The Annotated Waste Land with Eliot's Contemporary ProseYale University Press, 2006 M01 1 - 270 pages The definitive edition of the most influential poem of the twentieth centuryOne of the twentieth century’s most powerful—and controversial—works, The Waste Land was published in the desolate wake of the First World War. This definitive edition of T. S. Eliot’s masterpiece presents a new and authoritative version of the poem, along with all the essays Eliot wrote as he was composing The Waste Land, seven of them never before published in book form. The volume is enriched with period photographs and a London map of locations mentioned in the poem.Featured in the book are Lawrence Rainey’s groundbreaking account of how The Waste Land came to be composed; a history of the reactions of admirers and critics; and full annotations to the poem and Eliot’s essays. The edition transforms our understanding of one of the greatest modernist writers and the magnificent poem that became a landmark in literary history. |
From inside the book
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... PROSE London Letter , March 1921 135 The Romantic Englishman , the Comic Spirit , and the Function of Criticism 141 The Lesson of Baudelaire 144 Andrew Marvell 146 Prose and Verse 158 London Letter , May 1921 166 John Dryden 172 London.
... PROSE London Letter , March 1921 135 The Romantic Englishman , the Comic Spirit , and the Function of Criticism 141 The Lesson of Baudelaire 144 Andrew Marvell 146 Prose and Verse 158 London Letter , May 1921 166 John Dryden 172 London.
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T. S. Eliot Lawrence S. Rainey. London Letter , May 1921 166 John Dryden 172 London Letter , July 1921 183 London Letter , September 1921 188 The Metaphysical Poets 192 Notes to Eliot's Contemporary Prose 202 SELECTED BIBLIOGRAPHY 251 ...
T. S. Eliot Lawrence S. Rainey. London Letter , May 1921 166 John Dryden 172 London Letter , July 1921 183 London Letter , September 1921 188 The Metaphysical Poets 192 Notes to Eliot's Contemporary Prose 202 SELECTED BIBLIOGRAPHY 251 ...
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... John Davidson ( 1857-1908 ) , and especially his poem " Thirty Bob a Week , " with its stark presentation of a city clerk . He had " found inspiration in the content of the poem , ” Eliot later recalled , “ and in the complete fitness ...
... John Davidson ( 1857-1908 ) , and especially his poem " Thirty Bob a Week , " with its stark presentation of a city clerk . He had " found inspiration in the content of the poem , ” Eliot later recalled , “ and in the complete fitness ...
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... John Quinn , an American lawyer and patron of letters . Eliot's life now as- sumed a steady routine of work . He rose two hours early in the morning to concentrate on his own writing ; then worked an eight - hour day at the bank ; then ...
... John Quinn , an American lawyer and patron of letters . Eliot's life now as- sumed a steady routine of work . He rose two hours early in the morning to concentrate on his own writing ; then worked an eight - hour day at the bank ; then ...
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... John Middleton Murry . Eliot turned down the position . He preferred the security offered by his position at Lloyds , and he wanted to remain independent of the infight- ing which comes with journalism : " I only write what I want to ...
... John Middleton Murry . Eliot turned down the position . He preferred the security offered by his position at Lloyds , and he wanted to remain independent of the infight- ing which comes with journalism : " I only write what I want to ...
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The Annotated Waste Land with Eliot's Contemporary Prose Thomas Stearns Eliot,Lawrence S. Rainey No preview available - 2005 |
Common terms and phrases
American Andrew Marvell appeared ballet Baudelaire Boni and Liveright century church cites City conceives an aversion contemporary Cowley Criterion critic Dante death Dial Donne Duchess of Malfi early edition editor Eliot is quoting Eliot wrote Eliot's note England English essay Ezra Pound Faber and Faber fire French George Goonight H Note Harcourt Harold Monro HIERONIMO Hogarth James Sibley Watson January John Dryden journal Jules Laforgue June King Laforgue later lines literary literature London Letter long poem Lord LOTSE March Marvell's metaphysical metaphysical poets Milton mind modern Monro music hall November Oxford Paris passage performance phrase play poem's poet poetic poetry Procne published reader Review satire Scofield Thayer September shantih Shaw song Street style T. S. Eliot Tereus Theatre things Thomas tion Tiresias translation TWL:AF Valerie Eliot Vivien Waste Land Watson words writing York
Popular passages
Page 220 - ... reveals itself in the balance or reconciliation of opposite or discordant qualities: of sameness, with difference; of the general, with the concrete; the idea, with the image; the individual, with the representative; the sense of novelty and freshness, with old and familiar objects; a more than usual state of emotion, with more than usual order...
Page 88 - The barge she sat in, like a burnished throne, Burned on the water : the poop was beaten gold ; Purple the sails, and so perfumed that The winds were lovesick with them...
Page 117 - And when they found not his body, they came, saying ; That they had also seen a vision of angels, which said that he was alive. And certain of them which were with us went to the sepulchre, and found it even so as the women had said ; but him they saw not.
Page 58 - What are the roots that clutch, what branches grow Out of this stony rubbish? Son of man, You cannot say, or guess, for you know only A heap of broken images, where the sun beats, And the dead tree gives no shelter, the cricket no relief, And the dry stone no sound of water.
Page 117 - Cleopas, answering, said unto him, Art thou only a stranger in Jerusalem, and hast not known the things which are come to pass there in these days ? 19 And he said unto them, What things?
Page 116 - What then? are we better than they? No, in no wise: for we have before proved both Jews and Gentiles, that they are all under sin...
Page 78 - And the doors shall be shut in the streets, when the sound of the grinding is low, and he shall rise up at the voice of the bird, and all the daughters of music shall be brought low; also when they shall be afraid of that which is high, and fears shall be in the way, and the almond tree shall flourish, and the grasshopper shall be a burden, and desire shall fail: because man goeth to his long home, and the mourners go about the streets...
Page 102 - But thirty thousand to the rest; An age at least to every part, And the last age should show your heart. For, lady, you deserve this state, Nor would I love at lower rate. 20 But at my back I always hear Time's winged chariot hurrying near; And yonder all before us lie * Deserts of vast eternity.
Page 181 - FAREWELL, too little, and too lately known, Whom I began to think, and call my own ; For sure our souls were near allied, and thine Cast in the same poetic mould with mine.
Page 102 - My vegetable love should grow Vaster than empires and more slow; An hundred years should go to praise Thine eyes, and on thy forehead gaze; Two hundred to adore each breast, But thirty thousand to the rest; An age at least to every part, And the last age should show your heart. For, lady, you deserve this state, Nor would I love at lower rate.