The Sculptures of the ParthenonJ. Murray, 1903 - 173 pages |
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Page 48
... already dipping over the horizon , as on the Parthenon pediment ? Euripides ( Ion , 1149 ) may speak of black - robed night as a companion group to Helios , and one poet may call the Fates " fair armed daughters of night , " while ...
... already dipping over the horizon , as on the Parthenon pediment ? Euripides ( Ion , 1149 ) may speak of black - robed night as a companion group to Helios , and one poet may call the Fates " fair armed daughters of night , " while ...
Page 50
... already said that several of the missing statues can be imagined with reasonable certainty ; in the very centre , Zeus , Athenè , Victory , and Hephaestos ( or Prometheus ) . It is almost beyond doubt that Zeus had been seated facing ...
... already said that several of the missing statues can be imagined with reasonable certainty ; in the very centre , Zeus , Athenè , Victory , and Hephaestos ( or Prometheus ) . It is almost beyond doubt that Zeus had been seated facing ...
Page 56
... already gone out to fight the Centaurs or to rescue the women who are being carried off . In that case we expect indications of a wedding ceremony , such as music and sacrifice ; we expect signs of alarm ; we may find both . Let us see ...
... already gone out to fight the Centaurs or to rescue the women who are being carried off . In that case we expect indications of a wedding ceremony , such as music and sacrifice ; we expect signs of alarm ; we may find both . Let us see ...
Page 58
... already said , they had gone for protection , as in the Phigaleian frieze . Long ago it was proposed to interpret these central metopes as representing the marriage scene of Peirithöos , interrupted by the inroad of the Centaurs . Since ...
... already said , they had gone for protection , as in the Phigaleian frieze . Long ago it was proposed to interpret these central metopes as representing the marriage scene of Peirithöos , interrupted by the inroad of the Centaurs . Since ...
Page 70
... already dealt . There is no indication of any weapon in the hands of the Lapiths , though perhaps in the broken condition of the marbles it would be too much to say that there had not been any , especially as two of the Lapiths carry ...
... already dealt . There is no indication of any weapon in the hands of the Lapiths , though perhaps in the broken condition of the marbles it would be too much to say that there had not been any , especially as two of the Lapiths carry ...
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Common terms and phrases
Acropolis Acropolis of Athens action Alcamenes angle Aphroditè apobates appear artistic Athenè Athenians attitude beauty birth of Athenè body British Museum Carrey's drawing carry cast Cecrops Centaur Centaurs and Lapiths central group central metopes centre chariot chariot group chiton colossal composition cows deities drapery east frieze effect Elgin Room Ergastinae figure folds fore leg front girls goddess gods gold and ivory Greek head helmet Hephaestos Hera horses Ilissos Illustrations instances knee Lapith left arm left hand long sides Lord Elgin mantle marble Michaelis nearer north frieze north side nude form Olympia Olympos original in Athens Parthenon frieze Pausanias peplos Pheidias PLATE Poseidon possible procession raised recognise represent right arm right hand scene sculptured seated seen shield shoulders Slab south metopes south side spectator statuette temple Theseus turning round vase west frieze west pediment whole wings woman women xoanon youth Zeus Zeus at Olympia
Popular passages
Page 118 - I trust, from ever forgetting—what is meant by the virtue of handling in sculpture. The projection of the heads of the four horses, one behind the other, is certainly not more, altogether, than three-quarters of an inch from the flat ground, and the one in front does not in reality project more than the one behind it, yet, by mere drawing,* you see the sculptor has got them to appear to recede in due order, and by the soft rounding of the flesh surfaces, and modulation of the veins, he has taken...
Page 1 - WHEN the Parthenon stood forth complete on the Acropolis of Athens in or about the year 438 BC, there was no other building in the whole of Greece comparable even in the mere extent and variety of its sculptures.1 Imagine a frieze 522 feet in length sculptured all along with figures nearly half life size, in many parts densely crowded till the marble could carry no more, the whole in very low relief and executed with marvellous detail. Above the columns externally and round all the four sides of...
Page 2 - ... workmanship. Within each of the two pediments or gables was an immense group of statues, the smallest equal to life size, the central figures colossal. Lastly, inside the Parthenon was the stupendous statue of Athene herself in gold and ivory by Pheidias. It was he who directed the whole of the...
Page 1 - B. c., there was no other building in the whole of Greece comparable even in the mere extent and variety of its sculptures.1 Imagine a frieze 522 feet in length sculptured all along with figures nearly half life-size, in many parts densely crowded till the marble could carry no more, the whole in very low relief and executed with marvellous detail. Above the columns externally and round all the four sides of the temple were ninety-two metopes, each consisting of a group of two figures two-thirds...