pretty fair concerts here,-the best of which was thing about what I had seen, or rather heard, in the ings of surprise and vanity, he awaited her ap- Paul Jullien's; whose violin reminds you of that musical way since I have been wandering in that land proach, in his modest little parlor. She soon famous one whose maker caught in it the spirit known, par excellence, as “the Land of Song." From

She hoped she had the pleasure of ad- of his dying mother, and which ever after gave my experience it appears rather a misnomer. Almost dressing Mr. SYMPHONY: she had. She was

forth a tone as of an imprisoned soul. But as much so as the hackneyed epithet of " sunny clime;" glad of it. She was going to give a classical musical soirée, on a scale of magnificence hitherto the latest thing is something which for originaliy,

which the alternate storms of snow and rain, which have unprecedented, and utterly regardless of expense. individuality, and all that sort of thing, beats even

attended our Italian pilgrimage in search of sunshine,

have most wofully belied. It was to be strictly classical ; and of course a your own city of Isms and Eccentricities. This

In Venice, where we stopped some weeks, we heard a strictly classical musical soirée could not well be is no other than a Soirèe of Robert Heller's, given without the aid of Mr. Symphony and his

sufficient quantity of Opera, to be sure,-but it was held at Carusi's Saloon last week. Part 1; Piano. band. Would Mr. Symphony and his band as

VERDI-VERDI! The Venetians very naturally like to forte music. Part 2; three grand experiments sist? The price was of no consequence; the

hear I due Foscari, even when performed, as we heard necromantic! Heller's a genius. He saw what utmost classicalness, at whatever cost, was to be

it, by a tenor, who shouted through his nose in an exassecured. Mr. Symphony was charmed-equally

Washington wanted; he gave the supply, it perating manner-a basso), who reminded me of the with the good taste and the liberality of the lady; brought him money and reputation.

man in the Picwick Papers that was requested to "send he would be happy-exceedingly happy to con- The concert was opened with the Sonata Pa. a boy home, to see if he had not left his voice under his tribute bis feeble aid, and he would also insure the thetique. I was agreeably surprised. Of all Beet. pillow;" and a prima donna, who probably sang very well attendance of his band. But when was the soirée HOVEN's music this was the last I should have as. indeed ten years ago. National partiality and memory to take place ? Oh! it would take place very soon. sociated with Heller. I had many Boston memo

of the past may excuse the weakness wbich submits to But would Mr. Symphony be so kind as to call at ries of Heller: of how at our afternoon concerts

be amused three times a week by a most doleful series the lady's residence, on the following Thursday, he used to come forth, sit down quickly and in

of alternate inaudible solos and deafening choruses; but for the purpose of giving his valuable opinion as to

no tenable reason could, 1 opine, be alleged for the enthe arrangement of the room so as to secure the nine cases out of ten play that little scherzo of

thusiasm with which a certain production, calling itself best musical effects, etc. ? Mr. Symphony would Mendelssohn's youth--until once some of us

an opera and denominated L'Ebreo (the Jew) was rebe bappy to call. The lady retired; the carriage raised a hiss, which attracted a gaze from the

ceived. Perhaps the aspect of the beautiful Teatro la rolled away, and Mr. Symphony began to indulge crowd similar to little Oliver when he asked for

Fenice put the audience into good humor. Certainly, in a brighter dream for musical Art in America.

“more." It was clear Heller was not aware of That lovely creature, so enthusiastic for the classi

without, exception it is the most beautiful theatre I have cal in music, and so regardless of expense, would

the importance of our Wednesday afternoons. seen. The Berlin Opera House may be equal to it, but certainly give Art an impetus, etc. Mr. Symphony

And then at the subscriptions he played concertos not superior. There are no dark reds, no deep greens, permitted himself to cherish the wildest hopes, faithfully.

giving to a place of amusement the aspect of a misapand ordered a barrel of lager-bier. Mr. Sym- His fingers are manifestly in better plight now. plied cathedral. All is light, graceful, airy. The boxes phony was impatient for the arrival of Thursday. And the Sonata was charming. The second part

are closed at the sides, which adds to the cumpleteness He said to himself that it would never come; but of the first movement, Allegro molto e con brio,

of the aspect of the house, though it destroys the indiit did come, nevertheless, and with it came the was given to a wonder. But I trembled for the

viduality of the groups in the boxes, only leaving visible carriage, coachman, and footman, and a note from second. I had heard Dresel play it, and sup

the fair, flower-crowned heads, and graceful shoulders the lady, informing Mr. Symphony that the car

of the beautiful Venetian women. Beautiful they are, riage had been sent for him. What an honor ! posed I should never hear it again. But Heller

not with the airy grace of our lovely countrywomen; How considerate! Mr. Symphony entered the had studied it thoroughly, and the fascinating

but with a certain heavy, monumental grandeur, that is carriage, and soon arrived at the stupendous man- Adagio did not suffer. The other good music he

quite as fascinating in its way. sion of his fair patroness, in Fifth Avenue. He had, consisted of the following Lieder ohne Worte : They would be more agreeable neighbors at the Opera, was usbered into an imposing and gorgeously fur- No. 1, first book ; No. 6, third book ; No. 6, fifth however, if they came there to listen instead of to talk, nished suit of rooms. The lady soon entered, as handsome and classical as ever, and seemingly as

book. Rather ambitious certainly, but still such which appears to be their sole object in coming. Then

a treat to hear at all, that I had not the heart to regardless of expense. She greeted Mr. Sym

there are those insupportable white-coated Austrian phony cordially. She conducted him here; she

criticize. THALBERG's Sonnambula Fantasie, and officers, who go lounging about, talking in German, and, conducted bim there. How will this do? how some selections from his own (Heller's) works at.

with the proverbial insolence of conquerors, utterly diswill that do z Remember, Mr. Symphony, every tracted more applause than the others.

regarding the hush! hush! which precedes the prima thing is to be of the most classical order. O yes ! Heller is certainly a remarkable performer,

donna's grand effort, coolly continuing their audible cbMr. Symphony keeps that constantly in mind, chiefly so from his marvellous intrepidity, cool.

servations on the ladies in the lower row, during the and ventures a compliment on the lady's taste.

last dying speech and confession of the unlucky tenorHe then mentioned various compositions of Haydn,

The most rapid prestidigitation (a phrase I

who sings away in the agonies of death, as is the won. Mozart, Beethoven, and others, which he thinks

remember you used to apply to him as apropos of drous fashion of that class of humanity-without in the it would be well to introduce; not the entire

his profession) does not seem to excite anything least attracting their high and mighty attention. But I works, that would perhaps be to tiresome for such

more than his knuckles. I rather suspect it was am forgeting L'Ebreo. an occasion ; but the most effective and best appre- the lack of a better piano that made his perform- This opera is the production of an individual denomi. ciated movements of them. Yes, certainly, that ance of pieces that have so often penetrated me nated Signor GIUSEPPE APPOLLONI, who appears to have


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