PARSON TURELL'S LEGACY, 345. PATH, the long, 323.
PEARS, men are like, in coming to maturity, 92.
PHOSPHORUS, its suggestions, 84. PHOTOGRAPHS of the Past, 283. PHRASES, complimentary, applied to authors, what determines them, 131.
PIE, the young fellow treats disre- spectfully, 88; the Author takes too large a piece of, 90. PIECRUST, poems, etc., written un- der influence of, 90. PILLAR, the Hangman's, 329. PINKNEY, William, 7.
PIRATES, Danish, their skins on church doors, 121.
PLAGIARISM, Author's virtuous dis- gust for, 168.
POCKET-BOOK fever, 240. POEM-with the slight alterations, 53. POEMS, alterations of, 52; have a body and a soul, 112; green state of, 114; porous like meerschaums, 117; post-prandial, the Professor's idea of, 259.
POET, my friend, the, 111, 146, 200, 206 et seq., 211, 258, 259, 261. POETS love verses while warm from their minds, 114; two kinds of, 212; apt to act mechanically on their brains, 216.
POETS and artists, why like to be
prone to abuse of stimulants, 221. POETASTER who has tasted type,
POETICAL impulse external, 112. POETRY uses white light for its main object, 56.
PRINCIPLE, against obvious facts, 63. PRIVATE Journal, extract from my, 287.
PRIVATE theatricals, 47. PROBABILITIES provided with buf- fers, 63.
PROFESSION, literary men should have a, 207.
PROFESSOR, my friend the, 28, 80, 90, 101, 123, 130, 137, 170, 171 et seq., 201, 206 et seq., 224, 226, 227, 262, 281 et seq., 294, 341 et seq. PROLOGUE, 49. PUBLIC Garden, 318. PUGILISTS, when "stale," 180. PUNNING, quotations respecting, 14. PUNS, law respecting, 12; what they
consist in, 55; surreptitiously cir- culated among the company, 293. PUPIL of the eye, simile concerning, the Author disgorges, 166.
Quantity, false, Sidney Smith's re- mark on, 125.
RACE of life, the, report of running in, 108.
RACES, our sympathies go naturally with higher, 74. RACING, not republican, 38. RAPHAEL and Michael Angelo, 237. RASPAIL's proof-sheets, 28. Rat des Salons à Lecture, 65. READING for the sake of talking, 154; a man's and a woman's, 321.
RECOLLECTIONS, trivial, essential to our identity, 243.
RELATIVES, opinions of as to a man's powers, 60. REPEATING one's self, 7. REPUTATION, living on contingent, 68.
REPUTATIONS, conventional, 41. "RETIRING" at night, etiquette of,
RHODE-ISLAND, near what place, 272.
RHYMES, old, we get tired of, 20; bad to chew upon, 338. RIDICULOUS, love of, dangerous to literary men, 102. ROSES, damask, 264, 267. ROWING, nearest approach to flying, 195; its excellencies, ib.; its joys,
"ROYAL GEORGE," the, Cowper's poem on, 329.
RUM, the term applied by low peo- ple to noble fluids, 220.
SAÄS-PLATES, 357.
SADDLE-LEATHER compared to sole- leather, 192.
"SAHTISFAHCTION," a tepid ex- pression, 120.
SAINT Genevieve, visit to church of,
'SAINTS and their Bodies," an ad- mirable Essay, 189. SANTORINI'S laughing-muscle, 224. SAVING one's thoughts, 29. SCHOOLMISTRESS, the, 35, 47, 68, 85,
86, 97, 122, 133, 142, 143, 156, 211, 212, 234 et seq., 242, 244 et seq., 264, 278, 286 et seq., 311, 358 et seq. 364. "SCIENCE," the Professor's inward smile at her airs, 206. SCIENTIFIC certainty has no spring in it, 63.
SCIENTIFIC knowledge partakes of insolence, 62.
SCRAPING the floor, effect of, 56. SEA and Mountains, 308. SEED capsule (of poems,) 232. SELF-DETERMINING power, limita- tion of, 100.
SELF-ESTEEM, with good ground, is imposing, 11.
SELF-MADE men, 22.
SEVEN Wise Men of Boston, their sayings, 142. SHAKSPEARE, old copy, with flakes of pie-crust between its leaves, 88. SHAWL, the Indian blanket, 21. SHORTENING Weapons and lengthen- ing boundaries, 22.
SHIP, the, and martin-house, 240. SHIPS, afraid of, 238.
SHOP-BLINDS, iron, produce a shiver, 312.
SIERRA LEONE, native of, enjoying himself, 351.
SIGHT, pretended failure of, in old persons, 199.
SIMILITUDE and analogies, ocean of,
SIN, its tools and their handle, 142; introduction to, 243.
