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Given to mischief, merry naughtiness,
Quiet it, as the hedgehogs smooth their spines,
For fear of hurting poor old Agatha.

"T is pretty why, the cherubs in the sky
Look young and merry, and the angels play
On citherns, lutes, and all sweet instruments.

I would have young things merry. See the Lord! A little baby playing with the birds;

And how the Blessed Mother smiles at him.

COUNTESS LINDA.

I think you are too happy, Agatha,
To care for heaven. Earth contents you well.

AGATHA.

Nay, nay, I shall be called, and I shall go
Right willingly. I shall get helpless, blind,
Be like an old stalk to be plucked away:

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The garden must be cleared for young spring plants.
"T is home beyond the grave, the most are there,
All those we pray to, all the Church's lights,
And poor old souls are welcome in their rags:
One sees it by the pictures. Good Saint Ann,
The Virgin's mother, she is very old,
And had her troubles with her husband too.
Poor Kate and Nell are younger far than I,
But they will have this roof to cover them.
I shall go willingly; and willingness
Makes the yoke easy and the burden light.

COUNTESS LINDA.

When you go southward in your pilgrimage,
Come to see me in Freiburg, Agatha.

Where you have friends you should not go to inns.

AGATHA.

Yes, I will gladly come to see you, lady.
And you
will give me sweet hay for a bed,
And in the morning I shall wake betimes
And start when all the birds begin to sing.

COUNTESS LINDA.

You wear your smart clothes on the pilgrimage,
Such pretty clothes as all the women here
Keep by them for their best: a velvet cap
And collar golden-broidered? They look well
On old and young alike.

AGATHA.

Nay, I have none,

Never had better clothes than these you see.
Good clothes are pretty, but one sees them best
When others wear them, and I somehow thought
'Twas not worth while. I had so many things
More than some neighbors, I was partly shy
Of wearing better clothes than they, and now
I am so old and custom is so strong

"T would hurt me sore to put on finery.

COUNTESS LINDA.

Your gray hair is a crown, dear Agatha.
Shake hands; good-bye. The sun is going down,
And I must see the glory from the hill.

I stayed among those hills; and oft heard more
Of Agatha. I liked to hear her name,
As that of one half grandame and half saint,
Uttered with reverent playfulness. The lads
And younger men all called her mother, aunt,
Or granny, with their pet diminutives,
And bade their lasses and their brides behave
Right well to one who surely made a link
"Twixt faulty folk and God by loving both:
Not one but counted service done by her,
Asking no pay save just her daily bread.

At feasts and weddings, when they passed in groups
Along the vale, and the good country wine,
Being vocal in them, made them quire along

In quaintly mingled mirth and piety,

They fain must jest and play some friendly trick On three old maids; but when the moment came Always they baited breath and made their sport Gentle as feather-stroke, that Agatha

Might like the waking for the love it showed.
Their song made happy music 'mid the hills,
For nature tuned their race to harmony,

And poet Hans, the tailor, wrote them songs
That grew from out their life, as crocuses
From out the meadow's moistness. "T was his song
They oft sang, wending homeward from a feast,
The song I give you. It brings in, you see,
Their gentle jesting with the three old maids.

Midnight by the chapel bell!
Homeward, homeward all, farewell!
I with you, and you with me,
Miles are short with company.

Heart of Mary, bless the way,
Keep us all by night and day!

Moon and stars at feast with night
Now have drunk their fill of light.
Home they hurry, making time
Trot apace, like merry rhyme.
Heart of Mary, mystic rose,
Send us all a sweet repose!

Swiftly through the wood down hill,
Run till you can hear the mill.
Toni's ghost is wandering now,
Shaped just like a snow-white cow.
Heart of Mary, morning star,
Ward off danger, near or far!

Toni's wagon with its load
Fell and crushed him in the road
"Twixt these pine-trees. Never fear!
Give a neighbor's ghost good cheer.

Holy Babe, our God and Brother,
Bind us fast to one another!

Hark! the mill is at its work,
Now we pass beyond the murk
To the hollow, where the moon
Makes her silvery afternoon.

Good Saint Joseph, faithful spouse,
Help us all to keep our vows!

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Little maidens old, sweet dreams!
Sleep one sleep till morning beams.
Mothers ye, who help us all,
Quick at hand, if ill befall.

Holy Gabriel, lily-laden,

Bless the aged mother-maiden!

Forward, mount the broad hillside
Swift as soldiers when they ride.
See the two towers how they peep,
Round-capped giants, o'er the steep.
Heart of Mary, by thy sorrow,
Keep us upright through the morrow!

Now they rise quite suddenly
Like a man from bended knee,
Now Saint Märgen is in sight,
Here the roads branch off

-

good night! Heart of Mary, by thy grace, Give us with the saints a place!

1868.

ARMGART.

SCENE I.

A Salon lit with lamps and ornamented with green plants. An open piano, with many scattered sheets of music. Bronze busts of Beethoven and Gluck on pillars opposite each other. A small table spread with supper. To FRÄULEIN WALPURGA, who advances with a slight lameness of gait from an adjoining room, enters GRAF DORNBERG at the opposite door in a travelling dress.

GRAF.

Good morning, Fräulein!

WALPURGA.

What, so soon returned?

I feared your mission kept you still at Prague.

GRAF.

But now arrived! You see my travelling dress.
I hurried from the panting, roaring steam

Like any courier of embassy

Who hides the fiends of war within his bag.

WALPURGA.

You know that Armgart sings to-night?

GRAF.

"T is close on half-past nine. The Orpheus

Has sung!

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