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LOPEZ.

Santiago! Juan, thou art hard to please.
I speak not for my own delighting, I.
I can be silent, I.

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One that some say the Duke does ill to wed.
One that his mother reared - God rest her soul!
Duchess Diana she who died last year.

A bird picked up away from any nest.

Her name

- the Duchess gave it - is Fedalma. No harm in that. But the Duke stoops, they say, In wedding her. And that's the simple truth.

JUAN.

Thy simple truth is but a false opinion:
The simple truth of asses who believe
Their thistle is the very best of food.
Fie, Lopez, thou a Spaniard with a sword
Dreamest a Spanish noble ever stoops
By doing honor to the maid he loves!
He stoops alone when he dishonors her.

LOPEZ.

Nay, I said nought against her.

JUAN.

Better not.

Else I would challenge thee to fight with wits,

And spear thee through and through ere thou couldst draw The bluntest word. Yes, yes, consult thy spurs:

Spurs are a sign of knighthood, and should tell thee

That knightly love is blent with reverence
As heavenly air is blent with heavenly blue.
Don Silva's heart beats to a loyal tune:
He wills no highest-born Castilian dame,
Betrothed to highest noble, should be held
More sacred than Fedalma. He enshrines
Her virgin image for the general awe
And for his own - will guard her from the world,
Nay, his profaner self, lest he should lose
The place of his religion. He does well.
Nought can come closer to the poet's strain.

HOST.

Or farther from his practice, Juan, eh?
If thou 'rt a sample?

JUAN.

Wrong there, my Lorenzo!

Touching Fedalma the poor poet plays
A finer part even than the noble Duke.

LOPEZ.

By making ditties, singing with round mouth
Likest a crowing cock? Thou meanest that?

JUAN.

Lopez, take physic, thou art getting ill,
Growing descriptive; 't is unnatural.

I mean, Don Silva's love expects reward,
Kneels with a heaven to come; but the poor poet
Worships without reward, nor hopes to find
A heaven save in his worship. He adores
The sweetest woman for her sweetness' sake,
Joys in the love that was not born for him,
Because 't is lovingness, as beggars joy,
Warming their naked limbs on wayside walls,
To hear a tale of princes and their glory.
There's a poor poet (poor, I mean, in coin)
Worships Fedalma with so true a love

That if her silken robe were changed for rags,

And she were driven out to stony wilds
Barefoot, a scornéd wanderer, he would kiss
Her ragged garment's edge, and only ask
For leave to be her slave. Digest that, friend,
Or let it lie upon thee as a weight

To check light thinking of Fedalma.

LOPEZ.

I?

I think no harm of her; I thank the saints
I wear a sword and peddle not in thinking.
"Tis Father Marcos says she'll not confess
And loves not holy water; says her blood
Is infidel; says the Duke's wedding her
Is union of light with darkness.

JUAN.

Tush!

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[Now Juan who by snatches touched his lute
With soft arpeggio, like a whispered dream
Of sleeping music, while he spoke of love
In jesting anger at the soldier's talk

Thrummed loud and fast, then faster and more loud,
Till, as he answered "Tush!" he struck a chord

Sudden as whip-crack close by Lopez' ear.

Mine host and Blasco smiled, the mastiff barked,
Roldan looked up and Annibal looked down,
Cautiously neutral in so new a case;

The boy raised longing, listening eyes that seemed
An exiled spirit's waiting in strained hope

Of voices coming from the distant land.

But Lopez bore the assault like any rock :

That was not what he drew his sword at — he!
He spoke with neck erect.]

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Something brand new.

A test of novelties.

Thou 'rt wont to make my ear Hast thou aught fresh?

JUAN.

As fresh as rain-drops. Here's a Canción
Springs like a tiny mushroom delicate
Out of the priest's foul scandal of Fedalma.

[He preluded with querying intervals,
Rising, then falling just a semitone,

In minor cadence-sound with poiséd wing
Hovering and quivering towards the needed fall.
Then in a voice that shook the willing air
With masculine vibration sang this song.

Should I long that dark were fair?
Say, O song!

Lacks my love aught, that I should long?

Dark the night, with breath all flow'rs,
And tender broken voice that fills
With ravishment the listening hours:
Whisperings, wooings,

Liquid ripples and soft ring-dove cooings

In low-toned rhythm that love's aching stills.
Dark the night,

Yet is she bright,

For in her dark she brings the mystic star,
Trembling yet strong, as is the voice of love,
From some unknown afar.

O radiant Dark! O darkly-fostered ray!
Thou hast a joy too deep for shallow Day.

While Juan sang all round the tavern court
Gathered a constellation of black eyes.

Fat Lola leaned upon the balcony

With arms that might have pillowed Hercules

(Who built, 't is known, the mightiest Spanish towns);

Thin Alda's face, sad as a wasted passion,

Leaned o'er the nodding baby's; 'twixt the rails
The little Pepe showed his two black beads,
His flat-ringed hair and small Semitic nose,
Complete and tiny as a new-born minnow;

Patting his head and holding in her arms
The baby senior, stood Lorenzo's wife
All negligent, her kerchief discomposed
By little clutches, woman's coquetry

Quite turned to mother's cares and sweet content.
These on the balcony, while at the door

Gazed the lank boys and lazy-shouldered men.
'T is likely too the rats and insects peeped,
Being southern Spanish ready for a lounge.
The singer smiled, as doubtless Orpheus smiled,
To see the animals both great and small,

The mountainous elephant and scampering mouse,
Held by the ears in decent audience;

Then, when mine host desired the strain once more,
He fell to preluding with rhythmic change
Of notes recurrent, soft as pattering drops
That fall from off the eaves in faëry dance

When clouds are breaking; till at measured pause
He struck with strength, in rare responsive chords.]

HOST.

Come, then, a gayer ballad, if thou wilt:

I quarrel not with change. What say you, Captain ?

LOPEZ.

All's one to me. I note no change of tune,
Not I, save in the ring of horses' hoofs,
Or in the drums and trumpets when they call
To action or retreat. I ne'er could see

The good of singing.

BLASCO.

Why, it

passes time

Saves you from getting over-wise: that's good.
For, look you, fools are merry here below,
Yet they will go to heaven all the same,
Having the sacraments; and, look you, heaven
Is a long holiday, and solid men,

Used to much business, might be ill at ease
Not liking play. And so, in travelling,

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