SMELL, as connected with the mem- ory, etc. 83. SMILE, the terrible, 223. SMITH, Sidney, abused by London Quarterly Review, 103. SNEAKING fellows to be regarded tenderly, 255.
SOCIETIES of mutual admiration, 2. SOUL, its concentric envelops, 281. SOUNDS, Suggestive ones, 246, 247. SPARRING, the Professor sees a little, and describes it, 198. SPOKEN language plastic, 30. SPORTING men, virtues of, 41. SPRING HAS COME, 228. SQUIRMING When old falsehoods are turned over, 129. STAGE-RUFFIAN, the, 58. "STARS, the, and the earth," a little book, referred to, 310. STATE HOUSE, Boston, the hub of the solar system, 143. "STATOO of deceased infant," 124. STILLICIDIUM, sentimental, 89. STONE, flat, turning over of, 127. STRANGER, who came with young fellow called John, 143, 356. "STRAP!" my man John's story,
STRASBURG Cathedral, rocking of its spire, 331.
STRIKING in of thoughts and feel- ings, 153.
STUART, his two portraits, 24. SUMMER residence, choice of, 309. SUN AND SHADOW, 45. SUNDAY mornings, how the Author shows his respect for, 201. SWANS, taking his ducks for, 319. SWIFT, property restored to, 168. SWORDS, Roman and American, 21. SYLVA NOVANGLICA, 275. SYNTAX, Dr. 270.
TALENT, a little makes people jeal- ous, 2.
TALKERS, real, 164.
TALKING like playing at a mark with an engine, 30; one of the fine arts, 58. TEAPOT, literary, 70. THE LAST BLOSSOM, 186. THE OLD MAN DREAMS, 76. THE TWO ARMIES, 262. THE VOICELESS, 355. THEOLOGICAL students, we all are,
THOUGHT revolves in cycles, 80; if
uttered, is a kind of excretion, 227. THOUGHTS may be original, though often before uttered, 8; saving, 29; shaped in conversation, 30; tell worst to minister and best to young people, 33; my best seem always old, 34; real, knock out somebody's wind, 129. THOUGHT-SPRINKLERS, 30. TIME and space, 310.
TOBACCO-STAIN may strike into character, 116.
TOBACCO-STOPPER, lovely one, 116. TOWNS, small, not more modest than cities, 144.
Toy, author carves a wonderful at Marseilles, 208.
Toys moved by sand, caution from one, 90.
TRAVEL, maxims relating to, 325; recollections of, 326.
TREE, growth of, as shown by rings of wood, 331; slice of a hemlock, 331; its growth compared to hu- man lives, 332.
TREES, great, 268; mother-idea in
each kind of, 270; afraid of meas- uring-tape, 272; Mr. Emerson's report on; 273; of America, our friend's interesting work on, 276.
VIOLINS, Soaked in music, 117; take a century to dry, 118. VIRTUES, negative, 306. VISITORS, getting rid of, when their visit is over, 19.
VOICE, the Teutonic maiden's, 250; the German woman's, 251; the little child's in the hospital, 252. VOICES, certain female, 248; fear- fully sweet ones, 249; hard and sharp, 251; people do not know their own, 253; sweet must be- long to good spirits, 253.
Voleur, brand of, on galley rogues, 120.
VOLUME, man of one, 165.
WALKING arm against arm, 20; laws of, 80; the Professor sanctions, 191; riding and rowing compared, 193, 194.
WASP, sloop of war, 239.
WATER, the white-pine pail of, 232. WEDDING, the, 364.
WEDDING-PRESENTS, the, 361. WELLINGTON, gentle in his old age,
WHAT WE ALL THINK, 168. WILL, compared to a drop of water in a crystal, 96. WILLOWS in Maine, 335. WINE of ancients, 75.
WIT takes imperfect views of things,
WOMAN, an excellent instrument for a nerve-player, 148; to love a, must see her through a pin-hole, 258; must be true as death, 315; marks of low and bad blood in, 316; love-capacity in, ib.; pride in, 316; why she should not say too much, 317.
WOMEN, young, advice to, 54; first to detect a poet, 211; inspire poets, 211; their praise the poet's re- ward, 211; all, love all men, 257; all men love all, 257; pictures of, 257; who have weighed all that life can offer, 322.
WOODBRIDGE, Benjamin, his grave, 279, 280.
WORLD, old and new, comparison of their types of organization, 276. WRITING with feet in hot water, 7; like shooting with a rifle, 30.
YES? in conversation, 20. YOUNG FELLOW called John, 60, 72, 81, 88, 114, 128, 201, 216, 223, 224, 241, 254, 268, 293, 300, 306, 356, 362.
YOUNG LADY come to be finished off, 10. YOUTH, flakes off like button-wood bark, 177; American, not perfect type of physical humanity, 197; and age, what Author means by, 231.
WATCH-PAPER, the old gentleman's, ZIMMERMANN, 7.
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